The fire scene was well done in the sense, the camera work on PurVir individual emotions. We saw Virender fighting the flames to get to the photo esp when mama sarkar was holding him back and then picking that hot burnt photo... but I liked how the camera visuals were also on Purvi taking in her reactions to him... she saw him - everything...
Even outside the room as he brushing and wiping the photo... we also see Purvi reactions to him doing that and she steps back.... I thought that was well done visually, it's a small thing but it makes a scene.
I'm looking forward to seeing Virender the painter and esp for Purvi to see him do that but also see his vulnerability and pain.
Yes, the camera work was exceptional, and as you pointed out, they kept switching between V and P, him fighting to get to the picture, her reaction to that, him trying to put out the fire, her reaction, him picking up the portrait and it burning his hand and falling and her horrified face, and then outside while he was running his hands over the painting she took a step back and the wiping off soot scene too, added a lot of depth and beauty to the scenes.
Looking forward to V as a painter, and P seeing that side of him as well as discovering his pain and vulnerability. Till now she hasn't seen that side of him, so it will be interesting to see how she reacts and what she thinks of it.
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