REBLAST 1 Episode 1 - 5 - Page 46

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indi52 thumbnail
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Posted: 8 years ago
episode 212




she waits for him in the morning, a mischievous air about her. he comes back from a run looking unnervingly good, destroying my concentration. there's a tussle over who'll get to the bathroom first.

a playful air. light plink plonk music. khushi wears her simple home clothes and looks lovely, also determined to ruin her man's happiness. if he has done what he has to her, she is going to settle the score with an extreme sanka fuelled revenge plan... arnav singh raizada ko satane ke sau tarike. a hundred ways to bother asr.

great insight. khushi must react to the chaos in her own way. she can't become a sad sack or get overly heavy and serious over the whole thing. our innate characters always assert, ascend.

so yeah, this should have worked.

yet funnily, for me at least, something never felt right about the whole kkg over the top hit back. something was not felt right, not written right. like i couldn't feel khushi any more. i can believe she would choose to be in supreme sanka as she took on a man whom she had strong feelings for and yet who had behaved horribly by doing what he had that evening and keeping the threatening attitude up... but would this be the way? almost cartoonish?

she was never ever a cartoon. not even in her most chamkili days at ar... her look was strange, her facial expressions were never "cool", her constant hey dm and eating and looking horrified at the ways of the big city were rather cute and funny, but she never ever was someone you laughed at, in fact, i liked her mind and her can do spirit, and her tackling of things her way.

there was always a sense of depth alongside that inimitable fey quality of khushi, so brilliantly brought alive by sanaya.

here i felt a certain lack of depth came about in the writing.

i have often felt that no one really was sure where to take this story after the wedding, which many think was imposed by the channel. original story envisaged a slightly different situation...

i will never know the facts... anyway, the way serials are written in daily soaps in india, everything is fluid. things change all the time.

guess that takes its toll on things.

while watching these episodes, i felt the girl i had met back in the early days became somehow thinner and flimsier than her original character here.

i love the madness of mausam hai suhana. sanaya really sounds awful and totally happy. her plan to sabotage the happiness of mr i am the lord of all i survey laad governor involves slowly raiding his daily existence, taking over his space, his peace of mind, till he is floating about in abject misery, highly sataoed.

the bid to take the bathroom before him has them both running to the bathroom door like kids, trying to beat the other. their hands reach for the knob at the same time, and meet. but both are too busy trying to win to get all mushy.

the man bestows an irritated look on the girl. i am destroyed once more.

"pehle main jaaonga!" i'll go first... he.

"hume bhi jana hai!" i too have to go... she.

he's not happy. she sneezes. loud and not bothering to cover her nose.



he draws away and tries again, "aur yeh ghar mera hai, yeh kamra bhi aur yeh bathroom bhi." this house is mine, also this room and this bathroom.

okay barun sounds awfully good saying it and looking haughty and exasperated. but dialogue a little flat, childish.

it's all a set up so we can come to the point when she can claim, it's my home too.

"what do you mean humara ghar bhi hai, khushi kumari gupta?" what do you mean it's my home too, kkg? he snarls.

"... singh raizada!" singh raizada, she completes her name.

and then the killer punch is delivered, "aadhe saal ki liye, aadha room aur adha bathroom mera hai..." for half a year, half the room and the bathroom are mine.



i found this half thing interesting. in english, of course, the spouse is referred to as the better half. this concept of man and woman uniting to become one in a marriage is fairly common across cultures i guess. then there is the idea of "ardhangini" the wife as half of the "ang" or body of her husband... sounds complex, i have no clear idea as to what exactly the ardhangini concept is. but that ardh... indicates half. and a sense of equal place of a wife vis a vis her husband.

khushi's claiming half of everything that is his for that half year he has married her for was sharp and clever. i wish they had played more with it.

"soch lijiye!" think about it, she threatens sweetly when he refuses to give in, she will tell everyone she says about the six month nuptials.

"tum aisa kuch nahin karogi, khushi... d'you understand?" you'll do nothing of the sort, thunders asr, but she knows she has scored. oh the grin.

he wins the bathroom anyway. no imandari here. and in comes a ditty that is all about the weather and beauty and very bad singing... "aaj mausam hai suhana!"



in the bathroom, a beautiful slow turn of head and expressions as the song gets going... nice direction...

madam is destroying poolside. what the f man comes raving out. and lallalalla...

it was funny, that whole dhobi ghat making of poolside.

so why did i sort of not like it?

again, too slap stick... flat.

but got to say the strapped for funds and sets creatives did a madly good job of making poolside multi task, from lovers corner to torture chamber.

she made a bid for her "hissa" share of the pool... again that hissa thing... means part of something, even oneself.

"shut up!" flew at high decibel... beautiful.

"kya hua? koi aur gana gaye?" what's the matter? should i sing something else? perfect timing and cadence. sanaya too good in comedy mode, light fun sexy.

"get up!"

"kya? aap kapde dhoenge?" what! you're going to wash clothes!

he lets her go and take the bathroom first.

he paces outside, his usually gelled and brushed back hair, flopping on his forehead. a lovely easy, bedroom sort of look.

khushi emerges happy and victorious, drying her hair with a towel. another altercation starts.

"don't act smart, khushi!" threatens tycoon. "yeh mat samajhna ki..." don't think that...



and a swish of wet hair, a sound coming in, and a bemused look beginning on a man's face despite his resolve not to be affected by khushi...

hey hey...

strands of his hair fly... and why doesn't it look corny.

she wipes hers without knowing what she is doing to him. she has no idea she needn't look for ways to bother him.

oh she bothers him anyway... a lot. a lot.



camera moves and shows the two of them. i stop breathing. hey hey ... hey hey hey... tell me what else is love.

rabba vey...



i am reminded of that look in the office back in episode 22, the first rabba vey. she is so pretty and innocent as she dries her hair, that touch of her cool wet strands, a caress, has him feeling too many things... he just stares bemused, lost.

struck by the silence, she turns.

he's still lost... his eyes dreamy, his facial muscles relaxed.

happy trill of music. "aap kuchh keh rahe the na..." you were saying something, she says..

she has no idea what she does to him. i loved this little scene. there was something pretty and innocent and yet grown up and real in it. barun and sanaya both wonderful... they always added their own interpretation, making things more somehow.

he returns to the moment.

"huh, eh woh... nothing..." he mumbles.

so so tender and sweet. asr.

she keeps playing her achhoo game.. the moment goes...

you just never wanted to see her in that state, did you? i think looking at asr... never imagined anything that happened would or could.

he gives in... "theek hai, kal se main jaldi uthke naha loonga!" okay, from tomorrow, i'll get up early and have a bath.

... later she will say, it's okay, you don't have to apologise... because you loved me so much. he did.. and that was what got me so involved... this intense, sensitive exploration of love.

she made fun of him, she sneezed constantly till he had to say, she'd better sleep on the bed, he's of course doing this only so his di is safe and doesn't catch an infection. she took over his cupboard. it was harrowing for the man right through. and we also had some really awful creepiness from shyam. a desperate, "open your eyes, di..." from khushi.

for me that little moment with the wet hair, towel, smile, unawareness, and a man arrested was what it was all about.

thoughts/edits



i liked the wardrobe takeover shots, there was a nice symmetry there, and a totally sexy expressing by the man in waistcoat and jacket.





what was that with mami and payal and food tasting frenzy? then the now assertive akash eating fruit, admonishing mother in his way... why did the payal akash story lose direction the way it did? aaj mausam hai suhana, never knowing the reason ka hai bahana.. lallalalallala.




suddenly a cut to asr shrugging on his jacket. why is it that i find barun terribly dashing and attractive while doing stuff like this? of course he had to turn back and i had to pause, do shift+control+4 and make caps. then edit edit edit.





Edited by indi52 - 8 years ago
Posted: 8 years ago
Hi girls. So we're reblasting...here we go...


indi52 thumbnail
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Posted: 8 years ago
^^^

hi kate,


aaa... why are you doing this to me.

😃 khushi! khushiii! sigh.
indi52 thumbnail
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Posted: 8 years ago
212 had these horrible mind bending moments.


indi52 thumbnail
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Posted: 8 years ago
episode 213

i think this was the first time that barun was shown minus shirt... skin very much for all to see. even as i found myself staring and trying to be circumspect (i am of that gen i guess) i thought, okay this is a sure sign that creatives are not sure of their story. an "item" number is required to keep eyeballs glued. that trp hunger very sharp.



i really felt like telling the producers, there was no need to resort to this, they had two very powerful actors, who were such a complete "item" together, they would have kept audiences there without resorting to skin scenes... as they did. even through sheetal and mrs india... and no resolution of almost kiss.

"khushi, tum yeh kya karne ki koshish kar rahi ho!" what are you trying to do, asr said, something in his voice not describable, he is totally flummoxed, she is behaving like a lunatic... he may have factored in many reactions to that wedding of theirs, but never this.

i had to laugh out loud at his "
main janta hoon yeh kaun hai, par yahan kya kar raha hai..." i know who he is, but what's he doing here? at the sight of a beefy and bare salman khan on his wall (lots of shirtlessness today). barun knew how to make asr sound totally like himself even when story was making him seem clueless, duh... the events on the screen not really that funny... a slapstick element is raiding the writing.

and yet, it brought home to me an interesting point. the black swan theory.



i'd read somewhere about this idea pondered by nissim nicholas taleb. black swan is a
"metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight," says wikipedia.

wasn't khushi like that in asr's life? a completely unexpected event. never ever even thought of... that came and changed everything. paradigm shift i think it would be called by some.

of course the bs (wow, that bs... as in barun sobti? sigh, i knew there was a black swan thingie happening to me hmmm) theory is meant for large humongous events in the world. but it did remind me of khushi crashing into asr's arms/life one fine night and the sheer unexpectedness of her totally altering things.

half room takeover is on. must say sanaya is truly goofy when she wants to be. that strident note... nice, since all of it is a big drama, khushi is hurting crazily inside and possibly loving too.

whoever chose that awful pink bedsheet deserves a salam.

"par aap kahan soyenge?" but where will you sleep, asked khushi.

"never mind..." cool grey reply from asr. even in the midst of thin writing, everything feels real. actors make such a difference.

"laad gov poolside pe aur kkgsr, kamre mein!" her sweet spouse is at the poolside while she lies on his bed... thrills khushi no end. i'd wondered the first time what this would lead to.

well, it's the poolside, it had to be magic. look who is arrayed here. splendidly utterly.





i do remember long conversations on the forum on the colour of the arrayed one's inner wear. used to confound me... can't take my eyes off that face, that line of body, and my fave was always that waistcoat of his. esp when he shrugged it on or off. this episode has that mind bending scene with before the mirror.



yeah, makers really knew they had no clear idea where all this was going, so plenty "beauty" shots.



suddenly it's kamlesh khabri time, meen rashi tula rashi attack, goat on bed, chane.. i am feeling dizzy. and then comes man with head fixed at awkward angle... crick in the neck, hanging gardan times (thank you, mami ji). i am dead.



man and woman meet, they clash... she has the brain size and hearing of a goat says the rude chap, plays hide the remote game. the scheming wife stumbles, why is she even bothered with him and his commands if she so hates him... why is he not raging... something always gets in the way of the nafrat, doesn't it.

"lakshmi ji, lagta hai grah achanak badal rahe hain..." nice dialogue. lakshmi ji, seems like the stars are changing suddenly.

he gets to the loo first. she turns off the water. "hari prakash! khushi, paani tumne band kiya hai!" he guesses soon enough she might have something to do with it.

"ho sakta hai..." could be, replies she.

"khushi, tum janti ho tum kya kar rahi ho?!" khushi, do you know what you're doing? was there more in the question than an allusion to the current scenario?

"tumhe jo karna hai karo, main bahar nahin aaoonga!" do what you want to do, i'm not coming out. again, was there more there?

finally, "kya chahiye tumhe?" what do you want.

"ek minute mein aapka yahan se palayan..." in a moment your disappearance from here... a bit of shuddh hindi there by ramanchi queen.

"what!" totally uncomprehending arnav ji.

again that black swan feeling. he has no idea what to do with her, how to deal with this attack strategy of hers... even if he knows what it is she is trying to do.

and then came that unexpected moment after all the noise and drama.



he walked out with the towel over his shoulders and came up to her from behind, she turned and that meeting, that melting of resistance... he too was something she had never ever thought would happen to her. shouldn't she hate him for doing what he had done? it was horrendous really if you think of it... but we are not mere thinking creatures... we are feeling creatures.

in 212 we saw the effect of her wet hair swishing across his face, now look at her as she sees him standing so near and freshly bathed and with just that towel over him, his skin so close, still wet.

she's lost.

and like rain after a long dry spell, after all the raving came rabba vey.

"donchyou dare switch off the water supply again!" said grainy voice, i died again without both
ering too much about that strange "supply".

she stared. did he guess she was feeling the attraction, the undeniable, the pyaar which no one knows what to name?

"kya hua... ab jaa kyun nahin rahi ho?" what's the matter, why aren't you going... he sounded almost tender, his eyes stayed on her, gleaming.



khushi tried her best to get back to the scream shout mode, she called him
caackroach, tilchatta.

but today seemed the water was determined to make them feel things, no matter how often you turned it off. poolside magic, now bathroom witching. after all this is the story of a man called ocean and his happiness.

it made sure she slipped. and he had to save her and hold her in his arms and slowly they drowned, behind a curtain of... yes, water... today water was all over camera, speaking. like rain, like something that hides what one doesn't want to show and yet it shimmers through.





oh that slight movement of eyes and body when she noticed and felt how close their bodies were, how he held her... gossamer delicate, lovely, all man woman. and love.




these scenes are not too unique in tv land and really in most cases these still prolonged scenes feel stiff and irritating, but here... never, never that. two actors actually feel things and there's not even a moment that isn't fluid, flowing with emotions, they make time go in slomo, i watch.


***

back in december 2013 on bftp #22, we had serious cockroach talks. durga kept record of the exchange between me and issk...


Indi posted this edit from the caackroach scene ...







i'll take the caackroach, thank you.

cynthia, bless ya for guiding me to 213. i see the light.
To which IssPKaur promptly replied with this poem ...

Please approach, oh cockroach,
dhadkan meri thamti nahin!
Above reproach, my cockroach,
baat bin tere jamti nahin!!

😆
Would Indi be left behind? Nah ...

👏

zara soch, mera cockroach,
jeeoon main tere bin kaise?
dil mein moch lagi, cockroach
dard lagey ab marham jaise.



So what did IssPKaur say? Let's see ...
Wah wah, wah wah! 😆 Issi baat pe, arzz kiya hai begum indi jaan... Mulaayza farmaayen...

Cockroach se mil kar jaana nayi soch kya hoti hai (repeat twice!)
Moch bhi deta marham bhi, phir bhi lagta moti hai..

Issko tum na bura samajhna, dil mein isske joti (jyoti) hai (repeat again pileejh!)
Jab hasta ye Laad Governor, Khushi bhi aansoo roti hai!

😆
Now what would Indi reply to this? Her reply ...
arre wah wah, kya kehne, kya kehne... repeating i am again and again the couplet on cockroach
cockroach baney moti, sounds like a movie of very high nayi soch.

Anyone wants to add to this onslaught on the tilchatta? 😆

Edited by indi52 - 8 years ago
aarwen thumbnail
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Posted: 8 years ago
Indi di am here after a long time.. reading your take was relaxing and rejuvenating..
The end 2 edits .. breath taking.. I have read and laughed at the conversation around the cockroach. kya din the wo.

A lot of it was silly.. the goat and kamlesh.. and more of it contrived.. the slipping.. but that chemistry.. the hesitance in khushi.. the undeniable attraction.. and the thrilling dip in his voice.. I agree with you.. I wonder if he registered that change in khushi too.. but ASR has to be off hand.. ab ja kyu nai ri ho.. spoiled me for life he has!

Seeing this scene I got reminded of Khushi's reaction when ASR asks her to help take off his shirt during that contract biwi tel malish time. I love how flustered she was and he all matter of fact.. flirting, teasing, giving her that sense of haq on him..

Post holi one of the things I miss most is the lovely young girl married look that Khushi has in the first few episodes of 200. Those crisp sarees neatly pinned up. And a look of quiet dignity.
aarwen thumbnail
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Posted: 8 years ago

Originally posted by: Katelyn

Hi girls. So we're reblasting...here we go...



Katelyn pressed like earlier, but have been wanting to comment. How dreamy this looks. Actually reminded me of your friend cecilia's edits.
indi52 thumbnail
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Posted: 8 years ago
epiosde 213

trying to catch a feeling.










aarwen thumbnail
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Posted: 8 years ago

Originally posted by: indi52

episode 212



he's still lost... his eyes dreamy, his facial muscles relaxed.


Barun has such keen insight into character and finesse in acting. Indi di you perfectly caught the relaxed muscles here. I personally like him when he has a more gaunt, alert face and gelled hair in place.. as ASR mode. But here bemused, a little bedraggled, dazed and struggling to not hear rabba ve playing in his head.. he conveys it all.
indi52 thumbnail
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Posted: 8 years ago

Originally posted by: aarwen

Indi di am here after a long time.. reading your take was relaxing and rejuvenating..

The end 2 edits .. breath taking.. I have read and laughed at the conversation around the cockroach. kya din the wo.

A lot of it was silly.. the goat and kamlesh.. and more of it contrived.. the slipping.. but that chemistry.. the hesitance in khushi.. the undeniable attraction.. and the thrilling dip in his voice.. I agree with you.. I wonder if he registered that change in khushi too.. but ASR has to be off hand.. ab ja kyu nai ri ho.. spoiled me for life he has!

Seeing this scene I got reminded of Khushi's reaction when ASR asks her to help take off his shirt during that contract biwi tel malish time. I love how flustered she was and he all matter of fact.. flirting, teasing, giving her that sense of haq on him..

Post holi one of the things I miss most is the lovely young girl married look that Khushi has in the first few episodes of 200. Those crisp sarees neatly pinned up. And a look of quiet dignity.



hi rhea,

really kya din those were. good to see you. asr has spoiled us all forever i guess, i still wonder about where barun got all those voice expressions (or whatever they are called) from... just so perfect. always an asr thing in them... and then that layer of crazy attraction, indulgence, pyaar... also something so male. he knows he has her... a note of the one in command and again that bit that says, take command of me, come into my life... okay i am sounding idiotic. who can blame me.

i hear colour in his voice.

there was cool grey when he said let it be and went to sleep on the poolside. next episode must chat about how uncomfortable i felt about khushi not being concerned for that pain in his neck.

saree, attitude, tone of voice, expressions... ah i missed khushi everywhere. writing thin, sanaya struggled to keep her girl going. wasn't everything feeling a tad too forced? way back jharoo dance had seemed lovely, so why wasn't goat talk doing it for me?

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