BW movies where you wanted to alter the ending? - Page 2

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Veni-Vidi-Vici thumbnail
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Posted: 5 years ago
#11

Originally posted by: _._shibani_._

Cocktail: wanted Veronica and Meera to fall in love (the two are my OTP🤣)

Shubh Mangal zyaada savdhaan: wanted to see KarMan in Delhi as a normal couple

Bajirao Mastani: Dont teh dramatic ending of both dieing together, but teh actual story

Bala: Bala performing/toasting at Bhumi's wedding, though i love the ending scene too

SMZS should have shown that.. Wanted to see uncomfortable and nosy neighbours getting witty replies

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Posted: 5 years ago
#12

Originally posted by: FilmiDhun

Chokher Bali (every version)- I have always wanted Binodini & Bihari to end up together. I never got Binodini's decision of going on a lifelong sanyas


Lunchbox- I know they kept the ending open ended to make it more tragic. But Ila and Sajjan definitely deserved to be united onscreen.

Choker Bali's ending is so painful.. I feel so bad for Binodini,.. She deserved better.. She wanted to be loved and the forced single life due to widowhood was unjust . Even Tagore wasn't satisfied with it and wanted to change the ending.. But didn't because he didn't want the readers to be scandalised.. Widow remarriage wasn't legal then...

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Posted: 5 years ago
#13

Hum dil de chuke Sanam ......... I wish She’s rejected by both the men and stays single in Italy. Nandini’s character is so dumb. Any adult who thinks that kissing leads to babies don’t deserve a relationship.

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Posted: 5 years ago
#14

Originally posted by: Veni-Vidi-Vici


The charm was the adhoora love story.. But I wanted it to be poora..

I want a sequel at least.. Want to know what happened to them.. Obviously Sophie would meet someone nice and he would appreciate the warmth she radiates.. Akash is also charming.. Would he get someone? Will Akash and Sophie's paths cross again?


The problem was Akash didn't appreciate Sophie's warmth and innocence...he was too self-absorbed and then things got out of control before they actually got to know each other. I think he should have told his truth to Sophie...she would have surely understood.

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Posted: 5 years ago
#15

Originally posted by: Equine

Hum dil de chuke Sanam ......... I wish She’s rejected by both the men and stays single in Italy. Nandini’s character is so dumb. Any adult who thinks that kissing leads to babies don’t deserve a relationship.


It's not dumb but lack of awareness and exposure...believe me many women in India don't know better because they have been repressed to an extent that possessing knowledge is considered scandalous. It's a reflection of the social context, not a reflection of the individual.

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Posted: 5 years ago
#16

Originally posted by: mintyblue


The problem was Akash didn't appreciate Sophie's warmth and innocence...he was too self-absorbed and then things got out of control before they actually got to know each other. I think he should have told his truth to Sophie...she would have surely understood.

I know.. Felt bad for Sophie.. Though Akash also suffered in the end, most of my sympathies are with Sophie.. She was a nice girl.. So affable and warm.. She was a keeper..

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Fantasy Force

Posted: 5 years ago
#17

She was a typical spoilt brat in the movie.

Originally posted by: Equine

Hum dil de chuke Sanam ......... I wish She’s rejected by both the men and stays single in Italy. Nandini’s character is so dumb. Any adult who thinks that kissing leads to babies don’t deserve a relationship.

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Posted: 5 years ago
#18

Ending of jannat - Him dying just to get the ring is painful 💔

Ending of devdas - He should have atleast got a chance to meet paro before dying that gate closing at the end is so heartbreaking 💔

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Posted: 5 years ago
#19

Originally posted by: SugaAgustD

She was a typical spoilt brat in the movie.


That’s why I think she should be single for sometime to experience life .


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Posted: 5 years ago
#20

Sholay : Thakur should've killed Gabbar. I know that they changed the ending because of censor board not approving it, but it didn't make sense. Veeru killed all of Gabbar's men, so what's the point of leaving Gabbar alive and handing him over to the police because you now suddenly believe in law?

English Vinglish : Shashi should've given divorce to her husband like Rani broke off with her fiance in Queen. After all the message of women empowerment themes, the movie followed the same old trope of woman forgiving her husband because pati parmeshwar hota hain.

Hum Dil De Chuke Sanam : Nandini should've divorced Vanraj, not saying that she should've gone to Sameer. But her ending up with Vanraj gave out a bad message that parents are right in forcing their kids into marriage with a specific bride/groom because "they know better".

Yeh Jawaani Hai Deewani : Bunny and Naina should've gone separate ways to give a better ending to the film. They were clearly not compatible with each other, and Bunny was still not sure on what to do with his life.

Kal Ho Naa Ho : Naina didn't really needed to end up with Rohit because Aman was dying. We never saw that she was ever able to move on from Aman and fell in love with Rohit. A better ending would've been of Naina assuring Aman that his memories are enough for her to be happy even after he's gone. The movie basically gave out a message that women always need a man to complete her. They reinforced it further with that particular scene where Naina's mother tells her that she'll regret rejecting Rohit's love in old age because she's a woman.

Dhoom 2 and Kick : Hrithik, Aishwarya, and Salman, all three of their characters in their films should've either died or arrested for their crimes instead of glorifying their acts. Just because they did robbery and didn't kill anybody doesn't make it okay. Many policeman and other authorities must've died when trying to nab them.

Welcome and Singh Is Kinng : All the criminals whom Akshay tried to change in these films should've gone to prison for their past crimes to repent for their mistakes, instead of just leaving the crime world. I mean they legit killed people. They have blood in their hands. How can the movie shrug that off?

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