Tillu ne come back kar liya , uss ke dialogues aur reactions dekhkar mujhe to full shak h iss par , yahi saari planning bata rahi h , Samrat ko đ¤
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Tillu ne come back kar liya , uss ke dialogues aur reactions dekhkar mujhe to full shak h iss par , yahi saari planning bata rahi h , Samrat ko đ¤
Originally posted by: Chinmayi18
Seriously is pagal ladki ki exit se pehle sundar word most irritating word ban jayega hum sab ke liye bhi đ
Sahi mein do episode mein irritation ho gayi h .
Mujhe To lagta Hai . Ulka ke half dialogues sirf Sundar hi h đ
Originally posted by: Dhruvvtaraa34
ye 17th century ke log normal kyun nahi ? Matlab for a change koi normal kyun nahi ho sakta. Maharaj rajdharm pakad kar baithe hue they. Ye sundar pakad kar baith gyi.
Ye 17 cen ke log nahi mental hospital se bhaage hue log hai đ¤Łđ¤Ł
A short WU
(I'd say everyone who can watch it should watch because words won't exactly do justice to the D & PSM interaction and Senapati's reactions in the opening ten minutes of the epi
)
PSM starts by describing Dhruv's "rang, roop and vastra" as sundar, and calls his aankhein as ati-sundar.
She says she's heard a lot about him and says such a sundar person shouldn't be in chains.
Dhruv gets mad at repeatedly hearing the word sundar, and tells her to stop it. He grabs a knife from a nearby soldier and holds it to her neck.
She distracts him by calling Tara's name and takes the knife off him. Dhruv gets to know that Maharani has been imprisoned, Mahavir is in Kashi, and Tara is also away, but PSM says she will die if she comes to Vallabhgarh.
PSM asks Dhruv to bow; he says he will not. She says he'll have to die in that case, and Senapati volunteers to do it. As the sword nears his neck, PSM orders him to stop, and says that his body shouldn't be punished, but rather the love he has for Tara in his mind should be throttled.
Tillu is also put in Raj prison. She has a wound on her hand.
PSM is looking at Tara's portrait and asking Senapati who is more beautiful.
Dhruv is kept locked in a room with smoke filling it. As he desperately searches for a route out, PSM opens the door. He runs towards it, and then notices Tara's painting on flames. He goes to save it and falls unconscious. Shyam Mohini appreciates his efforts and says she'll use whatever method possible to get Dhruv to become hers.
Precap- Senapati tells Vikramjit that Maharani knows every nook and corner of the palace and if she gets out, there are chances of a counter-attack, and says it's better to nip it in the bud. Vikramjit tells Senapati to do the needful. Dhruv overhears this.
Originally posted by: Chinmayi18
Is ladki me itne flirting skills aaye kaha se yaar đ¤ itna flirt to 21st century ke Dhruv ne bhi nahi kiya Taru ke sath đ
Hamara Dhruv sanskari hai , at least maa ke samne to tha .đ
Yah paglet ladki To Apne papa ke samne sunder - sunder karne lagiđ¤Ş
Khilji ki behen hai sach mein. Aur uska baap toh aur bhi ajeeb. Maze se apni beti ko committed aadmi ke saath clirt karte dekh raha hai.
Originally posted by: Dhruvvtaraa34
ye 17th century ke log normal kyun nahi ? Matlab for a change koi normal kyun nahi ho sakta. Maharaj rajdharm pakad kar baithe hue they. Ye sundar pakad kar baith gyi.
In sab ke sath rehkar Dhruv pagal nahi hua hai abtak ye bohot... bohot hi badi hai miracle hai miracle đ
ab chikitsak ko kuch ho gaya toh iske liye chikitsak kahan se laayengeOriginally posted by: Chinmayi18
In sab ke sath rehkar Dhruv pagal nahi hua hai abtak ye bohot... bohot hi badi hai miracle hai miracle đ
Originally posted by: Tia-life
Sahi mein do episode mein irritation ho gayi h .
Mujhe To lagta Hai . Ulka ke half dialogues sirf Sundar hi h đ
But I like her acting đaudience ko irritate karne ka ek bhi chance miss nahi kar rahi hai
Originally posted by: Dhruvvtaraa34
Khilji ki behen hai sach mein. Aur uska baap toh aur bhi ajeeb. Maze se apni beti ko committed aadmi ke saath clirt karte dekh raha hai.
Main to samajhti thi , 17th century mein ladkiyo ko kam aazadi ,almost thi hi nahi wali situation thi . Yaha SSP apna hi ek alag dimension create kar ke mere fande hila rahi h .đ¤Łđ¤Ł