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Posted: 4 years ago
#61

Originally posted by: IAMHope

The cages are inside her pretty little head.

I just wish she remembered where all the exit doors in Deshmukh house are located. Maybe we can even have lighted strips on the floor like in an aircraft to point her to them.

🤣🤣🤣 That would be some unconventional love story.. pinjare mein quid Princess, Rajkumar comes with bottle of scotch. To unite them…all that is needed is lighted strips to emergency exit..😝😝😂

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Posted: 4 years ago
#62

Originally posted by: Jiarao

According to Sickand there is only one dialogue writer ...sonali/ Sonia I don't remember.

Yes and Sai improvises a lot of his lines so maybe that's where the extra magic comes from too.

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Posted: 4 years ago
#63

Originally posted by: Phoenix_Fire123

Get a male dialogue writer for palls baby😆😉

It's only recently that her dialogues have become like this. Otherwise she's always had powerful lines since the beginning.

Edited by inlieu - 4 years ago
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Posted: 4 years ago
#64

Originally posted by: Soccer1

🤣🤣🤣 That would be some unconventional love story.. pinjare mein quid Princess, Rajkumar comes with bottle of scotch. To unite them…all that is needed is lighted strips to emergency exit..😝😝😂

Jokes apart, this did seem like a fairytale where Raghav her prince came to rescue her from the evil forces who had trapped her in the tower.

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Posted: 4 years ago
#65

Originally posted by: jakkula.sirisha

Sai pain full laugh where he says mai bahar mar raha hai aur tum jaakne tak nahi aayi was phenominal he lives raghav

Yes, but it was funny that this was the line that triggered her to go look at him from the window. 😆

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Posted: 4 years ago
#66

Originally posted by: Jiarao

Everyone is fan of RR including Sandip Sickand's mother. So it's obvious he will get some special treatment 😆

Jokes apart Sai never uses exact words written for RR. He improvises whenever possible and I think the way he delivers them is what makes it more real.

Agree totally.

RR's Hindi is supposed to be 'weak so Sai never gets those eloquent dialogues and long philosophical sophisticated passages to speak on screen. His sentence construction is simple and use of vocabulary is basic. Yet he manages to add so much to his performance that the pathos is hard to miss, every single time. Sure, he improvises but he doesn't rewrite everything, which tells you how much he transforms written words to the appropriate presentation on screen.

In fact, Pallavi is the one who gets more of the poetic lines and beautiful words most of the time. Look at the wording she used in the hospital and then later at home in her confession. In comparison and in response to her, Raghav said very basic words but they hit home.

Edited by inlieu - 4 years ago
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Posted: 4 years ago
#67

Originally posted by: IAMHope


I wonder if the writers meant to show Pallavi lying? Or was it an honest mistake in her dialogue?

I mean from an audience perspective Pallavi lied to Raghav. There were several people in the house when that Mandrama occurred. Pallavi volunteered to go bring the doctor. So she lied to Raghav. Audience won’t forget it even if Sandiip does. I’m no purist but it makes sense to tie up loose ends and close them in a story- you cannot forget threads you opened up in a story and tell the audience to forget them.

She wasn't lying. She meant to say there was no one 'capable' at home. Raghav got the point.

Jojo98 thumbnail
Posted: 4 years ago
#68

Makers have this habit of opening the threads and not closing them. I hope they will at least show how Pallavi was drugged.

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Posted: 4 years ago
#69

Originally posted by: Savun

Makers have this habit of opening the threads and not closing them. I hope they will at least show how Pallavi was drugged.

I doubt dt

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