Hi Flash
Thanks for starting a very nice discussion. For my part, I agree with what you're saying, but there is another reason for our soaps dragging on and on.
Take Ekta Kapoor for instance. She gets Rs. 900,000 per episode of any serial that is aired on Star Plus. For shows on Sony and Zee, the figure is even larger--about Rs.1200000 per episode on Sony. FYI this is because Star India Pvt. Ltd. has a twenty five percent stake in Balaji Telefilms. (I may have got the percentage wrong btw, it may be more.) So if she is getting a fat paycheck from these guys, then why should she forgo that by starting a new serial, which would take time, not to mention the money that would be spent on its advertising and marketing. Also money would be spent in looking for a suitable lead pair, (take the case of Angad and Kripa). So she tries to play safe by stretching her ongoing shows like Kyunki..., Kasautii..., Kahaani...et al. Also a new serial would not get high TRPs like Kyunki... and Kahaani... which is what she gets paid for. Her serials start out well but then peter out after a while because she has so many new serials on the floor that she cannot give her attention to all of them. Many people who are working in her serials or in her films haven't even met her, for example (Prithvi, Isha Koppikar etc.)
I don't know about other producers, but I think they are faced with the same concerns. To start a daily show is very time consuming, hence, once it starts, the makers don't want to part with it, Take Tony and Deeya Singh, for example, first they deliberately stalled Jassi's makeover, then they deviated from the BLF track, all in an effort to make JJKN run for as long as it could. It was only when they got a one year extension from Sony, and an ultimatum saying that the show would be pulled off air if they don't show the makeover soon, that they relented. THis is also the reason why serials that start off well soon turn into inane dramas once the makers have nothing else to show in the main track. Piya Ka Ghar is a classic example. The title itself has lost meaning after the leap. I mean the story was about Rimjhim getting her Piya ka Ghar, wasn't it? Well she has already got it, then what's the point of continuing with it, but for some reason,(money?) the makers are continuing with it.
As for the people who are watching it, well they're watching it because they don't have any other choice. There is a dearth of original shows on TV. there's Batliwalla... a remake of the Kumars at # 42, Jassi.... which is a remake of Yo Soy Betty La Fea, KBC, a remake of Who Wants to be a Millionaire. Originality is extinct. The blame for this sorry state of Indian television lies with us. If we stop watching these inane shows, they will stop making it.
As for Astitva, I think it's a very good show, and it remains the most watchable post leap show as well, but again I fail to understand what need there was to show the leap. Like Ekta, Ajai Sinha too resorted to the leap mechanism after he had run out of ideas. He could have started another show, especially since Astitva had already been going on for at least 2 years, I think. But he didn't do that. I have to admit though that the makers of this show haven't run out of ideas post the leap. Relevant themes, albeit controversial, continue to be examined. Having said all this, though, I would like to ask everyone who is taking a part in this discussion: Is Kasautii's second generation better than the Prerna-Anurag-Bajaj trio of the first one? Does the Garv-Isha-Megha triangle hold more promise than the Avinash-Rimjhim-Malini track? Do you prefer to watch Gautam-Damini-Ganga rather than Tulsi-Mihir?
These are my views. I would love to hear everyone else's views regarding this. Thanks again Flash for starting a very pertinent topic.
Edited by koihai - 19 years ago
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