Satrangi Re-The seven stages of love - Page 3

Farah Khan said while choreographing she had no idea what the song lyrics meant, so had to keep calling Javed Akhtar to understand meaning of words like sarghoshi etc. 😊

Originally posted by: pallavi25

How would he know her story when she would not open up to him, he keeps on asking her name, who she is, where she is from but shes all secretive and mysterious and that increases his obsession for her. It wasnt a normal relationship/friendship, Manisha was not a normal girl, her secrecy and mysterious ways attracted him more to her. The aura of mystery surrounding her ensnared him, he wanted to know her inside out, it wasnt only lust. Watch the film again, I did and understood a lot more than when I watched it first time.

So much thought was put in the choreography of this song.

Originally posted by: pallavi25

No, in those 2 films he was a psycho, in DS hes an obsessed lover but not a psycho who kills people to get his desired woman.

In Dil Se, when she tells him that shes married, hes shocked and retreats/leaves at once, heartbroken.

In Anjaam, he started stalking the heroine even though she was already married to someone else, in Darr he stalks her even after she gets married. .

In DS when he finds out later that Manisha had lied to him abt being married, then he confronts her why she had lied to him, she sends her comrades to deal with him, they beat him up, he lands up in the hospital, badly injured. He gives up on her, its only later when he meets her in Ladakh that he pursues her again, asking why she lied to him.

Nice write up! This song gets so dark in the end though. Especially Maut ki god me sone de part. Gives me the chills every time.

Originally posted by: pallavi25

No, in those 2 films he was a psycho, in DS hes an obsessed lover but not a psycho who kills people to get his desired woman.

In Dil Se, when she tells him that shes married, hes shocked and retreats/leaves at once, heartbroken.

In Anjaam, he started stalking the heroine even though she was already married to someone else, in Darr he stalks her even after she gets married. .

In DS when he finds out later that Manisha had lied to him abt being married, then he confronts her why she had lied to him, she sends her comrades to deal with him, they beat him up, he lands up in the hospital, badly injured. He gives up on her, its only later when he meets her in Ladakh that he pursues her again, asking why she lied to him.

Originally posted by: pallavi25

How would he know her story when she would not open up to him, he keeps on asking her name, who she is, where she is from but shes all secretive and mysterious and that increases his obsession for her. It wasnt a normal relationship/friendship, Manisha was not a normal girl, her secrecy and mysterious ways attracted him more to her. The aura of mystery surrounding her ensnared him, he wanted to know her inside out, it wasnt only lust. Watch the film again, I did and understood a lot more than when I watched it first time.

That's the whole point that he doesn't care. He's mesmerized, taken by her, doesn't care about consequences, leaves his family, feaunce even is ready to die and you want him to be pc 😆

He doesn't care what label you put on him, his love is beyond all that. This is from his perspective. To you it's stalking but not to him. We're seeing it through his eyes also don't forget how manisha uses him. Stalking is still better than framing someone as a terrorist but you won't see that because pc you know 😆

He's so obsessed with her that even after everything he just wants to hear once that she loves him but she doesn't

Imo she wasn't worth it but that's the point. This is beyond reasoning.

I watched it as a kid and still remember the whole movie. I loved it without knowing why, my spiritual inclinations came much later and this song is spiritual as hell. I was obsessed with it.

Another song is hafiz hafiz from Laila Majnu

Are some members talking about the same "NO means NO" era where movies as problematic as Badrinath Ki Dulhania are being made and lapped up by the audience?😆

Originally posted by: songofthereed.

Are some members talking about the same "NO means NO" era where movies as problematic as Badrinath Ki Dulhania are being made and lapped up by the audience?😆