Originally posted by: tgota92
I agree that this was all done well by the director - the depiction of her emotions - in the FIRST half of the drama. But now in the second half ? She’s become an afterthought which has set Zamda totally in the background with the same repetitive acting as a focus. Zamda has no friends there. Nobody to confide in. All we have are her expressions and reactions to her surroundings. It HAS to deliver so that we are still with her emotionally and not just in theory.
But what has happened is that instead of the director focusing on Durre and Durre bringing some nuance or variability, they’ve resorted to flashbacks upon flashbacks. Maybe even the editor thinks how much this is needed so we still stay with Zamda. I know a lot of people are annoyed with the flashbacks but for me, they’re needed so that I can remind myself that Zamda is in the right still and I have to feel something for her. Because that sympathy is just not coming in organically now. Why? Because that sympathy card lies with characters like Badshah Khan, Bakhtawar etc now - the collateral damage of Zamda’s revenge on Channar and Duraab.
And they keep bringing back the flashback of Durre with her mom, which I thought was her weakest performed scene. Where she is crying and says “I’m your daughter” 🤦🏻♀️ Love the relevance of the scene but it doesn’t help when you’re gauging Zamda’s reaction/Durre’s acting choices. I feel the direction and acting in the latter half have been lazy and Zamda has kind of fallen behind a bit. Story needs to re-Center her and give Durre more scope to perform. Right now it is extremely monotonous.
You can be stone hearted all you want but that moment of hesitation, self reflection and guilt is very human and should have been kept. Then you can show her collect herself and her resolve. All of it can be shown within seconds of a scene. It’s all about the nuances which I feel Durre didn’t tap into. Because this is a fairly meaty role and is an opportunity to show a lot of range since most of her scenes are silent ones where she’s observing and planning or reacting. Durre is good enough but missing that range. Especially in scenes with better actors like Hina Bayat and Laila Wasti. It becomes hard to ignore. And I keep waiting for that Zamda comeback.
so I agree in parts and disagree in some. If you have seen my posts, you would know I have zero sympathy for anyone in the evil old man's family and I am just as bloodthirsty as Zamda. I am all for khaie!
That said, I do agree that these nuances may be a bit beyond Durre's capability and she is surrounded by very powerful actors with years of experience who know their craft. The last drama I saw her was in the very awful Kaisi Teri Khudgarzi and I was pulling out my hair at the inane Stockhom syndrome romance.
Compared to that, she is doing a good job here. Can she do better? 100%. The role calls for her to display a range of emotions through her eyes and facial expressions alone. Given the actress' limitations, the director could have chosen to do a voiceover for those scenes where she gets to voice her internal thoughts and that would have been more effective.
Acting wise, both Badal and Muscle man have showed their resolve, anger and volatility when it comes to Khaie. Zamda falls in the same category but Durre doesn't have the ability to show those same depth of the feelings that these men have expressed.
Do I think she is struggling with the choice of Khaie? No, I don't. I think Zamda has made her choice to be consumed by the fire of revenge and she has zero qualms just as Badal and muscle man. Why? Because her life ended on her wedding day when her family was murdered and destroyed. She too died in some ways that way. So I don't find it weird that there is no self reflection or guilt. The only reason she is alive and she tolerates the presence of all these people is khaie.
Edited by mango.falooda - 7 months ago
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