People, People! Woah woah woah woah woah! I believe I specifically said it was a good episode! What's with all the negativity???
I won't do a full review since I watched the episode like 8 hours ago and each and every scene isn't fresh in my head, but it wasn't a bad episode. As much as I don't like Raania and Maaz, I don't know if I'd call it a filler either, because the episode still moved quite a few things forward (Sajjal's surgery, the Maaz and Raania tract, etc.). Kuch na Kaho has had almost no fillers in its 36 episode run; pretty impressive, actually.
I feel at fault for bringing up how much I don't like Raania and Maaz, and yes I agree they take up a lot of space, but you gotta think of the bigger, MoNa picture here: the more Mohsin likes Maaz, the more the sizzle there'll be when Mohsin learns the truth about Maaz's parentage. You know Mohsin will do something cray cray like kick Maaz out, or at least forbid him from going anywhere near Raania. I suppose that will make the Raania and Maaz we endure now worth it, ultimately.
I will agree, though, that the episode, while not totally a filler, had pretty fillerish, repetitive scenes. How often did we need to see Asher get jealous? KnK was great because it used to be able to convey a character's entire emotions with one, sometimes wordless, scene, and now we're getting it thrown at us over and over again: Asher is jealous, Raania and Maaz are the new "will-they, won't-they", Taabi doesn't like Afaaq, Aina lovesss Maaz and is now complete, etc.
And as much as we hate the decreased MoNa airtime, for a post-leap drama, MoNa as parents get a ton of time, and today's episode especially showed they get a lot of romantic time, too. How often do we see the middle-aged (it feels pretty weird calling EmNa this, not gonna lie) parents getting up to check on the other? The drawing room scene with the two of them? How Mohsin can still analyze Aina and knows something's up even when she won't tell him herself? How Mohsin threw back Aina's "when rishtay change..." line from the dinner date back at her in a very Mohsin way today (v cute, btw, v cute, writers)? The bedroom scene? Them literally sitting in a chair/bed just looking at each other, talking in calm voices and screaming chemistry like an old Hollywood couple? (God, EmNa were made to play opposite each other). Yes, this was originally their story, but we know that Pakistani dramas have a leap lust and the kids' stories always take over. Also, as Ash has mentioned, the novel revolves only around the post-leap scenes. Since the writer of the drama and novel are the same, we should be thankful she decided to expand the MoNa in the drama instead of giving us minimum MoNa and all kids. Here, the kids' stories are finally starting to take over, but MoNa are getting more than the usual even post-leap, and it's def more than the novel gave them.
I must be the only person who truly enjoyed the Sajjal scenes today. Firstly, I'm glad Maaz knew nothing about her illness. Secondly, I understand her "hysteria" (as Maaz called her) at being afraid of losing Maaz. Sajjal was not able to have children of her own; I *think* the writers are hinting at her having ovarian or uterine cancer, so she's probably about to have an operation to take away the last of her ability to possibly have children (she probz already had a hysterectomy, now she's most likely about to get an oophorectomy). And then to top it all off, she finds out the boy she raised as her own is off gallivanting in Pakistan without her permission or knowledge and he's with his biological mother. The doctor in me knows what a sensitive time it is whenever a patient is ill, on top of that Sajjal received another shock. She's under a lot of stress and the last thing she wanted to hear was that while she's being operated on, her sister is enjoying Sajjal's son (yes, we all know he is Aina's son, but not in Sajjal's mind, not for the past 19 years).
On the other hand, Faraz has never 100% be able to comprehend Sajjal's fears of losing Maaz. He took her to America 19 years ago to placate her, but those were just actions as Faraz told Sajjal he wanted to stay in Pakistan and only moved to make her happy. Now Faraz is right in his own way, because it's been long enough and it's time to come home. After all, 19 years ago they left because it was Sajjal's demand. Now he wants to return on his demand. He told Sajjal his desires in a very Faraz way--he made his point, but still explicitly showed care regarding Sajjal's mental and physical health along the way. Our Faraz is still there, but he's tired of living away from family and wants to go home.
Huh. I ended up writing what may as well be a review.
Might as well include a line about Afaaq and Alia--Afaaq is growing on me, and I'm starting to be intrigued by Taabi/Afaaq, but still only want it to actually happen if/when Taabi accepts it wholeheartedly. I will also be just as pleased with Mohsin kicking Afaaq's ass. As for Alia...she is literally as useful as one of the paintings in the background to me.
8/10. Decent, but we've seen better.
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