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This is purely the showie me, below is how the MEPL logo would look like:
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The Malazan Empire:
Malazan Book of the Fallen is an epic fantasy series written by Canadian author Steven Erikson. The series, published by Bantam Books in the United Kingdom and Tor Books in the United States, consists of ten volumes beginning with the novel Gardens of the Moon published in April 1999, and concluding with the publication of The Crippled God in February 2011. Erikson's series is extremely complex with a wide scope, and presents the narratives of a large cast of characters spanning thousands of years across multiple continents. His plotting presents a complicated series of events in the world upon which the Malazan Empire is located. Each of the first five novels is relatively self-contained, in that it resolves its respective primary conflict; but many underlying characters and events are interwoven throughout the works of the series, binding it together.
The Malazan world was co-created by Steven Erikson and Ian Cameron Esslemont in the early 1980s as a backdrop to their GURPS roleplaying campaign.[5] In 2005, Esslemont began publishing his own series of six novels set in the same world, beginning with Night of Knives. Although Esslemont's books are published under a different series title Novels of the Malazan Empire Esslemont and Erikson collaborated on the storyline for the entire sixteen-book project and Esslemont's novels are considered to be as canonical and integral to the series' mythos as Erikson's own.
In addition to the above, The Kharkanas Trilogy is a prequel series written by Steven Erikson after the completion of the main series. The series deals with the Tiste before their split into darkness, light and shadow. It sheds light on the events that are often hinted at in the background of Malazan Book of the Fallen. Many of the important Tiste characters from the Malazan Book of the Fallen make an appearance like Anomander Rake, Draconus, Spinnock Durav and Andarist.
Chapter 10
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National Awards For Excellence in Journalism are awarded by the Press Council of India
The Press Council of India has been mandated by the Parliament to improve the standards of journalism and maintain its freedom. This, it has been ensuring through its adjudications as well as pronouncements and reports on specific issues.
To encourage the media to pursue its duties effectively without fear or favour following the dictum of freedom with responsibility', the Press Council of India, as the only statutory authority enjoying such mandate, proposes to institute National Awards to honour journalists excelling in print journalism in various fields for their reports in the calendar year
Whereas one main Award Raja Ram Mohan Roy National Award for Excellence in Journalism' in honour of one of the greatest reformer journalists of the country, carries a cash award of Rupees One Lakh, and a plaque/citation, remaining awards in the fields of Rural Journalism and Developmental Reporting, Investigative Journalism, Photo-Journalism and Best Newspapers Art, carry cash award Rupees fifty thousand each and a plaque/citation.
The Press Council of India will honour the journalists selected by the jury for having excelled in various fields on the occasion of National Press Day, 16th November.
Categories of Awards
1. Raja Ram Mohan Roy National Award for Excellence in Journalism The award to be conferred on the basis of nomination from entrants selection by jury on the basis of
(a) own knowledge,
(b) nominations received from associations of journalists, editors and newspapers and,
(c)nominations received from members of civil society and will recognized seminal journalistic efforts in upholding the ideals of a free Press and given to an Editor, columnist, photojournalist or cartoonist who has done substantial work in the preceding year.
2. Rural Journalism and Developmental Reporting
3. Investigative Journalism
4. Photo Journalism
(i) Single News Picture
(ii) Photo Feature
5. Best Newspapers Art covering cartoons, caricatures and illustrations
Eligibility - Open to all journalists/freelancers of Indian nationality. Though the Paper articles should be translated in English /Hindi.
For further details, please refer to
http://presscouncil.nic.in/WriteReadData/Pdf/UpdatedNationalAwards.pdf
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The quote, "Writer's Block... is from the net, no author attributed to the same.
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The fishes, which Sanskaar, whittles is based on this picture that I found while browsing the net.
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Special Purpose Vehicles (SPVs) - Special purpose vehicles (SPV's) are widely used as a means of securitisation for property based financial products. In development and construction, SPV's are legal entities set up for a specific purpose to isolate risk.
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An online Motor Vehicle Coordination system, "Vahan Samanvay" is designed for coordination of stolen and recovered motor vehicles. Police, Regional Transport Offices and Insurance Sector are the stakeholders of this system. A motor vehicle enquiry counter for the convenience of the general public is operational at NCRB at New Delhi. Many State/UT police organizations are also operating motor vehicle enquiry counters in their respective States/UTs for the convenience of general public. The enquiry service is also available online for the general public.
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Udde Jab jab zulfein teri is from the 1957 film, "Naya Daur and sung by Asha Bhonsle and Mohamamad Rafi. The music is by O P Nayar and the lyrics are by Sahir Ludhyanvi; it is picturised on Vyjayantimal and Dilip Kumar.
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Fatalism is a philosophical doctrine that stresses the subjugation of all events or actions to fate. Fatalism generally refers to any of the following ideas: The view that we are powerless to do anything other than what we actually do. Included in this is that humans have no power to influence the future, or indeed, their own actions. It involves an attitude of resignation in the face of some future event or events which are thought to be inevitable and That acceptance is appropriate, rather than resistance against inevitability.
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Que Sera Sera - This is Spanish for "what will be, will be." And is used Used to convey a fatalistic recognition that future events are out of the speaker's control.
It has been popularised by the 1956 song Que Sera, Sera written by the songwriting team of Jay Livingston and Ray Evans. The song was introduced in the Alfred Hitchcock film The Man Who Knew Too Much (1956), starring Doris Day and James Stewart in the lead roles. The 2000 Hindi film Pukar has a song, "Kay Sera Sera", (Kal jo ho so ho) based on this phrase.
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