Overall BESHARAM review...plz read with patience ...
Part 1
Well well well so we saw the last episode of the BESTEST show of this yr...the word "bestest" has been used as this yr there had been a few BEST category shows eg dillagi...udaari...zara yaad kar...mann mayaal first half
But even then BESHARAM has taken the pak industry to some another level altogether
It showed we dont need to over dramatize things whereas the 2 topics discussed in this show MODELLING N POLITICS ...every show n film shows the most dirty things asssociated with it
But what i loved it how it showed these 2 field demands a lot of self respect endurance patience from the individuals and also for their respective spouses ...its NOT easy to b a biwi of a politician and its NOT easy to b the husband of a model in this asian sub continent...people need to b a bit besharam to survive here ...even at the expense of their own personal lives...but the ques is if its REALLY worth it...i liked how the show didnt preach anything ...like showing haider accepting mishi working in modelling industry neither showing mishi tolerating haider getting derailed...coz in real life...specially in our culture no one is THAT understanding
The writer kept all scenarios REAL and that's where the writer SARWAT NAZIR HIT A SIXER ...in every epi literally
This show gave us what we die to watch in every pak show..hero heroine life after marriage...i was sick n tired of watching hero heroine reuniting in the very last scene of the last epi after we endured 25 epis of rona dhona misunderstanding plotting tracks
But here the screenplay was SO refreshing...in every epi there was some drama some tension...all characters VERY intelligently intertwined...
Evilness shown to some extent...didnt color any1 fully white or fully black
EACH n EVERY supporting character had their own storyline and they were EQUALLY pleasant to watch as haider mishi
Will discuss them in review part 2
Coming back to haider and mishaal...zahid and saba was tailormade for this film...after sangat who wud hv thought this show will completely erase that from our minds and fill us with BEAUTIFUL memorable scenes worth watching again n again...the chemistry was to die for...the body language of both the actors the expressions...the dialogues...the fights...everything was just so DAMN REAL...not for a single scn it felt like i m watching a drama
And i loved it how both were shown 2 strong personalities of principles n morals n ethics whereas models n politicians r considered to b without any of those
I wud hv STILL loved it if haider was shown in the end doing politics on his own grounds and mishi doing modelling on her own principles...that wud hv been more awesome but then that wud not hv been real
As in these 2 fields men n women tend to get a bit besharam...it gives money fame but at a cost
And its upon those particular individuals to decide and i totally RESPECT haider n mishaals decision
What i loved even more is TILL the very last scene there wasnt any over dramatization whereas in shows hero heroine separation tracks r stretched like rubber bands
I loved how the writer showed haider n mishaal left their job places with their own WILL...not coz of any pressure...the writer justified how they FINALLY detached themselves from their dream careers without any regret n were for once actually happy in that bike in the last scene
I hv seen haider mishi in cars mostly but the bike scene in the end was so BEAUTIFUL serene ...and that peace which was there on each other's face in the end when mishi says MUJHSE NAHI HO RAHA and HAIDER says he came to see the show...ufff...ZAHID SABA PLZ TAKE A BOW
This show will be engraved in our hearts with golden letter...THANK YOU
ARY ( but i wish they put the show on some other days instead of clashing it with zara yaad n mk the initial epis trps suffer)...director FAROOQ RIND ( i loved jugnoo but sir this is ur BEST work)...
SARWAT NAZIR (if gul e rana was 8/10 BESHARAM is 11/10)...
ZAHID SABA...WHY SO MUCH CHEMISTRY...WHY
and the tremendous supporting cast whose feedbk is coming up
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