Tbvh, The track of Samrat's return in GHUM S1 was executed in a much better & graceful manner than the clownery going in YRKKH.
The narrative stayed consistent in Ghum1, the essence was there, the intensity of the moment was visible , characters didn't flip flop at the drop of hat over there until leap, unlike illogical & clownish narrative written for the comeback of Rohit in YRKKH which is so THANDA. It seems the track over here is written by the writers who are in Kindergarten, such illogical narrative of YRKKH, totally pathetic flow, storyline & execution of Rohit's return. This is not even called a subpar writing, it's no writing at all. No consistency, no characterization, no background check only tomfoolery. No rhyme & reason. I thought GHKKPM writes absurdly but YRKKH is worse than GHKKPM, it's simply garbage & clownfest, writes only to WW PL & clownery stuff.
Over there in GHKKPM, both the wrong parties Virat & Pakhi were equally blamed & bashed & hold accountable both by FL & Samrat.But over here in YRKKH which is blinded in pseudo feminism, dumped all the accountability of wrongdoing on the head of ML & PL gets the clean chit always & is the victim, when the real culprit is PL. Such lousy writing. Is this even writing or a propaganda to clean up morally deranged PL?
Only adding the emo songs of YRKKH S1 doesn't add anything to the seriousness of storyline because there's isn't any weight in the storyline. Ulta, it looks comical at best
P.S- This comparison is fair becz Gen4 is totally based and a remake of Kusum dola or GHKKPM. So comparison is inevitable
Edited by Bibliophiles - 3 months ago
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