Bigger
and grand faced celebs may be overtly the screen saviors, but who is to
deny the makers of many entertaining, many times not, Bollywood flicks
- the directors themselves. It is on this basis, irrespective of
the BO ratings, or DTH for that matter, irrespective also of audience
response and stardom rising or falling, that we at BC look back in
retrospection at what the year 2009 has offered. The ranking premise is
simple - It balances the scale between uniqueness of underlying
scripts to the success of movies at the hands of the respective
audiences.
What's your Rashee (1 Chilli)
- Involving the 12
raashees or
zodiac signs as the basis of his story, and further employing the same
lead girl Priyanka Chopra to essay each of those 12 characterizations
was surely unique concept. Perhaps Ashutosh Gowarikar could have done
better in the telling of his overall plot, which involved the search of
a boy for his ideal suitor. Still
, the number of multiple
characters portrayed by Priyanka was a record in itself, which thereby
bagged her a nomination for the world Guinness records 2009. And
nothing more, since the movie for all its conceptual difference bombed
at BO and in the opinion of its majority audience,
Dil Bole Hadippa! (2 Chillies) - The entire idea involving the change of
Veera (played by Rani Mukherjee) to
Veer (a
sikh boy, also played by her) so she could play in the cricket team
officially with her childhood idols, was a fresh thought. Repetition on
the other hand, was that it was yet another cricket movie, overtly a
love for the game, and in deeper shades a spirit of patriotism. That
significant sections of dialogues were predictive and obvious did not
help. But what disappointed the audience most, leading to a mediocre
response despite the high anticipation which had preceded the release
of DBH, was the romance between protagonists Rani and Shahid which
failed to live up to the vast expectations from it. That, when both
actors, in particular Rani, were appreciated for their acting skill.
The final ratings indicated how build up of this new thought had lacked
finishing, an unfortunate fate for director Anurag Singh for potential
had been evident.
London Dreams (3 chillies) -
The story of an aspiring star, an old unassuming friend who steals the
show instead, rivalries brewing over professional success and a love
triangle to seal its complete package.
London Dreams combined a
little of everything, did fairly at BO, engaging bits and pieces from
themes that have been put to test over the years in a revised
presentation of sort. Most significantly, it is believed that director
Vipul Shah gathered the broader nuances from a late 70's stage show,
Amadeus. The
one end where this movie did attempt to stand out, was its music.
Shankar-Ehsaan-Loy did not deliver their best, nonetheless, the bold
experimenting with fusion of international and folk forms was new.
Paa (4 Chillies) - The ingenuity of this
Paa's theme
is debatable. Considering it was a first in Bollywood, was a definite
plus. The fact that real life father-son duo of Amitabh and Abhishek
portrayed roles oppositely in the movie added to some excitement,
especially for Bachan fans. Big B's appearance for the movie, as that
of a young boy suffering from genetic disorder Progeria and aging
rapidly hence, is known to have involved high level professionalism and
skill. But there is no denying the striking similarity between the
concept director Balakrishnan has exploited for
Paa, to its predecessor, a movie called
Jack. At BO the movie has seen its share of success.
New York/
Kurbaan (5 Chillies
) -
The two movies, although for the character tracks they chose to depict
stood apart, did seek common grounds in choosing terrorism as the
underlying theme. A theme which also for how far it has been exploited
in scripts can only differ each time in the story telling itself. While
New York, directed by Kabir Khan was a first of its kind under the YRF banner,
Kurbaan was
Rensil D'Silva's directorial debut. Both movies, each in its spot
managed to impress its audience with powerful performances and engaging
plots. They tie for the spot then, for the undeniable concurrence of
concept and comparable ratings.
Blue (6 Chillies) - Plotting
in the mysterious underwater blues, and having the lead actor Akshay
Kumar perform his own line of exquisite stunts raised the bars for this
action-thriller by director Anthony D'Souza. Upon release, the movie
received mixed reviews, with part of the viewers raving about the
spectacular show and others unsatisfied by lose ends in the story
itself. Overall, the ratings at BO for
Blue were easily above average.
Love Aaj kal (7 Chillies) -
For the genre of a romantic comedy, director Imitiaz Ali, in close
association with male protagonist and fellow producer Saif Ali Khan,
put together a thorough entertainer. Defining love across the miles,
and across the decades, and concluding thereby how neither factor
alters the essence and beauty of it,
Love Aaj Kal was light and
dense, laughable and adorable all at once. From opening to a scenario
where the lead couple gives a 'break up party', to having Saif portray
the older generation youthful sikh as well as the current day practical
lover, to having Brazilian model Giselle Monteiro play the shy punjabi
lass - the movie stood out distinctly in several aspects. Collections
and ratings at BO stand testimony to fulfillment of all that the
project had promised its audience.
Wake up Sid/
Jail (8 Chillies) -
With the exception of the date they released, the two movies have
nothing in common. Except, also perhaps, on a closer look, the idea
that they each seek to portray something of the society with sheer
realism. While nothing less can be expected of famously candid director
Madhur Bhandarkar, than the ugly truth
Jail represented, Ayan Mukherjee in the debut directorial with
Wake up Sid earned
himself an instant spotlight. In his coming of age concept based on the
life of a rich, socially spoiled college drop out, Mukherjee
reestablished how a story that can spell to the youth those routine
truths they see all around them, has no reason to fail. A trend set
over two decades ago by the immortal
DDLJ; progressed less than a decade ago by yet another immortal creation
Dil Chahta Hai.
Jail on the other hand is nothing in the lighter vein. It shows a
perfect life going wrong, at the expense of a mere misjudgment, of
aspirations crashing, of diminishing hope revived only by an undying
will. The two movies tie position on our chart - where
WuS overtakes an edge in is BO ratings,
Jail leads in being a concept unprecedented in Bollywood.
Kaminey (9 Chillies) - This venture by Vishal Bhardwaj has been, at its best compared to the works of
Quarantino in
Hollywood. Shahid in his twin role, where one lisps and other stammers,
where one is the good and other the bad, where brotherly love is
absent, won accolades aplenty and deserved. From its smashing track
Dhan Tan Nan, to the perfect pace of its track and character
development,
Kaminey established how complete action movies can
become as entertainers. It also proved, much to Shahid's relief, how
capable he is of versatility in is acting. With its unique story and
wide acceptance at BO, the movie was a sure mid - year block buster.
3 idiots (10 Chillies) -
Released only at Christmas, so close to the end of year yet in prime
time to salvage earnings and audience, this Rajkumar Hirani movie based
in its outline on Chatan Bhagat's popular paperback
Five Point Someone,
the movie has been an instant hit! The story revolves around the 3
idiots, who are engineering undergraduates in a premiere institute of
the country. Bu the difference comes in the enigma involved with
leading star Aamir Khan's character,
Rancho. A movie with its
share of smart humor, adolescent dreams, love and to some extent far
fetched drama, it is sure to have you glued to your seats, possibly
more than one time. A perfect closing to 2009, and a perfect one atop
BC's chart!
Here's wishing everyone, a very joyous, and extremely prosperous year ahead!
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