Kedarnath
Bollywood has had some disaster films like Burning Train and Kaala Patthar, but they are a rare genre. Kedarnath is perhaps the most well-known disaster flick of modern times. Instead of being a unique film, it borrows heavily from the template of the most successful disaster film of all time - Titanic.
A real-life natural disaster that actually took place. Check.
A combination of nature's fury exacerbated by human hubris and folly. Check.
A capricious and controlling fiance blinded by his narrow prejudices. Check.
A woman unhappy with her social shackles and seeking a relationship that is more fulfilling and meaningful. Check.
A family that is keener on social appearances than personal happiness. Check.
A young man who dares to defy social barriers and dream above his stature. Check.
A hero who has to die because the writers cannot think of a more fitting climax than star-crossed lovers being entrapped in eternal heartbreak for their defiance. Check.
It even had a "dressed in our best and prepared to go down as gentlemen" moment, or more like "a yogi who has surrendered to the holy valley and prepared to go down in its fury" moment.
The only things missing were perhaps the band that played on and the unsinkable Molly Brown.
For a debut performance, Kedarnath is better than anything else Sara Ali Khan has done since. Sushant Singh Rajput is genuinely charming as Mansoor. It is a pity Bollywood no longer has a lead with schoolboy charms like Sushant.
Compared to Kai Po Che, Kedarnath is more on the nose with its communal harmony message. Which makes it even more ironic how SSR's death is being used by some anti-Bollywood element. There is a communal tinge to it that goes against the principles of the kind of roles SSR himself took.
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