Kuch Na Kaho Discussion Thread #2 - Naveen Waqar, Emaad Irfani - Page 14

Originally posted by: CharmGal

Thing is if the makers have planned to do 30-40 episodes then I fail to comprehend why they are determine to rush to the post leap track 😕

Originally posted by: Fobby_FoSho

I mean they now only have nine episodes to get through the Alia/Afaaq tract, the Maaz and Imran tract and in general tie up loose ends like will Mohsin ever change? What will happen to Sajjal (it seems like she's gonna die, and they'll have to deal with Aina going through that)? What will the children do when they find out about Nadia? I can understand them picking up the pace now.

Originally posted by: CharmGal

Fobby while we have agreed in many things but the ending is where we differ 😆

My main and ideal ending would be MoNa living together happily (which am sure you want this too)

But if any reason that can't happen, then I wouldn't mind Ayna living with her sons (Asher and Maaz) or children in general. Since they matters to her the most.

I will not forgive the writers if they kill her off or make her end up with Imran

Think we will have to agree to disagree in regarding to Imran 😆

Originally posted by: CharmGal

Fobby while we have agreed in many things but the ending is where we differ 😆

My main and ideal ending would be MoNa living together happily (which am sure you want this too)

But if any reason that can't happen, then I wouldn't mind Ayna living with her sons (Asher and Maaz) or children in general. Since they matters to her the most.

I will not forgive the writers if they kill her off or make her end up with Imran

Think we will have to agree to disagree in regarding to Imran 😆

Originally posted by: JNam

I have to agree with Fobby on this. I want her with an improved, likeable Mohsin, or a better, repentant Imran, but not alone or just with the kids because the kids are almost grown up with lives of their own, and Aina has spent her all in just keeping home and hearth. She should not have to return to an empty nest now if there is no likeable, romantic partner for her to share her twilight years with, in my opinion. [/quote]

Exactly. Aina has devoted too much of her life to others only to be left without a life partner at the end of the road. I love MoNa. They're my top choice always, but I'll take her with Imran if it means not having to watch Aina be left alone.

[quote]I think they wasted time on the initial bits, example, they could have sped up the misunderstandings between Faraz and Mohsin, Nadia's death, Aina-Sajal discord, the whole Aina accident and Nouman bits. At the end, these added very little to the overall story. They could have used the time instead to build Aina-Mohsin's pre-marital and post-marital relationship before the fast forwarding. I would have liked a bit more of the Aina-Mohsin playful dynamic in the initial episodes. It felt a bit stingy to just have the one scene in the car (make-up one), and then the one scene that Mohsin recalls while Aina lies drugged to sleep in his bed. And they never explained or showed more of why Mohsin actively sought Aina out to humiliate her after her fall from grace, and their move to his home. It would have made more sense to me if they had more scenes of their playful-and-ocasionally combative dynamic before Aina's fall from grace and khala's death.

Originally posted by: Fobby_FoSho

I'm still of the belief that they built MoNa up perfectly...for the casual viewer, Aina and Mohsin's marriage was supposed to be a "plot twist" (sounds silly given the montage and the promos being all EmNa/MoNa, but I'm pretty positive that was the vibe the writers were going for). I've rewatched all the episodes in the past couple of weeks, and the storyline honestly just didn't leave room for the playful dynamic. The first episode ends with Mohsin finding out about ImNa--no amount of cutting out Faraz/Mohsin or Sajjal/Aina would've left room for playful MoNa scenes after that discovery.

As for why he sought out Aina after she "fell from grace"...well, that was pretty in-character for him, no? He was a grieving man, and as we've discussed, when Mohsin is hurt he lashes out. He was remorseful for his treatment of Nadia, and instead of mending fences and ensuring he never made people feel unloved again, he became defensive. Aina was an easy victim for him: he wasn't going after Faraz, his own brother. He had no right to go after Sajjal. But Aina...Aina was a wrongdoer in his mind. He could almost justify being mean to her because he knew she had made mistakes. They were also setting up for the rain scene. The rain scene was a great Mohsin and Aina scene, but it wasn't a MoNa scene, if that makes sense. Aina needed to let her frustrations out, and she reminded Mohsin during that scene that he didn't let her ever be near his children. Aina needed that release, and Mohsin needed to hear how badly his actions were hurting her. After that scene, Aina stood up for herself a great deal more and Mohsin stopped being opposed to Aina checking in on Nafeesa and Tabi.

LOL at the drugged to sleep in his bed line...to be fair, Aina had fainted. Mohsin originally carried her to the sofa in the drawing room, but either the doctor or Zubaida Khala probably instructed him to take Aina to her bed. The doctor and khala were definitely under the impression that this married couple slept in the same bed--I mean why would't they think that? So of course Aina had was sleeping there. Mohsin had to keep up appearances yo!