@fanrya: absolutely agree with you- the writers are shallow, and lacks depth to express the relationship of Shobha and Vikram to the fullest ( not the traditional falling into love poses and dialogues).
However, the initiative to think differently than the usual, perhaps is a way forward to new ideas, and hopefully in the future writers will be more matured, creative and real. They should realize that this is the requirement of the audience.Cheers
Originally posted by: bollyfood
I remember watching a serial Kshitij Yeh Nahi, which dealt with a man falling for a widow. It was just 13 episodes and in that, one could see a gradual change (from denial to acceptance) in FL character. I remember a scene, where she is about to loose the male lead. She lets herself loose, reach out to him and addresses him with her husband's name. He slowly releases himself and makes it clear to her, he wants to loved by her, but as himself, not as a shadow of her husband or father of her kid. Makers could show the growth of their relation in just 13 episodes. Here they got plenty, still the story is flat. I feel, there is a scarcity of good Hindi writers now. I see the same problem with other regional languages too.
Is it due to the fact, the current generation have not received their primary schooling in their mother tongue? (and they cannot express themselves that well in Hindi or other native languages). All the famous writers are a generation old. (I read the current generation stars can read the hindi script only in English). Is that the reason we are not getting good story writers anymore? Currently Pakistan has. But can it have after 20-30 years?
Originally posted by: bollyfood
I remember watching a serial Kshitij Yeh Nahi, which dealt with a man falling for a widow. It was just 13 episodes and in that, one could see a gradual change (from denial to acceptance) in FL character. I remember a scene, where she is about to loose the male lead. She lets herself loose, reach out to him and addresses him with her husband's name. He slowly releases himself and makes it clear to her, he wants to loved by her, but as himself, not as a shadow of her husband or father of her kid. Makers could show the growth of their relation in just 13 episodes. Here they got plenty, still the story is flat. I feel, there is a scarcity of good Hindi writers now. I see the same problem with other regional languages too.
Is it due to the fact, the current generation have not received their primary schooling in their mother tongue? (and they cannot express themselves that well in Hindi or other native languages). All the famous writers are a generation old. (I read the current generation stars can read the hindi script only in English). Is that the reason we are not getting good story writers anymore? Currently Pakistan has. But can it have after 20-30 years?
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