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Posted: 17 years ago

Breaking news: Malkoos album is released

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Malkoo's New Album 3rd with R.D.B is released now

Bhatti Dollar Kaman Chalya "13 songs"
its released by By TP Gold.named Bhatti Dollar Kaman Chalya with "13 songs"

song list
http://www.malkumusic.com/bhatti.html download also his demos from his site.

Edited by indian_masala - 17 years ago
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Posted: 17 years ago
INFO: [Atif Aslam's Pakistani Album] 19/12/2006

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Apart from Doorie Atif IS releasing A pakistani Album Its confirmed by Atif's Guitarist MEHMOOD REHMAN he said On 17/12/2006

(:doorie is atif's indian album, so to speak. it's got a few tracks from jalpari, and a few new ones with the composer who was responsible for tere bin. it's not the proper second album, jalpari's successor to the throne. I'm sorry, but you'll have to wait for that a little more. we're doing our best to release it, but some issues have to be resolved, too. we're tired of waiting ourselves! we wanna play the new songs, get feedback on them, hear what people have to say (not that i really give a sh*t),
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And on (19/12/2006)
Mehmood bhai said ,"doorie is an album which has some songs from jalpari, and a few new tracks that have been recorded in india, for india. it's not supposed to be a pakistani thing, and the official second album is yet to come out, with 12 new tracks. that will be what you should compare jalpari to."
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Posted: 17 years ago
Atif Live

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Hey guys
atif aslam is comming to islamabad
2nd december, lok virsa, 6:30 pm
Its an earthquake relief concert

for info:0321-5240253
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Posted: 17 years ago
Concert Review: Noori n Call live at Lahore Grammar School

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Chicks rock out

Noori and Call play live for the girls of Lahore Grammar


There's definitely something about listening to a band playing live music. And that too in the winters. There's a definite energy that's almost tangible along with the improvisation part that just makes it so much more compelling. It's when a particular tune goes slightly out of synch or a note off key, and when you realize that each and every musician is striving to 'nail it' – that's the magic of listening to music, 'live'.

Creative HQ and JAWS Productions recently put up a gig at Lahore Grammar School Main Gulberg whose poster boasted of some pretty decent acts – primarily, Noori and Call. However the concert started off with some of the school's very own 'all girl' bands. It was extremely refreshing and promising at the same time to see some of them playing the sitar, tabla and guitar with such endearing enthusiasm. Right then it really made me think how badly our music 'industry' needed an all girl band, I mean how cool would that be?

The Rising gave an introduction performance soon after by playing one of their own songs and then later a cover of U2's 'With or Without You'. If bands feel the need to do covers they should pick songs which they can pin and play and sing to a T. Else it just comes across as a really mediocre karaoke performance that can be pretty detrimental to a fresh new band's reputation.

Sahil made a special guest appearance but their lip-synching went cringingly wrong as the CD kept getting stuck. It made one wonder why they didn't opt to playing live since the theme of the concert was 'Coming Back to Live'. But to give credit where it's due, Sahil is welcomed as a refreshing addition to the industry with their album being much anticipated after two exceptional singles.

Call nailed it. They undoubtedly knew how to get the crowd of girls going. Their performance was absolutely impeccable and right on key. Junaid's vocals were super-charged, effective, and truly 'live'.

Noori graced the stage straight after and played songs from their latest album towards the end. Watching them perform, I recalled two of Ali Hamza's rare bootleg songs which did the circuit while he was still a student at LUMS. The songs were 'Gawalmandi' and the comical 'BC' and were very "underground" in Lahore at the time, usually passed on from one person to the next. One hopes to see Ali Hamza doing more vocals in the future as 'Meray Log' was particularly well-sung.
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Posted: 17 years ago
Atif Aslam's Doorie – The Stamp of Mediocrity


Atif Aslam's new video Doorie, from his upcoming album leaves a bad taste in the viewer's mouth. Being a talented singer and accomplished performer, Atif has managed to build a fanatical fan following without investing in memorable videos in the past. Infact, he consistently seems to penny pinch when it comes to video production. But one would have imagined that launching his second album would have taken more thought and planning than what is to be witnessed in Doorie. Directed in India, Doorie suffers from many of the perennial clichs of Indian music videos: the routine Bollywoodized storyline, excessive focus on a woman/ mannequin doll, overly stilted filmy set ups and of course ripped off sequences.

The storyline of the video makes a half-hearted, largely unconvincing attempt to project a forbidden romance between Atif and an overly dressed, very weepy girl into a bygone historical period. Supposedly she is the trophy wife (or daughter?) of an older man who never seems to change his sherwani whether he is coming back from work, having lunch or shooting people. However, the lady's plunging necklines and rather contemporary looking chandelier earrings do not fit into the time period which the video is supposedly reflecting. Grieving as she is for the death of her beloved, she manages nevertheless to keep her fake eyelashes on and be dressed to the hilt all the way through. Consuming a lot of screen time, she becomes the visual center of the video, taking the spotlight away from where it belongs: on Atif. The family live in opulence but it is unclear why they are being waited on by a maid who seems inspired by a fransiscan nun and also by a fully dressed butler. Somebody please tell me, when exactly did Indians have maids dressed like that?

Meanwhile, Atif seems not to mind having been shot dead as he strums along in a concert in front of fans chanting his name. He looks trendy but his star power is nor effectively captured by the video. Ali Zafar's Masty and now Atif's Doorie enact stage settings to help establish the rock star credentials of the artists. However, it needs to be understood that these credentials have to be earned, need spelt out. Somebody like Ali Azmat exudes such authority from his pores – its about attitude and not artifice.
In the last sequence of the video, Atif reaches out to the girl through a mirror and pulls her into a different dimension where she joins him on stage to gaze admiringly at him. The entire sequence is a rip off from the video The Shadow from a Finnish band called The Rasmus. This shameless copying is the final nail in the uninspired, poorly produced coffin that Doorie proves to be.

When you have available to you the meticulous planning, brilliant execution, and aesthetic mastery of Jami and Saqib Malik, the understated sophistication and cerebral craft of Umar Anwar and Zeeshan Pervaiz, the playful touch of Ahsan Raheem and Amina Khan, why would you choose this video director? The magic of these Pakistani directors is that they produce work with multiple layers of interpretation. You can see their videos many times and find the experience absorbing as you discover new nuances of meaning and subtleties of style on each viewing. However, Atif has chosen a product that is instantly forgettable and will leave no lasting mark.


It is often said that in order to capture the Indian market, Pakistani musicians have to adopt Indian stylistic models. Regardless of the number of times this sentiment is expressed, it remains highly questionable. Charting a long term career requires genuine artistic integrity and an individual vision that can stand the test of time. Pakistani musicians need to maintain a separate identity and an exclusive edge. This is precisely what made the Pakistani music industry such an exciting avenue of cultural production in the first place. With videos such as Doorie, Atif becomes indistinguishable from the mass produced, Bollywoodized clones the sub-continent is drowning in. Its a shame because his unique talent gives him the ability to stand above the tide of mindless conformity rather than sinking under it.

Doorie proves to us that Atif Aslam is very popular in the ghost community. Perhaps the next video will establish his appeal among the Animal Kingdom. However, if this is the caliber of work he wants to produce, it is likely that he will lose the more discerning human fans he has acquired in Pakistan who do not settle for mediocrity, regardless of the hype surrounding it.

Edited by indian_masala - 17 years ago
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Posted: 17 years ago

Lollywood movies Up for grabs this Eid

Up for grabs this Eid

Every Lollywood producer has a major release lined up for Eid. This is irrespective of the fact that Pakistan's ailing film industry is brimming over with directors and actors who have failed to maintain high standards in film-making. It's common knowledge that quality has taken a back seat to quantity, with third-rate productions being churned out at regular intervals to the effect that film studios now wear an increasingly deserted look.

Still, Sultan Rahi's gandasa-wielding awesome persona rules supreme as producers stick to the patent formula of Punjabi films seeped in violence. Nevertheless, Lollywood hawks are optimistic that with innovative subjects, they would be able to salvage the credibility of our film industry (or what little remains of it) from the clutches of the Gujjar and Jatt mafias. With Tarap, Aik Gunahoon Ka Shehr, One Two Ka One, Zameen Ke Khuda and Pappu Gujjar lined up for as Eid-ul-Fitr releases, Images takes a close look at these big screen offerings.







Tarap
Cast: Sheeba, Babrak Shah, Saud, Resham, Nadeem
Director: Sangeeta


This is a big-budget film (by local standards at least) shot in beautiful locations in both Dubai and Pakistan, according to its producer, Yaseen Malik.

Sangeeta has an impressive track record with Mutthi Bhar Chawal, Society Girl and Mohabbat Aur Mehngai that were considered the highlights of the '70s era. Later, violating all codes of conduct and ethics, she resorted to formula films with masala, sex and gore. The amazing fact was that being a cultured actress and then a director who knew better, Sangeeta didn't stick to social/romantic issues, thereby leading to her downfall.

With Tarap, she seems determined not to repeat past mistakes. "It is a family-oriented film with a strong social message. If it fails, I will be forced to reconsider making Punjabi action movies once again," she said.

Nadeem plays the role of a father-in-law while Babrak Shah, who has secured a place for himself on the big screen after Ajab Gul's Kyun Tum Se Itna Pyar Hai, is paired with Sheeba, a newcomer, proving that our film-makers strongly believe that the solution to the present crisis lies in introducing new talent.

The presence of Resham will certainly add some masala for the front benchers for the actress has lately developed a fondness for playing sexy roles. Let's see what accolades the film bags for its producer and director.







Aik Gunahoon Ka Shehr
Cast: Ahad Butt, Sana, Saima Khan
Director: Saeed Ali Khan


When the team of Aik Gunahoon Ka Shehr approached the Pakistan Film Censor Board for a clearance certificate, objection was raised over the phrase Gunahoon Ka Shehr. Later the name was modified to Aik Gunahoon Ka Shehr. What exactly they aimed to achieve by this is still a mystery.

Secondly, the members of the respected censor board charged that the film has more than a healthy dose of steamy scenes and dialogues. Consequently, the film appeared before a full board who chopped off several scenes and dialogues which they considered 'unnecessary' and 'irrelevant', leaving no option but for the poor producer to reshoot them. Understandably annoyed, producer Saeed Iqbal presented his stand before the censor board members, explaining that the story of the film depicts the true picture of youth today who indulge in sex and crime.

"The objection was unfair because already a number of Pakistani, Indian and English movies with sexual content are being exhibited at cinemas and cable networks throughout the country," he said. He further confessed that it is not a family film. "Who likes to watch a family film in our dingy cinema houses? This is an era of love, romance, sex and action all packaged as one," he explained.

The story of Aik Gunahoon Ka Shehr revolves round a young man (Ahad Butt) fascinated by city life and the thrills it has to offer. Once there, unemployment eventually leads him to join a gang of blackmailers involved in sex crimes, in turn leading to his ruin. The best part of the film is its music composed by Humaira Arshad and Awais Malik. Here's hoping that the musicians signal healthy changes in film music too.







One Two Ka One (Urdu)
Cast: Reema, Saima, Moammar Rana, Aman ullah
Director: Ronaq Ali


They say laughter is the best medicine and in the past, comedy was an inevitable part of almost every Pakistani film. Lollywood has produced some marvellous comedians in the past such as Munawwar Zarif, Lehri, Rangeela, Nanna, Zulfi, etc, and their comic takes have boosted the box-office appeal of films such as Rangeela Aur Munawwar Zarif, Hansde Aao Hansde Jao, etc. The sole aim in doing so was to provide viewers some respite from the drudgery of their problems and anxieties. When social/romantic films ceased to be produced, refined comedy began to vanish and eventually died an obscure death.

However, in One Two Ka One, there is a plethora of comic scenes that make one laugh along with enjoying a good story line. According to its producer, Syed Aamir Raza, viewers will enjoy the witty one-liners of all the major characters. At a time when action films have failed to make any headway, it is necessary to bring something new to refresh people's minds. Shaan was initially given the title role but later it was given to Moammar Rana. "Shaan caused us some amount of concern with his busy schedule so we replaced him with Moammar," said Raza. "Anybody who watches One Two Ka One will bring his family too."

A musician by profession, Ronaq landed the assignment after his previous successful venture, Nahin Abhi Nahin. The film has one song by Naseebo Lal and two by Saira Naseem and Saima Jahan each.







Zameen Ke Khuda
Cast: Shaan, Moammar Rana, Saima, Babrak Shah
Director: Masood Butt


According to the writer of this film, the supreme authority of man's action is God. Unfortunately, man forgot His decree and power and assumed that he can harvest the desired result by resorting to trickery. Bureaucrats, jagirdars/waderas and politicians are brought into particular focus here and how they forget their assigned roles and become super-men (zameen ke khuda) and usurpers of human rights.

Shaan plays a police officer along with Babrak Shah while Saima enacts a die-hard journalist. The film is double version, picturised both in Urdu and Punjabi amid fears that the beauty of the lyrics may be compromised when the songs are rendered by Naseebo Lal for its Punjabi version.

Zameen Ke Khuda is shot locally in the studios while its producer, Sheikh Akram, deserve kudos for refraining from the likes of Gujjar-Jatt type films. Moreover, some 20 films are to his credit and the ratio of their success is said to be a whopping 60 per cent. One can only hope that Zameen Ke Khuda would be an entirely different fare from co-releases Pappu Gujjar and Piyo Badmashan Da this festive season.
Edited by indian_masala - 17 years ago
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Posted: 17 years ago
Living On the Edge - The Most Shocking Dare
Living On the Edge
The Most Shocking Dare
View At Your Own Risk


Edited by indian_masala - 17 years ago
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Posted: 17 years ago
JAL - The debut album Selftitled (new album) releases
jals new album selftitled has released its only for UK market

its released by envyroma, same company which has released atis doorie.


Album: Jal - Woh Lamhay
Special Edition DVD & Disc Set
Releasing: Dec 2006
Video: Woh Lamhay (Zeus Remix)
Edited by indian_masala - 17 years ago
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Posted: 17 years ago

A farewell to the Sixth KaraFilm Festival



A farewell to Kara


The Arts Council Theatre opened the doors of its auditorium last weekend for the screening of the last movie to show at the Sixth KaraFilm Festival, Immaculate Conception by Jamil Dehlavi. A huge crowd had gathered in the hallway, most waiting patiently while a few complained consequent to the 45-minute delay. Within minutes, the same crowd dispersed to fill the auditorium seats and the movie began. Post-screening, a question and answer session took place.

The Sixth KaraFilm Festival, which carried the Ghalib-inspired tagline of Tamanna Ka Chatta Qadam (the sixth step of desire), was symbolised by a butterfly over a desert rose, the desert rose being used as a symbol for Karachi. The sixth Kara also carried forward a tradition of having the film-maker and the audience interact, a move which no doubt proved to be popular among movie-enthusiasts, students of film-making and anyone who was interested. Instances in which a film began late were rare and occurred in a select few, which was a welcome change from last year's Kara.


Although the featured directors for the current Kara were Iranian film-maker Jafar Panahi, British-desi film-maker Jamil Dehlavi and the French film-maker Francoise Truffaut, the one movie that sold out before the day of its showing and which managed to elicit the largest crowd was the Indian import 'Omkara', no doubt for the star power it wielded in the form of an appearance by Ajay Devgan

The venue featured a creatively done up stage with a grid of screens showing scenes from different movies towards the right side and the Kara butterfly set against colourful squares at the other end. Although beautiful to look at, the set-design was not ideal for performances since the sheer detail tended to distract the viewers' focus from those performing during the ceremony. There were large screens scattered throughout the venue which displayed the names of the award winners and clips from the Ciepie- (pronounced seepee meaning seashell) winning movies.

The event was hosted by Adnan Malik and Zainab Qayyum to a full house comprising politicians, musicians, television personalities, businessmen and film-makers. Although their tenure on stage seemed well scripted, one could not help but notice how they, at times, seemed to blatantly read from the bits of papers they carried.

It was interesting to note that although the featured directors for the current Kara were Iranian film-maker Jafar Panahi, British-desi film-maker Jamil Dehlavi and the French film-maker Frabcoise Traffic, the one movie that sold out before the day of its showing and which managed to elicit the largest crowd was the Indian import, Omkara, no doubt for the star power it wielded in the form of an appearance by Bollywood actor Ajay Devgan. This was evident from the small group of people that seemed to monitor every move he made and followed him everywhere (even to the restroom where additional security had to be posted) at the closing ceremony that took place at the PAF Museum.

The first performers of the evening were a French jazz band that went by the name of Caravan Quartet, courtesy of the Alliance Franoise. Although their backstage warm up depicted them as skilful musicians, they failed to create much of a presence on stage (save for those sitting near the front). A major reason can be accounted to the fact that the sound during their performance wasn't good. They closed their performance with a song about "the relationship between a man and a woman".

Begum Nawazish Ali took the stage before the second group of musicians came up and sent the audience rollicking with her cleverly humourous take on the film-makers present and on the movies that were meant to be. Donning a new blonde look, no one was spared from the Begum's suggestive comments as she engaged the audience for roughly half-an-hour before prancing off stage.

Sajid and Zeeshan, the second act to perform, started off with their animated single, Freestyle Dive. Complementing their performance were clips from their videos and graphics that were being displayed on the screens around the hall. They went on to perform a non-video single off their debut album titled Free And Underestimated, and subsequently closed the performance with the extended version of their single King of Self, which they dedicated to Kara. The sound during their performance was much better and could be heard clearly. Though one isn't sure whether their performance fully catered to the audience present, the response they elicited was much better than the one that was given to the Caravan Quartet.

But the real stars of the evening were Faisal Kapadia and Bilal Maqsood of Strings, also the last act to perform and by then the evening had dragged on into the wee hours of the morning with the audience quietly raving for food. They performed some of their most popular singles from Na Jaane Kyon to the rock version of their recently popular number, Yeh Hai Meri Kahani, with which they closed their act. They proved to be immensely popular with the crowd, both young and old.

Besides the incredibly prolonged duration of the event, the only other criticism is that there just seemed to be too many awards that were given out. Most of those who were given the awards weren't present and out of those who were, Ahmed Rizvi's acceptance for the awards given to Man Push Cart was the most memorable. The sixth KaraFilm Festival has come a long way from its inception, and anticipation for the seventh one has already begun.
Edited by indian_masala - 17 years ago
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Posted: 17 years ago

Drama Review: Bus Youn Hi on Hum TV

Yours, mine and ours

These days, it is rare for a TV show to grab hold of one's attention long enough to watch the programme in its entirety. Pleasantly enough, this is just what happened one fine day while I was channel surfing and came across a sitcom, Bus Youn Hi, on Hum TV.

The Talking Filmain presentation is produced by Adil Sher, directed by Nasir Khan and written by Amna Khalid, and the story revolves around five upper middle class urban youth. The cast includes Uzma Hasan as Fizza, Beensih Mehmood as Sehr, Hassan Ijaz as Ali, Danish Raheel as Maqsood, Saad Azhar as Bill and Usman Wallah as Samad Bhai.

Fizza and Sehr are cousins and their next-door neighbour, Bill, completes the trio of friends. Bill's best friend, Ali, also befriends the girls and has a mild crush on both of them. Last but not least, Samad Bhai is Bill's elder brother for whom Sehr has a soft spot. Enters the simple small town boy Maqsood, Fizza's class fellow, and joins the group. His innocent and funny demeanor endears him to all the group members.

What is so special about Bus Youn Hi? For one, the characters are believable and one can sense that they are real people. All the actors, though new, fittingly represent today's spirited youth and their issues.


What is so special about 'Bus Youn Hi'? For one, the characters are believable and one can sense that they are real people. All the actors, though new, fittingly represent today's spirited youth and their issues

In a bid to give sitcoms an outrageously comic angle, usually one of the characters is shown resorting to buffoonery. But what is refreshing here is that there are no over-the-top crazy antics by any of the characters. Another plus is its music besides the background score which blends well overall. The title song, Bus youn hi chalte rahe, Bus youn hi milte rahe, by Beenish Mehmood and is also quite catchy.

Bus Youn Hi is essentially about friendship and human values. Honesty and compassion in today's youth, which appear to be rapidly disappearing virtues, have also been highlighted here. Moreover, it shows how relationships develop at a tender age and how one goes through the pains of growing up, evolving as an individual and as a friend over time.

Only a few episodes of the sitcom have gone on air and to be honest, it is a good effort by the team. However, it is obvious that it has been made on a shoe-string budget, hence you see the characters in the same room, backyard or, for that matter, even the same car. What also appears odd is the fact that the friends keep talking about their families but none of the characters have so far been shown with them. One hopes that as the story develops, we will get to see them, unless it is a conscious decision by the director to leave it to the imagination of the viewers.

The sitcom is in the process of developing its storyline and characters and hopefully with time, more characters will surface, resulting in a larger audience as well.

Edited by indian_masala - 17 years ago
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