Originally posted by: Just_Smile
ashi
truešš
ha but I always wonder how did the dialogue writer wrote in the script to do the scene
may be like this jab Mishti Kunal ke bare mein bath karna shuru karti tab abir ko mishti ka haath kaatna hoga
Originally posted by: Just_Smile
meera script aise hi hote na
haan chandu..as i said i nevr thought in dat directn yaara
..ab toh mein har scene ko iss thought ke bina nahi dhek paaungi
but mujhe bhi lag raha hai ki voh shayad ahaa ke improvisation ho saktha hai
Originally posted by: Just_Smile
ya it will be written very much clearly in the script... what to do , how to do etc.. director helps them later while shooting.. may be after working for more than one year actors may get used to the body language of their characters so it msy be easy later on..
I love all your hatke thoughts n discussion (because I relate to them so much
)
I've always been fascinated and intrigued about film-making
I agree with most of your points meera and chandu
I'm sure there is a good mixture and balance between detailed scriptwriter but also inputs from directors and actors which bring out that final beautiful product that we see onscreen
That's why any actor (hollywood,bollywood, tv etc) always explain in interviews about romantic scenes; those intimate scenes only appear very romantic onscreen as final product with music, camera angles etc.. when in actual reality shooting them are not that fun since it's very technical (with about 50 or more crew members around) directing camera angles and instructing how actors should stand, sit, face and move 
to be more specific to our mishbir; I believe there will be a good mix of detailed script-writing, then Rhesha would discuss before the scene on what they think will work out well along with the director who inputs his vision of how the scene will be shot (various camera angles etc), so I'm sure Shah and Rhea have now reached a stage of comfort (plus we all know how professional they are) where they discuss their performances and are able to react accordingly in-character even if Shah or Rhea include some improve in the middle of scene.
eg (Rhea's high-pitched drunk dance "tanda tanda paani" in the mishbir holi bathroom scene was obviously improv by Rhea, that's why we all could see Shah's real reaction which matched Abir)
but at the same time
Shah's intoxicated moments during Shivratri pooja must have been a mixture of director and actor decisions. (Shah cheekily nibbling her fingers must have been half directed and half improvised - like the director sir could have suggested that Abir could play with Mishti's hands and Shah would have added his own style of "ek chamich mishti"
oops this was a waay longer post than i thought please don't judge (I just find all these processes of movie making super fun and interesting)
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