Abida Parveen :queen Of Myistical Singing

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Posted: 17 years ago
#1

Abida Parveen was born in Larkana, Sindh, Pakistan, where her father, Ghulam Haider, ran a music school. Though women in Muslim society are rarely encouraged to pursue musical (or other performance) careers, her father recognized his daughter's extraordinary talent at an early age and encouraged her to sing.

Her career crystallized after her marriage to the late Ghulam Hussain Sheikh, a senior producer in Radio Pakistan who became her mentor. She studied classical vocal music with Salamat Ali Khan.
Abida Parveen is considered by many as one of the greatest singers of the sufiana kalaam.
Everything about the artist is noticeably different from her contemporaries. A loose full-sleeved kurta and shalwar with Sindhi ajrak chadar draped over her shoulder is the trademark dress of Abida Parveen. With no make-up on and very little adornment of any kind she comes of as a devoted and honest performer of her craft. It's this faithful devotion to the Sufi's that brings about the kind of intensity that over powers the audience.
It's a pleasant experience listening and watching her sing. Abida is clearly at her best with the Punjabi Sufi poetry of Bulle Shah and Waris Shah. Much like Nusrat Fateh Ali Khan her awesome power to involve the listener in her state of passion lies in her voice. Be it Punjabi, Sindhi, Urdu or Saraiki, all lyrics are rendered with the same intensity having a captivating effect on the audience

Edited by Chalavanth - 17 years ago

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Posted: 17 years ago
#2

Abida Parveen Sings Songs Of The Mystics (MP3)

Dhoondhoge Agar Mulkon

http://www.savefile.com/files/407715


Tere Ishq Nachaya

http://www.savefile.com/files/407719

Jab Se Tu Ne Mujhe Dewaane Bana

http://www.savefile.com/files/407727

Chhap Tilak

http://www.savefile.com/files/407736


Yaar Di Gharoli

http://www.savefile.com/files/407748

Edited by Chalavanth - 17 years ago
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Posted: 17 years ago
#3
Thank you! She is a wonderful singer and I like her a lot.
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Posted: 17 years ago
#4
Begum Abida Parveen sings dil se
[ 17 Jun, 2003 ISTTIMES NEWS NETWORK ]

After a brief hiatus, Sufi doyenne Abida Parveen returns to the recording studio to sing some of her favourite songs for Times Music

For Mere Dil Se , Abida has hand picked tracks that reflect her innate mysticism. She describes her tools of her craft with typical poeticism: "Here are but a few half-opened flowers plucked from the rose-garden of the Tariqab (Mystic Way). Here is grace, which has been bestowed by someone's enriching glance, and I do not claim that it is for me to bestow the grace on others in turn. Rather it is the expression of one's humble allegiance to the Masters who live in a state of ecstasy."

Be it the music critic or the layman, who loves music, all believes that Begum Abida Parveen is unarguably one of the finest voices in the Orient and the queen of mystical singing. Her passionate, robust voice spans three octaves and her powerful renditions of devotional music, her fervid and inspirational singing is an experience not to be missed.
With Mere Dil Se , Abida subtly shifts the goalposts to embrace poetry from Sufi and Sindhi mystics like Wasif Ali Wasif whose Main Nara-E-Mastana stands for the truly divine. In this kalaam, Hazrat Wasif Ali Wasif establishes the relationship between Man and God with powerful imagery. "He who has won the grace and the power of the God and yet lies at His feet is truly among the blessed." The song glorifies that moment where there is no difference between the God and his follower.

In quick succession, she paints intensely moving word pictures from Hazrat Zaheen Shah Taji (Tune Deewana Banaya), Hazrat Khwaja Ghulam Farid (Hum Ko Pasand Yaar Ki), Hazrat Waris Shah (Jis Din Ke Saajan), Hazrat Misri Shah (Pritam Mat Pardes), Hazrat Shah Abdul Latif Bhitai (Ajab Nain Tere), and Sarchal Sarmast (Hairan hua Hairan hua).

Abida is so deeply immersed in the world of Sufi philosophy, that hearing her pure voice rise to the rafters is a spiritual epiphany. It is the spiritual significance of the poetry, expressed in most touching down-to-earth words, harmonised with a musical setting that makes a direct appeal to the hearts and souls of the listeners, including the elite and the man in the street.

Abida's earliest memories are all linked to her passion for music and her desire to sing. Born in 1954 in Larkana, Sindh, into a family that maintains close associations with the shrines of Sufi saints, she was imparted her initial training in the art of music from her father Ustad Ghulam Haider and later from Ustad Salamat Ali Khan of Sham Chorasia gharana.

Her father, whom she refers to reverently as Baba Sain, was also a singer and had his own small music school. As she was growing up, Abida attended her Father's music school and that was where her foundation in music was laid. Her father was devoted to the Sufi poets and it is from him that Abida gets her devotional inspiration.

Abida's record-busting music albums with Times Music like Jahan-e-Khusrau, Bulleh Shah, Faiz Ahmed Faiz, Hazrat Shah Husain and Kabir are masterpieces of mystical inspiration, passion and talent. With Mere Dil Se, Abida Parveen explores the very finest of the poet-mystics of the sub-continent. Faiz and Kabir have also scaled to the top of AOL -Time Warner World Music Charts.
Edited by Qwest - 17 years ago
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Posted: 17 years ago
#5

best of abida parveen ( mP3)

Ghame Zindagi Se Guzar

http://www.savefile.com/files/407865

Kal Chaudhwin Ki Raat

http://www.savefile.com/files/407866

Tumko Dekhe Huwe

http://www.savefile.com/files/407888

Yeh Baten Jhooti

http://www.savefile.com/files/407882

Yeh Suraten Elahi

http://www.savefile.com/files/407873

Edited by Chalavanth - 17 years ago
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Posted: 17 years ago
#6
This Pakistani singer is one of the most popular voices in her nation, known for her work in a number of styles and languages. She has done traditional music, classical, and a hybrid of the two--which is what this collection showcases. Underpinned by sarangi, harmonium, and percussion, these tracks are often orchestrated with lush strings, bits of guitar and such. Many go way over the line into a crossbreed of popular western and eastern modes. Think Indian film music more than Nusrat Fateh Ali Khan. The voice is the thing, though, and there's no denying her right to stardom. It is a plaintive, sometimes fragile voice that wraps around songs of lovelorn supplication like a silk glove. If you like Indian film music and qawwal, and you are unfamiliar with this marvelous singer, this is a fair place to start an exploration. -- Although she is one of Pakistan's greatest modern vocalists, Parveen has been almost completely overshadowed by the international stardom of the late sufi qawwal master, Nusrat Fateh Ali Khan. Khan, of course, is one of the few Pakistani musicians whose records are widely available in the West, though this excellent best-of provides a nice glimpse into Parveen's own large catalog. If anything, she is much more stylistically diverse, offering romanitic as well as devotional music, and while not as technically dynamic vocalist, she is no less expressive. Highly recommended, especially if you were ever on the Fateh Ali Khan bandwagon, but wanted a little something more diverse
Edited by Chalavanth - 17 years ago
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Posted: 17 years ago
#7

The uncrowned Sufi Queen

Author: Karin Bergquist

Pakistani singer Abida Parveen's truly amazing voice has earned her the status as heir to the crown of the late Qawwali legend Nusrat Fateh Ali Khan. Though not as immediate as the surging ecstasies of the big Qawwali ensembles, her intimate, charged music offers much to those prepared to give themselves over to it.

"Parveen could sing a shopping list and have an audience weeping", wrote BBC's Peter Marsh when Abida Parveen's album 'Visal' was released in 2002.

Abida Parveen is known for the dazzling quality of her voice and her vivid musical imagination allied to her utterly feminine sensibility, all used to tell the Beloved the states His love makes us endure.

A real cult is now devoted to Abida, proof indeed of the way this immense artist gives herself over entirely to her public in her music; so long as they demand it, she is ready to go on giving the best of her gifts to serve the kalam (the Word) of the Sufi saints. Sometimes she will linger on a low note, sometimes she'll rise to dizzy heights with oval ornaments of dazzling virtuosity; she seems to be in a state of ecstatic communion with her audience, inspired by an energy coming directly from Him whose praises she sings.

Very few Westerners understand the texts. Parveen sings about love of the only one, and the wish to be united with this divine creature. But she interprets the Sufi poetry with a clear diction and a gentle, often melancholy presence which makes the message go right in.

Abida Parveen gets her material from the old texts of the Sufi poets and herself composes the music, which is as richly ornamented as the warm voice embracing the stanzas. The ancient, soulful strains of Sufi music can some day unite the sparring neighbours India and Pakistan, says Abida Parveen in an interview in Indo-Asian News Service, April 2003:

"With the two countries sharing so much common cultural and traditional legacy, peace will prevail one day. Sufi music will have a role in unifying them".

The Sufi movement created a rich composite culture blending Islamic and indigenous cultures during Mughal rule in the Indian subcontinent. The movement was reflected in art, music, religion and philosophy. The Sufi movement coupled with the Bhakti movement opposed religious orthodoxy and caste and creed divisions and gave India such saints as Kabir, Namdev and Baba Sheikh Farid.

"The basic tenet of Sufism is the same: love for god and your fellow brethren," says Parveen: "In different areas, different saints propagated this one message using the idiom of that area and its traditional music so the masses could understand. Once you understand the message, you will realise that basically we are all the same."

"Music transcends the barriers of language, culture and creed. Even if an Englishman who doesn't understand the words listens to Sufi music, it will transport him to ecstasy," she says.

Indeed Parveen's music has a power to communicate across racial and denominational divides.
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Posted: 17 years ago
#8

Mystic messenger - Abida Parveen
By: Narendra Kusnur
September 28, 2002

VOCAL POWER:
Abida Parveen

When this writer last met Pakistani singer Abida Parveen in January 2001, her album Raqs-e-Bismil had just been released by Music Today. At that time, her following in India was restricted to a select but devoted few, who adored her powerful voice and her ability to render Sufiana poetry with immaculate ease.

In these last 20 months, Abida's popularity in India has multiplied manifold. While Music Today and Sony Music released a few albums, Times Music came out with a series of albums, featuring the poetry of Amir Khusro, Baba Bulleh Shah, Faiz Ahmed Faiz and Hazrat Shah Hussain. Though Abida has been immensely popular abroad since the late '80s, it's only during the last two years that she's attained a cult following in India.

Whether Abida sings Sufiana kaafis, ghazals or regional folk songs, she has regularly transported listeners into a world of spiritual ecstasy. Though her voice isn't conventionally feminine, it moves listeners with its sheer strength and depth. Because of her choice of repertoire, many people tend to describe her as a successor to the late Ustad Nusrat Fateh Ali Khan. But she's different on two counts – she has a presentation style of her own, and she doesn't involve herself in experimentation and crossover ventures.

Yet, despite her fame and musical brilliance, Abida remains extremely simple and unassuming. She gets up and greets those who come into the room, and speaks in a friendly tone. With a smile, she says: "As a musician, my duty is to convey the message of my elders, and help listeners understand those messages. These include people like Nizamuddin Auliya, Khusro, Bulleh Shah, Baba Farid, Hazrat Shah Hussein and Hazrat Sultan Bahu, who are the people of God."

It was with this thinking that the Times Music series was conceptualised. Explains Abida: "In the past, I have sung some of the spiritual works of Hazrat Amir Khusro, Baba Bulleh Shah and Hazrat Shah Hussain, as also the ghazal poetry of Faizsaab. But doing specific albums of these musicians gave me a chance to explore their work deeper."

Abida says that whenever she takes up a project, she immerses herself completely in its creation. "For instance, when I did the album Faiz By Abida, I didn't sing any six or seven songs which came easily to me. I spent four or five months researching the poetry of Faiz, and understanding his style of writing so that I could express myself clearly. Similarly, while preparing the Hazrat Shah Hussain album, I studied the poetic style of the period which Hussain belonged," she elaborates.

Satisfied with the response to these albums, Abida is doing a few more poet-based projects, arranged by Bhavdeep Jaipurwale, who worked on her earlier albums. She has recently recorded the works of Sant Kabir, and for that, she again had to research his work a lot. "I had sung some of his dohas in the past, but to do the album, I needed a more in-depth understanding of his work," she says.

On this visit, Abida says she has even worked on a ghazal album that traverses poets from Wali Dakhni and Siraj Aurangabadi to Faiz, right up to Naseer Kazmi. She's planning another album of Faiz's poetry, because "one album isn't enough to convey everything he stood for", and an album containing the Sufiana writing of Hazrat Sultan Bahu, "who hasn't been sung too much."

Is she fond of any specific type of poetry? She replies: "For me, the message is important. A poet who is able to convey something deep will always appeal to me. God has given us the power of 'sur' to convey messages, not necessarily to provide entertainment."

Asked why she has stuck to traditional renditions instead of going in for modern or western arrangements, Abida says: "A lot of people have asked me to add a western flavour to the songs.

But I think that our own music is so rich that it doesn't require such additions. If you add too many instruments, the music loses its flavour. Moreover, in my kind of music, it's important to convey the message, instead of depending too much on the orchestration."

Finally, we ask her how many students she has. Abida says: "I want to start a school where dedicated students can come and learn. But at the moment, I am still a student. I shall remain a student forever."

That statement is sufficient to describe what a down-to-earth person Abida is.
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Posted: 17 years ago
#9

Abida Parveen, Visal

Artist: Abida Parveen Label:
World Village

REVIEW BY PETER MARSH

Long feted as the heir to the crown of the late Qawwali legend Nusrat Fateh Ali Khan, Pakistani singer Abida Parveen is the owner of one of the most remarkable voices on the planet.

On this recording Parveen devotes herself to Kafi, a strain of mystical and often radical poetry originating from what is now the troubled border between India and Pakistan. These are love poems in many senses of the word and the Sufi ideal of Visal(union with The Beloved) is often expressed in ways that seem as worldly as they are spiritual.

Whether any awareness of Sufism is necessary to fully understand this music is a moot point; but without getting into Cultural Studies territory it's clear that the best devotional music (whether Gregorian Chant, John Coltrane or Le Mystere de Voix Bulgares ) has a power to communicate across racial and denominational divides, and Parveen's ecstatic flights are no exception.

This is a more reflective music than the joyous abandon of Qawwali; tabla and dholak provide the shifting, cyclical heartbeats that underpin Parveen's song, shadowed by harmonium and bansuri flute. Parveen's gloriously honeyed voice is a warm, agile instrument, suffused with sadness and joy, strength and fragility in equal measure.

Even on the closing "Are logo tumhara kya", whose more insistent groove pushes into Qawwali territory, she tempers the joyous defiance of the poem with a deep yet slightly ungraspable melancholy. With such a voice Parveen could sing a shopping list and have an audience weeping (though I doubt we'd ever get to test that particular theory).

Like Nusrat, Mahalia Jackson, Coltrane or even Tim Buckley, Parveen seems to be channeling the music rather than creating it. Every phrase is a surprise, each repeat of a melodic line a slight variation as voice, harmonium and flute unravel lingering, circular melodies.

Beautiful, uplifting stuff; though not as immediate asthe surging ecstacies of the big Qawwali ensembles, her intimate, charged music offers much to those prepared to give themselves over to it. Recommended.

Edited by adi_0112 - 17 years ago
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#10

I sing for India-Pakistan peace: Abida Parveen (INTERVIEW)

By Hindol Sengupta, Indo-Asian News Service,

New Delhi, Jan 31 (IANS) Listening to Pakistani Sufi singer Abida Parveen has often been described as a divine experience, but the singer says she often hopes that rulers in India and Pakistan would listen more carefully to her message of peace.

"In Sufism, there is only peace," Parveen told IANS in an interview. "I have always believed that music and the arts is the best way to achieve peace.

"When I sing, I sing of peace, of harmony and culture."

Often called the heir to the legendary Ustad Nusrat Fateh Ali Khan, Parveen is today perhaps the world's most renowned Sufi singer.

But she is quick to avoid comparisons with Khan. "He was just too great," smiled Parveen.

"He was - is and forever will be - way above anyone else. I don't even come close to him. I try to sing as honestly as I can but he was the ultimate master."

When she sings, curly shoulder-length hair swinging in ecstasy, arms raised in complete devotion and surrender to the higher spirit that Sufis always sing to, Parveen is carrying forward an age-old tradition with awe-inspiring dedication.

BBC's Peter Marsh famously said of her, "Parveen could sing a shopping list and have an audience weeping."

Born in 1954, Abida Parveen grew up in Larkana, Sindh. Her father, Ghulam Haider, ran a music school.

Raised in a home dominated by the Sufi way of life, Parveen, unlike most other Muslim women, was encouraged to sing. Her father saw her talent early on and used to take her to sing at religious festivals.

Later her husband, the late Ghulam Hussain Sheikh, a senior producer in Radio Pakistan, became her mentor and she studied classical vocal music with Salamat Ali Khan.

Today, more than 100 albums later, the Parveen legend has been firmly established. But tell her that she has a magical grip on her audience and she grows shy: "It's a little too much. I just know that music is my greatest love and that music can work magic in people's lives."

That's the magic Parveen hopes to achieve in bringing peace between India and Pakistan, especially through a new Sufi centre that she is promoting with filmmaker Muzaffar Ali and new-age guru Deepak Chopra.

"This centre will work to promote a sense of well being between the peoples (of India and Pakistan)," said Parveen, who has sung in the world's most famous concert halls and also at village shrines.

"Music, I have always believed, is a great healer," she said.

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