Hello all,
I am back after a break of almost a month where I checked the forum quite sporadically and rarely posted. In other words, spent more time with real friends than the virtual ones 😆
I didn't keep track of the MMSes during my absence and saw just DDD weekly recap & CHYD epis from last week over the weekend.
Yes, I agree with everybody who thinks that Nilesh Sabde & his team are crossing the limits of decency and good taste in their embarrassing 'comedy' routines. Just as I don't understand why the movie directors and producers (and fans too?) are so fond of the 'loNyAchA goLA' Swapnil Joshi, I can't understand how people can like this type of 'comedy' by the likes of Bhau Kadam et al.
I am not a fan of Manjusha Patil's high-pitched, high-octane singing (it's remarkable how much wattage she produces out of her slender frame!). For that matter, I am not a fan of Anand Bhate either. My simple criterion to decide whether a song is sung well or not is to find out whether its effect wears off right after the song is over or whether it stays with you, sometimes for the whole day or days on end. IMHO, the songs of both the above artists get erased from my mind almost immediately while just *thinking* about Kishori tai's 'sahela re' in Bhoop gives me goosebumps and Kumarji's 'dewo mohe dheer' brings tears to my eyes. Such is the power of the maestros.
I tried to locate Devaki's rendition of 'he surAno chandra whA' but couldn't. For me, the serene style of Abhishekibuwa, Kishori tai, Devaki etc is always most soothing. Here a few links to renditions of Abhishekibuwa's seminal 'he surAno chandra whA':
The original by Buwa:
https://www.youtube.com/watch?v=BZVAfYiqsjk
Shaunak Abhisheki:
https://www.youtube.com/watch?v=3CsfqlInEX4
14-yr old Mugdha Vaishampayan:
https://www.youtube.com/watch?v=1qFJtCMqcK0
8-year old Prathamesh Laghate:
https://www.youtube.com/watch?v=yxcu53eSLqE
Dr Aniket Saraf:
https://www.youtube.com/watch?v=L3PEdg_3imc
Aniruddha Joshi:
https://www.youtube.com/watch?v=6aLJm-JUdDk
BTW, I saw 'doan special', a new 2-act play by Kshitij Patwardhan (who also wrote the witty 'nawA gaDI nawe rAjya') just yesterday. It was just the second performance in Pune. Written & directed by Kshitij, it stars Jitendra Joshi & marks the debut of Girija Oak on the stage. It also has a small role for Rohan Haldikar (whom you may remember as "Kaka's son" from 'Eka Lagnachi Tisri Goshta'). The play is beautifully written (derived from a story by Ha Mo Marathe) & wonderfully acted by both the multi-talented Jitendra Joshi and the beautiful Girija Oak-Godbole.
After years of mediocre roles, Girija has got a meaty role and she plays it well. Does anyone remember her from 'Manini' in which she plays the repressed wife of a suspicious husband? She was excellent in that and looked very pretty too. As always, people looks slimmer on stage than they do on TV.
Finally, sad to see Fed lose to Djoker in the final but Djoker was the better player in all depts. He even outserved Fed, which is rare. Still, I am happy with his win over Murray. There is hardly anything more poetic in sports than Roger Federer gliding on grass.
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