Shubh Mangal Online - Colors Marathi - Page 57

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Vanni03 thumbnail
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Posted: 5 years ago

Cannot agree more with all of you!! It's all game of drama and trp!!

IMO soon Aishwarya will be at receiving end!! Sharvari scenes with each... Anupama, Shantanu and Aishwarya....are so good!! And did you see she had almost taken Shantanu's hands in hers'....when Baba arrives!! Superb!!

In earlier episode...she tells Madhu... that I don't think Aishwarya is a villain!! I found it very interesting!!

Let's see what happens next!!

simplyamuu thumbnail
Posted: 5 years ago

I am unable to watch the latest episode on Voot right now, pahaychay mala! But voot war subscribers sathich to video aahe asa distay!

Vanni03 thumbnail
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Posted: 5 years ago

I am unable to watch the latest episode on Voot right now, pahaychay mala! But voot war subscribers sathich to video aahe asa distay!

[/QUOTE


Yes...facing same problem!!


It should be available for free views...soon, IMO!!

Vanni03 thumbnail
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Posted: 5 years ago

It's available now....enjoy!!👍👍

Mpp123 thumbnail
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Posted: 5 years ago

I am sorry but i dont understand why do we need a extremely good and extremely bad charachter in each and every serial...why can't we have charachters with grey shades....if anyone remembers the serial Vadalvaat all the charcahters had some flaws in them including the lead....be it the charachter of Vishaka who did not fit into the traditional daughter in law mould but they showed great charachter development through the story line.....she was head strong from day 1 and stuck to that charchter ....never did they suddenly change her charachter to suit the story line...infact they used her strong charachetr in a positive way and how she took care of the family in some of the worst crisis....thats what you need....i dont understand this concept of teaching a lesson or dhada shikavana or being obsessed with the hero or heroine even after he or she has said no......most story line revolve around these concepts...and shantanu and sharvari dont they have jobs or full time gharich bastat to play family politics....i seriously think our serials need to move to weekly serials instead of daily....one of the reasons i have switched to watching other drama serials like pakistani amd UK serials...extremely well written and limited episode serials....if anyone gets chance do watch yakeen ka safar and deeyar e dil on youtube

Edited by Mpp123 - 5 years ago
Avidwatcher thumbnail
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Posted: 5 years ago

About today’s episode.

Shantanu has come up with a solution!! Wah! Wah! Kaay tar mhane, Mee Ani aish banglore la jato, Tu ithe Atya aji chi kalji ghe!! What nonsense. Bhadyane nurse anli aahe ka hyanni?
And that Anupama!! Omg!! Sarkha sarkha tech swapna aathavta. Madam, suicide kela hey tumchya swapnat baghitla. It was not real. Evdha kaay ghabraycha? Mula kade bolat nahi, navryacha aykun ghet nahi, tya aish cha marta sagla shantapane aykte. Ani mhane tila gharatun kadhayche prayatna chalu aahet. Konala distat ka madam che prayatna?

simplyamuu thumbnail
Posted: 5 years ago

All fair points! I agree, malahi vaadalvat prachand avadte, mhanje it gets melodramatic after a point and kind of long, but the character development was excellent, beyond a doubt. Vishakha pasun te agdi Jaysingh Rajput cha character, everybody had a reason for their behaviour, demeanor and views. Lockdown madhe mi pahile kahi episodes vaadavlat che, ani most of them have aged well.

But let's not forget a few things. One, vaadavlat was written by a very accomplished and talented writer, Abhay Paranjape, and he wrote the story, screenplay and dialogues. There is a certain coherency which comes about when the same person manages all three narration related departments. That uniformity is seen lacking in the few Marathi serials I have watched in the recent past. Secondly, I don't know how everybody else perceives Chinmay Mandlekar as a writer, but I really like his writing and thinking style and story development techniques (Please note, I do not watch Chandra Aahe Sakshila, this opinion of mine is based on his past work like Eka Lagnachi Dusri Goshta and Vaadalvat). So the reason I brought him up is sometime back I came across an interview of his where he discussed his approach to storytelling. In that same interview, he acknowledged the fact that the way serial narratives are treated today and the way they were treated in the past are wildly different. Writing is another job at the end of the day, and khapta te pikta ha vichar tya profession la hi applicable aahech. Shubhmangal Online peksha ajun anek incredible ani unimaginable storylines aslelya serials astilch ki itar channels war. Mhanun hya serial chya aslya impractical goshti mi defend karat naie.

Aso, among other things, he said the audience's taste has a lot to do with which stories and plotlines are greenlit. In the vaadalvat era, channels didn't bother about plotlines and narration development. Today channel heads and so many other people have a say in characters and stories. And I also know this because I have a few friends who work in the Marathi entertainment industry. So Chinmay Mandlekar tya interview madhe je mhanala te mala agdi patla. Writers sodun anek lokanche haat astat hya process madhe which sometimes can mess things up.

In summation, mala evdhach mhanaychay ki the industry as a whole along with audience likes and dislikes have changed over the years. And like the saying 'You can't please everybody' goes, masses na awadta mhanun he sagla challay ani tyat aplyasarkhya kahi lokanchya preferences na mahatwa dila jaat nai, asa mala vatata.

Sorry for the long post, but mpp123's vaadalvat reference forced me to write all this. Feel free to skip/ignore if it gets too much or too boring :)

Mpp123 thumbnail
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Posted: 5 years ago

Thats precisely my point we as audience are being forced to choose the least worst story line out of all the bad story lines....i don't understand why and how have we reached this situations....tell me one serial in today's time which we as the audience find interesting...if you read the comments its always pointed out it is much better than the other crap serials or what else can we watch .....so we have serials which have extremely crazy storylines and choose the one which is less crazy.....as i said in one of my earlier post the current situation in marathi serials and the storylines tell more about the intellectual level of the audience and not the writers....we deserve this crap......

Edited by Mpp123 - 5 years ago
pritikhot thumbnail
Posted: 5 years ago

Originally posted by: Mpp123

Thats precisely my point we as audience are being forced to choose the least worst story line out of all the bad story lines....i don't understand why and how have we reached this situations....tell me one serial in today's time which we as the audience find interesting...if you read the comments its always pointed out it is much better than the other crap serials or what else can we watch .....so we have serials which have extremely crazy storylines and choose the one which is less crazy.....as i said in one of my earlier post the current situation in marathi serials and the storylines tell more about the intellectual level of the audience and not the writers....we deserve this crap......


Started watching this serial as the plot was something new but now it has turned into the same ghisi piti katkarastan wali serial. Sacrificing to the highest level for some crazy old person, revenge, lead pairs too much sanskari that any one can make them helpless, so called intelligent looking parents disowning their own blood and getting manipulated by strangers... Feel I'll stop watching if I get to see Aishwarya and Atya Ajji for few days more.

Edited by pritikhot - 5 years ago
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Posted: 5 years ago

Looks like Sharwari is finally going to show some spine tomorrow. Bas zhala Ata te mulmulit vaagna.

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