Originally posted by: BrhannadaArmour
Great idea! I just have a few suggestions ...
Raghav's dance in praise of Śiva does not belong under śṛṅgāra rasa; it's adbhuta rasa - portrayal of the divine, with a bit of vīra rasa for Śiva wielding the trident or riding the bull.
For bībhatsa rasa, the scene that comes to my mind is Raghav telling Pallavi's family about their sordid affair and throwing money on her. Persuading Pallavi to sign the shop property transfer papers should fall under bībhatsa rasa because treachery is odious; it isn't raudra rasa because Raghav didn't display rage.
For raudra rasa, there's Raghav breaking the bag of donated blood, and Raghav putting Pallavi in front of the truck.
Raghav being forgiven by Ammā isn't adbhuta rasa, and sending Pallavi to Kolhapur isn't vīra rasa; they're both karuṇa rasa because Raghav was in tears of pain for the past separation from Ammā and the future separation from Pallavi.
Raghav eating the mahāthālī was vīra rasa - courage to endure his punishment. Investigation of the necklace conspiracy was also vīra rasa - pursuit of justice. The Marathi dinner and maṅgalā-gaur are śṛṅgāra rasa.
All of you, have fun!
Thank you so much for the comments. Do you wish to take up any scene?
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