-res-wa- for old times' sake! will come back to this!
Welcome to the forum!! 🤗
-edited-
Firstly, welcome to the forum! I hope you stick around a bit! There are a bunch of discussion threads already floating around and it's always fun to get those going! I also watched the show as a teenager so I fully get that grasping onto the problematic parts as you grow older becomes bit of a shock of sorts in a way!
I like to think of IPK as a wonderfully flawed project that almost did what it intended to do. Almost is key because I think the flaws can be glaringly obvious at times and easily avoided. That's definitely a conversation for later though.
Coming to the points you raised,
I think you're one of the few people I've seen using the term twin flames. I would wholly agree with that. I do think Arnav and Khushi were soulmates because they were twin flames. I think soul mates is a term that can vary by person and their own definition. Arnav and Khushi were written to be parallel to a the great loves of our times. The Heer Ranjha parallel in the show itself along with the correlation with RadhaKhrishna sets the stage that these two are meant to be by the means of being tangled into each others' lives. I think their ability to chose the love whose foundation was that shaky and then hope to grow that into a fulfilling future is what makes them true soulmates.
I think twin flames don't necessarily have to be soul mates but Arnav and Khushi chose to be there for each other. With Khushi forgiving him, and Arnav overlooking their tied pasts.
I also think the story worked because despite rubbing each other the wrong way, both of them were unintentionally always pushing each other to do better and be better human beings. Their ability to challenge each other and hit the other person at their most vulnerable spot resulted in surprisingly good results despite the journey being a bit questionable of sorts.
I agree with the things that you mentioned made the show so magical. Character consistency for the first 200 episodes helped a lot. The way Arnav's PTSD was dealt with groundbreaking in the sense that mental health is brushed under the rug quite often. I mean they did that with Khushi's depression and suicidal tendencies which is a shame. It saddens me how they turned Khushi into a caricature for Arnav to react to in the latter half of the show. Alongside, strong opposing arguments on a conflict that's central to both of them coming together, that makes them perfect enemies to lovers pair. Religion, faith and ethics are central to sharing moral values between couples and their progress on that front driven by each other is remarkable. Trauma bonding between the two is central to how they learn to be vulnerable in front of each other.
I think unabashedly accepting lust and desire as acceptable emotions plays a huge role in why we looked at this show as a dark love story as well. It's just that context those emotions exist within is also important.
The things the show could've worked on,
ah there are so many imo and I agree with the ones you've shared.
- definitely could've conveyed physical aggression without manhandling
- a proper redemption arc or separation. We see Arnav taking Khushi's place in his life for granted on numerous occasions and that's not okay.
- as S said, Guptas realizing the consequences of hiding the truth. It's often re-emphasized that Arnav doesn't like Khushi hiding stuff from him in the latter half of the show and I really wished they would've elaborated and milked that into a realization moment and understanding why hiding truths makes nothing better.
- Shyam's revelation needed more time and expansion. It was done perfectly but we needed to see a pay off for Khushi in it as well alongside Anjali's. Him confessing to what he did to Shashi! all of that needed to come out. I have a theory that the makers originally intended to do so but you probably remember how summer of 12' was with new shows by same PH and actors wanting to leave situation.
- proper use of flashbacks and monologues. We get a brief moment of Khushi talking to herself about why she's going to annoy Arnav during Swami track and nothing more. We need introspection from her even if it's confusion riddled. We needed more of Raizadas tracking Shyam's inconsistencies. The worst thing is that the show had all the foundational ingredients for climax except none of it was executed with the precision the first half of the show was shot.
- production value. They really let everything from actor's appearances and make up to the set appearances go in the latter half of the show, especially post marriage.
- utilization of foil characters. IPK had strong characters and a limited cast which was great however the misuse of Mama ji, Akash, and Payal was not okay. These were great characters with solid foundations within the plot. Why would you simply bank of the lead couple for every single scene when the lead couple's conflicts are sourced from their families' needs and wants as well?? Each character getting their due would've avoided the hectic schedule that the leads had as well. the NYE episodes with Akash and Payal are one of the best. yes, it wasn't their story but these two were instrumental in us understanding Arnav and Khushi.
- the contract marriage never getting revealed. Doods from Redux said it, that the makers have a moral responsibility for using a forceful circumstantial contractual wedding and she wasn't wrong. Arnav got to get a happily ever after without seeing how he himself is the reason for Khushi to walk away from him. I am not a fan of him never facing that consequence.
Despite it all, nostalgia and the magic IPKKND weaved, keeps bringing me back! The story gave us a promise of eternal love and I think the idea itself is so beautiful and wonderfully escapist!
Edited by dramebaaz.af - 4 years ago