May December
Tbh, I watched this movie expecting a romance between Natalie Portman and Julianne Moore. I mean, the director Todd Hayne's last big hit was Carol. But I need to stop living under a rock. This was something entirely different.
Gracie and Joe are a happily married couple with a huge age gap preparing for their twins' high school graduation. It all seems fine until you discover that Gracie got together with Joe when he was merely thirteen. Elizabeth, an actress, is shadowing them to prepare for a role where she will portray Gracie.
Although the movie is billed as a dark comedy, I didn't find it funny at all. Julianne Moore and Natalie Portman and brilliant as the layered Gracie and Elizabeth. They are both unsympathetic, predatory women. Behind their sweet and seemingly innocent demeanor are gaslighting and manipulation. But the movie unfolds at such a dull, tedious pace. It is being so critically lauded, but I found it a drag.
But Charles Melton as Joe is brilliant and worth watching the film for. He manages to overshadow the two veteran actors. His mental anguish and emotionally stunted man-child behavior - show the lasting impact of grooming. Even if he is an adult now, the grooming he experienced as a child has impacted his entire life.
A Haunting in Venice
I want Kenneth Branagh to continue making Hercule Poirot mysteries. There is something just so thrilling and entertaining about period murder mysteries. I've loved the Poirot mysteries so far. The atmosphere, the costumes, the characters, the settings - are all always on point.
A Haunting in Venice is no different. The Venetian canals, the local legends, and rumors create such a delicious atmosphere that is prime for murder. There is also a supernatural element to this murder mystery, as legends of curses and ghosts shroud the mystery. For many of the eerie occurrences, I was wondering - how Poirot is going to explain this logically - surely it is ghosts.
The final reveal is a twist, as always. Through the run time, I had suspected everyone else but the culprit. I guess part of Poirot's brilliance is the timelessness of Agatha Christie's novels. Kenneth Branagh is so on point as Poirot. It's interesting to see an Irish actor pull off a French-speaking Belgian so well. I hope to see more of Tina Fey's Ariadne Oliver in future movies.
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