Just calling this track as eternal best of shreya will be an understatement.
Just calling the jugalbandi between MG Shreekumar, Shreya and Chrous as sheer brilliance will be an even further understatement.
Just calling this track as "the complete all round of an Indian classical track" will prove to be a big understatement.
Understatement is just an ordinary word. This is sheer listening pleasure at its best.
Forget all what you have ever heard before from shreya ghoshal. Listen to this one. She is lethal. Right from start to finish. Sheer insanity (pun) at its best.
Perfection takes a whole new meaning and definition. Someone rightly said," saving the best for the last has its merits........"
Lets get seated, fasten our belts, turn on the ignition and enjoy listening this track and get behind the sheer brilliance of efforts that everyone has put into it.
The start...mere dholnaa..shreya sounds mesmerizing, especially the voice variation-medium-low-low-high-very high without losing her quality..its just brutal. She does three things at one time in one breath. Bloody brutal...
The next best part-sheer jugalbandi between her and MG Shreekumar-is an atom smasher. Its brutally difficult to sing in a fast scale at a high tempo and requires countless hours of practice to perfect your voice timing. Modulation and variations in tempo only adds to more grace. But imagine putting yourself in shreya's shoes and going to recording studio before recording this song, its really tough and mindset still says-hoga, nahi hoga, hoga, nah hoga...but the performance is just insane...infact its sheer enjoyment while singing at its best..she just enjoyed what she sang, that 's what all counted.
MG Shreekumar too complimented shreya extremely well in each and every verse and this is one of the finest all rounded blend of Indian classical duets of modern era of contemporary classical music. His voice is refreshing and the accent is pretty bubbly and sweet, adding to listening pleasure.
Lets not forget the chorus and the superb classical background tune which set the tone for this killer performance. The middle portions, which showed roller coaster like variation of sur and taal, is just a herculean effort which results in sheer insanity at its best. At the end, the vocalistic quality of ending is just awe inspiring.
No artificial or unnecessarily herkats make this a heck of an all round beautifully rendered classical track showing out the best of Indian music in all colours and flavours.
Its insane. Its brutal. Its nothing, but the best. Its that bloody good. Listen to it in a top of the line home theatre and appreciate the sheer voice clarity of this song for that 7 minutes of sheer listening pleasure.
10/10.👏
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