Part 2
Manik rushes into the first platform. He sees, stops to gain his breath. Nandini rushes in. Sees that
the train is standing on the platform, right in front of them. Manik keeps his hand on the A H Wheeler
stall and dips his head. Nandini stops too. She holds her waist and bends, gasps for maximum breath.
Manik: Jao andar.
Nandini:Aur tum?
Manik: Dekho. Ab aur meri help mat karna. Please. Apne kaam se...
The driver rushes and collides into Manik. Manik almost falls down.
Driver (desperate) Mera paisa... paisa do, mera paisa baaki hai.
Manik: Abey ruk.
Manik removes him at an arms length, takes out his wallet.
Nandini comes up as Manik is taking money out of his wallet and giving to the driver.
Manik: Dekho kitna hai...
Nandini: Change borrow kar sakti hoon... Paani lena hai.
Manik gives her two tens. The driver is sneaking into the wallet. Manik looks at him crossly.
Driver Aur hai na?
Nandini: Train mein return karti hoon...
Nandini walks out towards a stall. Meanwhile
Manik:Tu chup-chaap khada reh, main de raha hoon paise.
A typical Railway Platform stall selling small eats and soft drinks. Two vendors seen inside. The
one facing looks at Nandini as she approaches and puts the money on the deck. She is still exhausted and
breathless.
Nandini: Paani.
She picks up a bottle and opens it. The hawker begins to get change.
Nandini (to vendor) Saans band ho gayee aiyappa Cold drinks sab apni jagah par hai par paani ka kaam
paani hi karta hai. Kehte hain na best things in the world are free... Vaise ab paani to
free raha nahin... Kitne ka hai?
Vendor: (returning change) Chaudah rupiya
Nandini(fight for right mode) Kyon? Railway ke daam to kam hote hain.
Vendor: Yehi rate hai...
Nandini: Achcha? Consumer court se poochoon kya rate hai? Hain...? Ulloo banaate ho...?
Vendor: Do rupiya ke liye itna jhik-jhik?
Nandini: Do rupaye kuch nahin hote to chori kyon kar rahe ho?
Vendor: Chori...
Nandini: Aur kya? Aur kehte ho main jhik-jhik kar rahi hoon? Paise do vaapas.
The vendor looks at her crossly and makes to give two rupees back to her. Then she takes a gulp.
The vendor returns a coin and turns to fold up his shop. Nandini picks up the change, takes another gulp of
water and turns. Suddenly, her heart stops. No, this can not be. We see that the train is rushing away. She
holds her head. There is no chance of catching the train. Then she brings her hands down. She gulps the
water. The train has almost left the station now. Suddenly, she starts running down the platform.
Nandini (screaming) Roko... Train ko roko. Arey koi chain kheencho. Roko train ko... Arey...
But the train is long gone. Nandini runs to a stop at the end of the platform, looking at the train. She
turns around, stung by disbelief. She just stands, looking straight. This is a much bigger station than the
other one. Many more hawkers, more people sleeping under blankets. She turns back to look at the train.
Turns again towards the platform. She holds her forehead with both hands and lowers to her haunches.
Part 3
A few men standing against the wall, looking the other way. Their look moves, Nandini enter. They
are looking at her. She is in panic. She stops and looks around for Manik. She whimpers, then turns
around.
The station masters office board is seen. She looks around once again, then walks into the office.
The men who were looking at her move up to the door, peep inside. A few others join them. They are
whispering to each other about her.
Inside, Nandini is standing in front of the table, very worried. The men peeping inside can be seen at
a distance behind her. The station master is speaking.
Master: Kota hai agla station. Main vahan ke station master ko inform kar doonga.
Master: Vo aapka samaan rakh lenge.
Suddenly, at the door behind her, a young man is pushed inside by the others. He hits against
something and recoils. Nandini turns to look. There is suppressed laughter. The young man darts out. Nandini
turns back.
Master: Aur to kuch nahin ho sakta hai.
Nandini(mumbling) Main vahan pahunchoongi kaise? Shit.
Master (superior) Kaun bola train se utarne?
She looks at him.
Master:Hoshiyar rehna chahiye tha. Ab kya karogi?
He plays percussion on the table with his fingers. As though he is happy that justice has been
done.
Master Javani ka josh. Samajhte nahin ho. Nahin. Bilkul nahin. Dekho...
He holds two of his index fingers parallel to each other.
Master (continuing) Zindagi rail ki patri hai. Ek inch ka bend aur aage chal ke meelon ki doori. Ab
dekho... Ek choti si bhool tumhaari saari zindagi badal sakti hai.
He is enjoying this, feeling good to talk. He takes a more comfortable position and continues.
Master Meri bhi kayee train chhooti hai. Par un dinon main mard tha... matlab ki mard hoon main, ab
bhi... par tum ladki ho. Akeli ladki khuli hui tijori hoti hai. Tumko pata hai kya ho
sakta hai tumhaare saath? Pata hai? Main baata hoon. Dekho...
He makes a rectangle with his fingers.
Nandini: Excuse me.
He looks at her.
Nandini (polite) Aapse poochhna tha aap jo ye sab bol rahe hain, iske paise charge karte hai ya ye muft
ka gyaan hai?
Master (puzzled) Nahin ye to muft hai...
Nandini: Good... Kyonki chillad nahin hai mere paas. Dekho...Uncle ... Bakwaas band karo
aur apna kaam karo. Kota ko message bhejo, baaki meri problem hai, main samhaal loongi. Chalo phone
milao.
The station master is taken aback. He picks up the phone.
(snip)
The people thronging the door withdraw and scatter. Nandini comes out of the door. She looks at the
men. Then walks away.
Nandini sits on a bench. She holds her head. Someone comes and sits next to her. She looks. It is the
vendor who had sold her water.
Vendor: Aapka paani.
The vendor is wearing a lungi now. He keeps one foot on the bench. The men hanging around
the door start moving up towards the bench now. Nandini notices this. She looks at the vendor.
Vendor: Bahut bura hua.
One of the men who were crowding around the door comes in from next to the vendor. The
others are slowly coming closer.
Man (to vendor) Ka baat hai bhai? Ka hua?
Vendor Train chhoot gayee bechari ki.
Man: Arey arey.
Vendor :Subah tak doosri koi train bhi nahin hai.
Man:Dhat teri ki. Akeli hai?
Vendor Haan.
Man Tch tch tch tch. Ab ka karegi ye?
Vendor Vohi to. Tum to jaante ho. Akeli ladki khuli hui tijori ke jaisi hoti hai.
Nandini (aggressively) Suno tum. Natak mat karo samjhe? Phuto yahan se. Chalo.
Vendor Arey? Hum koi bam hain jo phoot jayenge? Samajhne ki koshish keejiye. Iske pahle ki koi apka
ghalat fayda utha le, hum soche ki hum help kar dete hain.
Man (to vendor) Raat ko yahan mat rehne dena. Thoda kasht hoga tumko magar kaheen le jao isko.
Vendor Haan aur koi upay bhi nahin hai.
Nandini stands up and addresses them more aggressively.
Nandini: Zyada smart banne ki koshish mat karo, samjhe? Chalo niklo yahan se.
Vendor Hadd ho gayee. Matlab ki sarafat ka jamaana hi nahin raha.
Man Batao...
Vendor Hum aapko sahi jagah le ja rahe hai aur aap...
Nandini: Shut up. Chamaat maroongi aur bakwaas kee to.
Pause.
Man (to vendor) Kha le chamaat. Isi bahaane choo to legi kam se kam.
There is a guffaw in the people around. Nandini looks at them. The vendor stands up.
Vendor: Theek hai. Aapko isi mein khushi milti hai to maariye humein.
The vendor stands in front of her in the posture to get slapped.
Vendor Armaan poore kar leejiye aap. Maariye.
The others are laughing. Nandini stares in anger at the vendor and the others. Then she turns and
walks out.
Vendor: Kya hua? Kahan chaleen? Arey maariye na... Nahin hum to aaj chamaat kha ke hi rahenge.
She walks towards the exit of the platform as they laugh and follow her loosely
Part 4
Nandini walks out to the foyer of the station. She turns back to look for the urchins. She looks
towards the street. The taxi driver is there, sitting in his taxi and committing his ritual of touching the
notes to the feet of the deities, then his eyebrows then lips then eyebrows then lips. She runs towards him.
He sees her.
Nandini: Suno...
The taxi driver panics on seeing her. As she comes down the stairs to him, the car starts and
flees. She looks at the car sourly.
Nandini: Shit.
She looks back towards the station. The vendor, the man and two others come out towards the
foyer, looking for her. She notices that a few women are standing to one side of the faade. She walks
towards them. She stands at a distance from them, feeling safer among her own gender, trying to conjure
up some sort of a plan. The women look at her. That's usual. She is new to this place. A motorbike comes
Biker (calling out) O Anarkali. Sun idhar aa.
Nandini moves away quickly. The bike comes after her. Nandini turns to look at the bike. She turns
back. She sees something, looks in surprise. It is the figure of a man walking away in the distance. She
makes to call, decides against it. The biker reaches her.
Biker Sun...
Nandini walks away towards the man. The biker follows her on the bike.
Biker Kyon kasrat kara rahi hai raat ko? Paisa bol. Jo bhi hoga main doonga. Ruk ek minute... ruk...
Nandini begins to run.
Biker Arey? Ye kya natak kar rahi hai?
Nandini rushes up and overtakes the man and looks at him. It is manik. Manik looks up at her as
she suddenly appears before him. His jaw drops. And before he can say anything, she springs up and
embraces him.
Nandini: Thank you ayeappa thank you. O god. Aaj pata nahin kya hone waala tha. Thank God. Thank you
thank you thank you.
Meanwhile, Manik does not know what the hell is happening. The motorbike drives up. Manik looks at the biker. Biker makes a face at Manik and turns his bike, goes away.
Manik: Tumne Phir se train miss kar dee? Haan? Aur ye joker kaun hai bike pe?
She parts from him.
Nandini (extends her hand) Hi. Mera naam nandini hai.
Manik looks at her, takes her hand.
Manik.
Nandini:Manik. Pleased to meet you. Aur itni pleased by god main kisi se mil kar nahin hui jitni abhi
tumse mil kar ho rahi hoon. Kyonki vo tum ho jiski vajah se ye saari problem shuroo hui
hai. Kaha tha na maine koi doubt mat rakhna, main chooddongi nahin tumhein?
Chhodoge tum mujhe ghar tak. Tumhaare wallet mein paise hain, dekh liya hai
maine. Hum yahan kisi hotel mein subah hone ki wait karenge, phir Kota se samaan
uthaenge, phir all the way to Mangalore. Chalo...
She walks ahead. He stands there, looking at her, shaking his head.
Nandini: Aa jao, aa jao. Ye kadve looks chalte-chalte bhi de sakte ho. Come.
Nandini and Manik are walking up a lane outside the Ratlam station. It is quite deserted at this hour.
He is looking around. She is looking around too, and talking.
Nandini: Ratlam. (snickers) I mean... come on. Hadd ho gayee yaar. Kya matlab hai iska, ki main Ratlam
ki galiyon mein ghoom rahi hoon. Hain? Train se dekhti thi main ye ghar ye galiyaan.
Zindagi bhi kamaal hai, hain na?
Manik: Bahut mazaa aa raha hai na? Picnic par aaye hain hum log. Tumhein utha kar museum mein
rakh dena chahiye. Tumhein dekhne ke liye ticket lagni chahiye.
Nandini:Aye hai. Kya baat hai. Aur tumhein kahan rakhna chahiye? Train mein ho magar pata nahin
train kahan jaati hai. Anjaan kisi station mein utar jaate ho, phir pagalon ki tarah gaadi chala kar almost meri jaan le kar yahan pahunchte ho, aur yahan kya andhere raaste
par akele chale ja rahe ho Ratlam ki galiyon mein. Yaar tumhaari problem hai kya
aakhir, bata hi do ab.
He looks away.
Nandini: Sorry sorry, bhool gayee thi. Tum apne problems kisi se share nahin karte. Right, right.
Bachchan ke fan ho kya? Angry young man. Aaj khush to bahut hoge tum. Hain?
Agneepath, agneepath... Batao na. Achcha favourite hero kaun hai tumhara bolo...
Arey ye to batao, ye to koi secret nahin hai...
Manik shakes his head.
Manik (muttering) Kya kar raha hoon main? Kahan aa gaya hoon? Kyon?
He is walking down.
________________________________________________
Part 4
A row of narrow buildings. One of them sports a sign-board in a tube-light plastic box Hotel
Decent. Manik comes under the signboard, looks inside. Nandini comes after. Manik looks at her, then looks
inside again.
A young man with a paunch, wearing a vest. Standing at the reception table. Standing across is
Manik, looking into his wallet. Nandini is standing next to him. Manik doesn't have much cash.
Manik:Credit card accept karte ho?
Receptionist No credit. Only cash.
He indicates a small board reading Aaj nagad, kal udhaar'.
Manik (trying to explain) Credit... (gives up) Tarrif kya hai?
Receptionist Kya?
Manik:Din ke kitne paise lete ho ek room ke liye?
The man looks at Nandini. She has her clip between her teeth, is collecting her hair with her hands.
He looks back at Manik.
Receptionist:Aapko room ghante ke hisaab se chahiye?
Manik:looks up, understands.
Manik:Jitna pooch raha hoon utna hi bolo. Ek din ka kitna charge hai?
Nandini:(butts in) Din bhar ke liye kyon chahiye? Humein kaun sa din bhar rehna hai?
Manik:Suno. Main baat kar raha hoon.
Nandini:Haan, bahut kamaal baat kar rahe ho. Paise pehle se kam hain aur... (to receptionist) Humein
room ghante ke hisaab se chahiye.
Manik: nandini...
Nandini: Be practical yaar. Ismein sharam ki kya baat hai.
She turns to the receptionist. The receptionist looks at Manik. Manik turns to the receptionist,
looking down, indicating agreement.
Receptionist Kitne ghante ke liye?
Nandini turns to consult with Manik.
Nandini:Do? Do ghante kaafi honge?
Manik shrugs.
Nandini:Achcha chalo safe side teen ghante. (looks at watch) Teen ghante to more than enough hain.
Manik looks at her. She shakes her head to confirm. Manik turns and looks at the receptionist.
He can not resist a smile. The receptionist smiles back in mischief.
Manik:Teen ghante.
Receptionist Okay.
(snip)
Manik pays cash. Nandini has moved to the side to look at something. The receptionist speaks to
Manik in a tone of privacy.
Receptionist Kahan mili?
Aditya Train mein.
Receptionist Train mein.
Nandini is seen in the background. She is also turning to look in this direction from time to time.
Sleazy room. Nandini is sitting against the wall. She looks at Manik as he enters from the door. The
smile is still playing on his face. His body language is happier now. He shuts the door and moves.
Nandini: Kya khusar-phusar kar rahe the uske saath?
Manik: Tum bahut badi cartoon ho. Pata hai tumhein?
Nandini:Ho sakta hai. Magar mujhe karate aata hai.
Manik:To?
Nandini: Bus, bata rahi hoon. Brown belt hoon main.
Manik: Oh, tumhein karate aata hai, matlab agar main tumhare sath badtameezi karne ki koshish karoon to tum
mujhe karate kar dogi.
Nandini: Ho sakta hai. I mean yes. Bilkul. Dekhne mein aisi lagti hoon magar bade saare logon ko maar
giraya hai maine.
Manik(sighs, shakes his head) Don't worry. Main tumhare sath badtameezi nahin karne waala hoon.
Nandini: tum kar hi nahin sakte ho.
Manik: Main karna chahta hi nahin hoon.
Nandini: Chaho bhi to nahin kar sakte.
Manik:Tum kya mujhe chaabi laga rahi ho? Ki main badtameezi karo?
Nandini: Nahin main bus clear kar rahi hoon. Tumhein koi wrong signal na mile. Station ke baahar maine
tumhein hug kiya aur kaha kisi hotel mein chalte hain. Pata nahin tum kya soch rahe
hoge... Vo bhi tumhaare jaisa aadmi.
Manik: Mere jaisa aadmi matlab?
Nandini: Bombay mein ghoomti hongi tumhaare aas paas us type ki girls. Magar main bata doon ki
main bilkul vaisi nahin hoon. Sochna bhi mat. Old fashioned hoon main one man
woman. Aur ye dekho (takes out photo from pocket) Aaryaman one and only,
hamesha ke liye.
Manik: oh hello you Tumhein sun ke khushi hogi ki main bhi one woman man hoon. Okay? Aur ye (takes out wallet)
ye dekho.
He shows the picture in his wallet, then shuts it.
Nandini: Show show show.
She comes up, take his wallet and looks at the picture. It is a picture of the girl whose wedding
reception Manik had gone to.
Nandini: Wow. Mast hai yaar. Bade lucky ho...
Manik takes the wallet back, takes the photo out.
Manik: Nahin... Lucky nahin hoon.
Nandini:Hmm...?
He looks at the photograph then flings it to the table.
Nandini:(understands) Oh... Ye problem hai. Is ladki ne tumhein dump kiya hai.
Manik (to himself) Zindagi ne hi mujhe dump kar diya.
Nandini: Matlab?
Manik turns away.
Nandini: O god. The famous silence and all. Itna bada kya secret hai tumhaara? Maine to sab kuch bata
diya tumhein. Tum kyon nahin bol sakte?
He is still silent.
Nandini:Anyway. (gets the photograph to him) Dekho. Dekho isko. (he looks) Is ladki ne tumhein ditch
kiya hai na? Pakdo ek minute.
She goes and gets a match-box from the table.
Nandini: Ye lo. Jala do ise.
Manik: Oh come on.
Nandini:Nahin nahin. Jalao photo.
Manik: Bachchon jaisi baat mat karo.
Nandini:Main bata rahi hoon, bachchon jaisi baat karo, jala do photo. Tumhein bahut achcha lagega.
Believe me.Ye lo maachis...
Manik looks at her, smiles.
Nandini: Jalao jalao... no tension.
He takes the match-box, lights a match. Then puts it to the photograph. He looks at it as it is
burning.
Nandini: Okay. Ab bathroom mein jao. Aur hamesha hamesha ke liye apni zindagi se ise flush-out kar do.
Jao.
In the bathroom, the burning photo drops down. Manik pulls the flush, thinks.
He comes out to the room. She is looking at him.
Nandini:Better lag raha hai? Haan?
Manik (realizing) You know, actually achcha lag raha hai mujhe. Ye bewakoofi ka kaam kar ke...
You were right.
Nandini: Dekha...
Manik smiles.
Nandini: Aur main tumhein sach bataoon? Dekhne mein bure nahin ho tum. Handsome ho yaar. Ameer
bhi lagte ho. Is se to bahut better ladki mil jayegi tumhein ye to shit thi tumhaare aage.
Manik: okay.
Nandini: Bata rahi hoon main. Main ladki hoon ki nahin? Koi bhi ladki tumhaare oopar flat ho sakti hai.
Tum us type ke ho ki dekho, main Aaryaman se shaadi karne waali hoon and all that
but agar vo meri life mein nahin hota to you never know shayad main bhi tumse pat
jaati. Just imagine.
He is looking at her with a smile.
Nandini: Kya hua?
Manik: Tum apne aap ko bahut pasand ho, nahin?
Nandini: Bahut... Main apni favourite hoon.
Manik looks at her, becoming introspective.
Nandini:Kya hua?
Manik:I wish main tumhaare jaisa hota.
Nandini: Vo to bahut mushkil hai. Magar is se better ladki mil jayegi iski guarantee hai.
Manik (smiles) Tum dila dena phir koi achchi waali.
Nandini: Achcha ek baat batao, main tumhein kaisi lagti hoon?
Manik: What?
Nandini stands up to show herself fully to him.
Nandini:Dekho, dekho mujhe. You like me?
Manik: Kyon pooch rahi ho?
Nandini: Tell me no.
Suddenly, there is loud knocking at the door.
Receptionist (in panic) Utho utho, darwaza kholo, jaldi
Manik looks at Aditya. He gets up.
Door opens on the receptionist. Fear running on his face.
Receptionist Raid piti, raid piti.
He runs to the other door. He is knocking at two doors at the same time.
Receptionist (calling out) Arey uth jao, bhaago, niklo yahan se. Jaldi darwaza kholo.
Manik comes out to ask.
Manik Kaisi raid?
Receptionist Police ki raid aur kya... Bhago bhago...
Nandini comes to Manik.
Nandini: Kya ho raha hai?
Manik: Bhaagna padega.
Nandini: Kyon?
Manik: Police.
Nandini:To?
Manik: Chalo.
He takes her hand and pulls her to run.
Receptionist (background) Sab log seedhe se neeche bhaago, main peeche ka gate khol doonga. Aur
shh... silent se.
Nandini (running, to Manik) Arey, magar... Suno to.
Nandini and Manik run down the corridor with the others.
_______________________________
Part 5
The back door opens in a dirty lane and the receptionist herds everyone out. Manik and nandini also
get out from there.
Nandini: Chakkar kya hai? Hum smugglers ki acting kyon kar rahe hain?
Receptionist :Agli baar kuch suitcase type laana saath mein thoda samaan, police ko dikhaane ke liye, ki haan bhai gentry hai.
Nandini: Tch, mera saara samaan train mein jo chhoot gaya.
He takes Geet and they follow the others who are stealing into the darkness.
Nandini: Bol kya raha hai ye?
Manik: Shh...
In corner of the bus stand, near the busses, nandini is sitting and praying to God.
Nandini (praying, muttering) Please ayeappa, ab to hadd paar ho chuki hai. Ab is raat mein aur koi excitement mat dena. Boring bana do ji ab is raat ko please.
Manik approaches her, checking the few notes in his wallet, sits against a pillar.
Manik: Bus chhhe baje chalegi.,Neend aa rahi hai?
Nandini:Nahin. Tumhein?
Manik: nhi Tum kyon pooch rahi thi? Ki main tumhein like karta hoon ya nahin?
Nandini (remembers) Arey haan, batao. Main kaisi lagti hoon.
Manik: Magar kyon?
Nandini: Oh ho. Kyon ka koi javaab nahin hota, tum bus batao. Achchi lagti hoon? Phataak? Mast? Jaldi
bolo... Jaldi, jaldi.
Manik (casually) Haan.
Nandini (reconfirm) Haan?
Manik: Haan.
Nandini (excited) Great. Tum mujhe like karte ho to meri sister ko bhi like karoge. Navya, meri cousin.
Bilkul mere jaisi hai. (conspiring) Baat suno main bahut jaldi bhaagne waali hoon Aaryaman ke saath. Tum aur navya bhi saath mein bhaag lo. Tumhaari bhi problem same hai, dadaji maanenge nahin. Aur uske baad chaaron ikatthe rahenge pahadon mein bada mazaa aayega, what do you say?
Manik is looking at her quizzically. He does not know if she is serious or playing the fool. By now he actually does not care either.
Manik: Hum aisa kyon na karein, ki tum aur main bhaag jaate hain. Shaadi karte hain, aur rehte hain pahaadon par. Convenient option hai, dekho. Agar hum abhi Mangalore nahin jaayen, to
bhaag hi gaye na hum?
Nandini is shaking her head.
Nandini: Dekho. Agar tum navya se shaadi karte ho, to main tumhaari saali banti hoon aadhi gharwaali.
Manik: Aadhi ka kya karoonga? Mujhe poori chahiye.
Nandini: Mil rahi hai na navya poori ki poori. Aur oopar se main aadhi.
Manik: Bargain offer hai?
Nandini: Ek ke saath aadhi muft, muft, muft...
Manik: Tumse shaadi karta hoon tab bhi to offer valid hai.
Nandini: Main tumse apni behen ke rishte ki baat kar rahi hoon, tum mujhe line maar rahe ho?
Manik: Main tumhein like karta hoon to us se shaadi kyon karoon?
Nandini: Bata to rahi hoon vo bilkul mere jaisi hai.
Manik: Tum hamesha aise bakwaas karti ho ya aaj koi special occasion hai.
Nandini: Nahin main to hamesha bakwaas karti hoon. Tum?
Manik: Meri first time hai. (stretches out on the ground) Aaj tak tere jaisi mili nahin na koi.
Nandini (reclines on the pillar) Manglore chalo, milvaati hoon.
He smiles. He looks behind himself, sees the world he has reached. The smile remains on his
face.
Manik started singing
Manik: Mere Maula Maula Mere Maula
Maan Matwala Kyun Hua Hua Re
Maan Maula Maula Mere Maula
Mere Maula
Nandini looks at him surprisingly
Manik n Nandini comes out of bus
Manik takes nandini's hand n they both started dance
Manik: Kis Taraf Hai Asmaan
Kis Taraf Zameen
Khabar Nahi Khabar Nahi
Ooohhh
Jab Se Aaya Hai Sanam
Mujhko Khud Ki Bhi Khabar Nahi
Khabar Nahi
Hooohhh
Hosh Gul Sapno Ki Mein Bandhu Gull
Aankh Kab Khuli
Khabar Nahi Khabar Nahi
Rain started they started dancing
Manik: Hoo Hoo
Kis Taraf Hai Asmaan
Kis Taraf Zameen
Khabar Nahi Khabar Nahi
Now they are in bus...bus is in highway
Mere Maula Maula Mere Maula
Maan Matwala Kyun Hua Hua Re
Maan Maula Maula Mere Maula
Mere Maula
Background music
It's Got To Be Love
It's Got To Be Love
It's Got To Be Love
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Manik says these lines looking to get n indicating her
Jaane Kab Kahan Kaise
Tere Ho Gaye Kaise
Hum To Sochte Hi Reh Gaye
Aur Pyaar Ho Gaya
Mere Khawaab Dil Sansein
Mil Ke Kho Gaye Aise
Tujko Dekh Ke Aisa To Kai Baar Ho Gaya
Tu Kahe Dil Yeh Tera Hi Rahe
Aur Kya Kahun
Khabar Nahi Khabar Nahi
Manik was in love with her but Nandini thinks that he is singing song but he was trying to says this through song
Manik: Ooo...
Kis Taraf Hai Asmaan
Kis Taraf Zameen
Khabar Nahi Khabar Nahi
Mere Maula Maula Mere Maula
Maan Matwala Kyun Hua Hua Re
Maan Maula Maula Mere Maula
Mere Maula
Nandini songs other line she thinks about aaryaman n started singing manik was in his back when Nandini started singing he thought she is singing for but when he turn back she was thinking about aaryaman
Nandini: Aayega Woh Is Intezaar Mein
Ud Chala Dil Wahan, Sapne Jahan Mein Janu
Lagta Hai Woh Mere Kareeb Hai
Aisa Kyun Hai Magar,Dhunde Nazar Beqabu
Hosh Gul Sapno Ki Mein Bandhu Gull
Aankh Kab Khuli
Khabar Nahi Khabar Nahi
Hoo...
Manik tries to become normal n started singing
Manik: Kis Taraf Hai Asmaan
Kis Taraf Zameen
Khabar Nahi Khabar Nahi
Ooohhh
Jab Se Aaya Hai Sanam
Mujhko Khud Ki Bhi Khabar Nahi
Khabar Nahi
Hooohhh
Hosh Gul Sapno Ki Mein Bandhu Gull
Aankh Kab Khuli
Khabar Nahi Khabar Nahi
Background music
Manik was lost in his thoughts Nandini shakes him n ask him what happen n make him dance with her
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Got To Be Love, Coz It Really Got Me Going
It's Got Me Going
Manik: Mere Maula Maula Mere Maula
Maan Matwala Kyun Hua Hua Re
Maan Maula Maula Mere Maula
Mere Maulaaa
Manik and Nandini are sitting on a branch of the tree, eating guavas. Water is flowing beneath them.
Nandini: Tum to kamaal ho yaar. Maine apni life mein kisi ko itna achcha gaate huye nahin suna.
Tumhien to singer hona chahiye.
Manik: Sab kuch jo insaan chahta hai, vo milta kahan hai yaar?
Nandini: Kyon? Mujhe to lagta hai ki insaan jo kuch bhi real mein chahta hai na, actual mein, usko life
mein vohi milta hai.
Manik: Ek time tha jab main real mein chahta tha, actual mein. Music se bada passion nahin tha meri life mein.
Nandini: Life khatam ho chuki hai tumhari? Baat aise kar rahe ho jaise mar chuke ho.
Manik: (smiles) Mara to nahin hoon. Magar ab music vusic nahin ho sakta meri life mein.
Nandini: Kyon? Kyon nahin ho sakta? Aisi kya majboori hai, batao mujhe.
He looks down, looks away.
Nandini:O god. Okay yaar, okay. Mat batao. Magar phir se angry young man mat ban jao, okay?
Manik (suddenly bright) Okay.
Pause.
Nandini: Main hi baat shuroo karti hoon.
Manik: Of course.
Nandini: Hmm... (looks down at the stream) Pani achcha hai na.
Manik:Haan.
Nandini (idea) Kabhi kisi ped se neher mein jump lagayee hai tumne?
Manik understand what she is indicating turns sharply to her, tries to read her.
Manik (insecure) nandini, chalo ab neeche utarte hain. Come on.
Nandini: Try karna chahiye. Bahut mazaa aayega. Chalo.
Manik (serious) nandini, nandini. Main tumse poochna chahta tha. Kabhi psychiatrist ko consult kiya hai
tumne?
Nandini: Oh shut up.
Manik: Tumhein zaroorat hai.
Nandini: Bakwaas band karo and jump.
Manik: nandini... Listen, relax...
Nandini:Socho, aisa kaam karne ka mauka shayad phir kabhi na mile.
Manik: Arey karna hi nahin hai aisa kaam. Pagal jaisi baatein mat karo.
Nandini: Tumne bachpana try kiya na? Mazaa aaya na? Ab pagalpan try karo.
She holds his hand.
Manik: nandini suno, nandini really man, nandini...
Nandini takes him by his hand and both jump into the water stream with a loud scream.
They frolic and play in the stream.
They get out of the water, wearing all their clothes and shoes, shivering.
Edited by gangwani - 7 years ago
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