Sakti Pitha's Bhairav Who is he? - Page 2

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Posted: 6 years ago
#11

Bhirava is praised as full form of Shiva by Lord Vishnu. Shiv Puran  says Bhairava has amsa of Shiva and also says Bhairava has full form like Shiva

Bhairava is born from amsa of Mahadeva and also has full form like Shiva.

When Bhairava goes to Narayana for begging alms due to Brahmahatya sin (as part of Shiva's leela), Narayana praises Bhairava as follows:

 
  He is the creator the preserver, besides being the lord of the world. He is the primordial being, the lord and the refuge of all. He is calm and greater than the twenty six principles.

 
  He is the omniscient, lord of the yogis, the sole leader of all the beings, the internal soul of all the living beings and he always bestows everything to everyone. 

 
!  O Laksmi, look, he is the lord whom the conscious people, are engaged in yogic practices, visualise in their hearts, discarding their sleep, stopping their breathing, concentrating their minds. He happens to be the same. You better visualise him with the vision of your knowledge, in your own heart. 

 
  He is the one who is known to the yogis who are well-versed in the Vedic tattvas. He is the one, who being formless, is at times visible in some definite form. The one who is all pervading is arriving here. 

 
  At the mere sight of the lord, the people are never reborn on earth. Such a type of lord Tryambaka who has the crescent as an ornament, is arriving here. 

 
   !  O Laksmi, my eyes resembling a lotus leaf, have become graceful today because I would have an opportunity to have a look with these eyes, Mahesvara, (Maheshwara) the great lord.

  Disgrace to the position of the gods, who have not seen lord Shankara (Siva) so far, who bestows salvation, and who is the remover of all the miseries.

  What is use of becoming a god in the heaven, in case, we people are unable to achieve salvation by looking at Mahadeva.

We  can see Lord Shiva's epithets are used for Bhairava. So, Lord Bhairava is verily Lord Shiva Himself. We can read complete chapter to know about Vishnu's obeisances to Bhairava.

Even Adi Shankara's Kalabhirava ashtakam describes Bhairava as complete Shiva.

As a side note, Tantras like Vijnana Bhirava Tantra  descibe Bhairava as Supreme Lord (with profound philosophy).

Edited by ltelidevara - 6 years ago
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Posted: 6 years ago
#12

Batuk Bhairav. The image of the god lay in the form of Shiva Linga which is situated under a Pipal tree. This temple of the Batuk Bhairav is famous for removing the evil effects of Rahuand Saturn (most harmful grahas on a birth chart).


It is said that performing a puja here removes the evil effects, the Rahu Maha Dasa and Sani Maha Dasa, in your birth charts. Bad position of Rahu and Sani on a birth chart means a lot of pain, trouble, health problems, job problems and other disasters, etc., hence, conducting a puja here is believed to save you from all these problems.
Kalika tantra  has mentioned the origin of Lord Batuk Bhairav. According to the text, once a demon named Aapat had gained powers through Sadhanas and he used it to harass everyone including the gods. The gods then got together and started to think of ways to find a solution to this problem. As they started concentrating, their powers appeared as a flash of light and took the form of a five year old child, Batuk. The child, then, killed the demon and saved the gods which is why he is known as Aapat Uddharak Batuk Bhairav.

In tantra and other Hindu puja, this is the most worshiped form of Lord Bhairav among the various forms of Bhairav. All other forms of Bhairav are terrifying apart from this as this is in the form of a child. He is also known as the child form of Lord Shiva. The image of Batuk Bhairav is displayed with a dog accompanying him, which is symbolized as dharma.

He is said to be pleased by the devotion of the worshippers and conducting puja and homam is said to take away all the obstacles and cleanse the soul. Also, the dogs, especially the black dogs are considered to be the form of Bhairav and feeding the dogs every Saturday and taking care of them is also said to please the god and bring good fortune.

Edited by ltelidevara - 6 years ago
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Posted: 6 years ago
#13
Very Nice and Interesting Informative Thread.
:-)
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Posted: 6 years ago
#14
MARTANDA BHAIRAVA is another manifestation of Lord Siva. He takes various names such as Khandoba, Khandero, Khanderaya, Malhari Maratand or Mailara Linga. Malari Mahatmya, narrated as folk songs, has its origin in these names. Usually the regional deity is worshipped as Martanda Bhairava as Siva form. This worship is said to be popular in Maharshtra and Karnataka but His story provokes pan-Indian interest. Martanda is the patron deity of warriors and farmers. The Khandoba cult, while basically Shaivite, is also linked to Vaishnavite and Jain traditions. Khandoba is also identified with Mallana of Andhra Pradesh and Mailara of Karnataka. Khandoba is a full avatar of Shiva connected with Brahmanicide murder of Brahmins.

As an avatar of Shiva, his weapon is the Trishula. His consorts are Mahalsa, Bhani or Banai or Martanda Bhairavi. Usually his first wife is stated to be Mhalsa and the second to be Banai. His mount is the horse. As a folk-deity, He is the composite of Bhairava, Surya and Kartikeya. He is also depicted as a form of Linga. In murtis, Martanda Bhairava or Khandoba is depicted as having four arms, carrying a Damaru, Trishula, a bowl of turmeric powder and Khadga sword. He is shown seated with one or both his wives and accompanied by dogs.

Bhairava is the fierce form of Siva. Martanda is a name of the Surya, the sun god. So Martanda Bhairava is considered as a combination of Shiva and Surya. Bhairava's earings sparkle like the burning sun suggestive of Martanda and Bhairva combination.

Temples of Surya and Aditya were frequent during the days of Yadavas of Devagiri as suggested by Lilacarita'. They may have been supersedes or absorbed by folk cults. For example in Nandur, Ahmednagar district, where the Aditya temple mentioned in the Lilacarita degenerated into worship of Nimbadaitya, a bhakta of Lord Rama.

A Martandesvara temple dedicated to Siva is known from Kanigiri Taluk in the Nellore district. In the Khandoba cult the worship of Siva and Surya finds various forms of expression. Sunday and Monday, especially Somvati Amavasya, the conjunction of the sun and the moon on a Monday, are important days. It is said that Martanda Bhairava manifested himself on a Sunday. There is a decorative depiction of this manifestation on the doors of Khandoba temple at Jejuri.

Martanda Bhairava was listed as one of the 64 Bhairavas. It may be far-fetched to explain Martanda Bhairava's name solely on the basis of Sanskrit sources. It has been proposed that Martanda consists of a bilingual word derived from K. Mari and Ma.tond both meaning head and face. It is said that Maritona' was later sanskritised as Martanda. 

The daityas accept the overlordship of Martanda Bhairava and more or less absorb the qualities and attributes. The daityas resemble more the ancient folklore of god Rudra-Siva than the Puranic Siva. This was seen folk elements, especially in the conception of dramatic performance of rituals for royalty and oral literature. It is seen that Rudra's dogs play an important role in the Bhariava cult as dogs are important for pastoral groups, itinerant merchants, for the hunting king and generally hunters and also for some occupations. The connection between dogs and Lord Siva assuming the Bhairava form is always mentioned in passing.

Dogs come next to the importance of the horse in the Martanda Bhairava cult. Khandoba himself is mostly depicted as seated on a horse, though Nandi is his vahana. The horse is traditionally Surya's vahana. It is said that there is no house shrine of a Khandoba devotee which does not contain a plaque or murthi showing Khandoba seated on a horse together with his wife, Mhalsa. This is indicative that in folk religion, the rupa of the daitya devotee was transported to Martanda Bhairava.

The link with Lord Kartikeya or Skanda and Khandoba is associated with mountains and war. The lance of Skanda and Khandoba's sword are connected. There is a similarity of both having two wives and their backgrounds.

RITUALS: Tumeric powder and gold are often linked to Hindu rituals and myth. Plaques for worship in Khandoba's in house shrines were said to be made of gold. Tumeric powder or haridacuma' is an important ingredient with healing properties. It is linked in this respect to Surya, the great healer.

 Martanda Bhairava is not only identified with Tumeric but both Siva and Surya are identifiable to termite mounds. Martanda Bhairava is connected with or lives in the termite. Termite mounds have a link with the meditative state of Siva, fertility in marriages and revering it was considered to be a blessing.

MALLARI MAHATMYA is said to be from the chapter of Kshetra Kanda of the Brahmanda Purana. The compilation was completed by Deshastha Brahmin to whom Khandoba was the family deity. The Mahatmya refers to the demon Malla and his younger brother Mani who had gained the boon of invincibility from Lord Brahma. They then created havoc and the Saptarishis approach Lord Shiva for protection. Shiva then assumed the form of Martanda Bhairava.


The Mahatmya mentions offerings of incense, lights, betel and pasu-animals. It stresses plates filled with meat, when the dying demon requests Malla that Shiva should fulfil the wishes of bhaktas who worship him by the chedapatadi' ritual by causing themselves to be cut etc

It is said that Martanda Bhairava and his wife Shakti, Martanda Bhairavi, on the sixth of the Margasirsa, manifested themselves at Prempur as svayambhu lingas made of clay under a wishing tree. He manifested himself on the on the requests and for the protection raksartham of the dharmaputras. So in the city of Prempur, the god was made accessible to all varnas and jatis through dhyana-meditation and He fulfils wishes of all and not just Brahmins, even cattle. While the contents of Mallari Mahatmya is vague, the bhaktas apprehend that Lord Siva  as Martanda Bhairava took an avatar to kill the demons for the sake of the bhaktas, not specifically for Brahmins and their values.

MANIKASURA-VADHA: This is the killing of Manikasura or Mani. Mani's war-cry-simhanadana resounded in the three worlds and the summit of Kailasa trembled. With taunting voice, Mani yelled "by whom are you deceived, go for your begging, that is preferable for mendicants, what use is there for battles? Martanda Bhairava was aroused with anger and furious battle followed. Mani transformed into a sarabha and bit Martanda Bhairava in the arm.

Bhairava used the krittikas, sometimes said to resemble a knife which Mani swallowed like a pebble. Bhairava hit him on his back with his Trishula but Mani changed into a horse of tremendous size. Its neighing made the three worlds tremble. Then Martanda Bhairava cut Mani's head off with His axe and replaced it with an elephant head. The battle continued. With the elephant head, Mani transformed into a rider on a horse and cut Bhairava's serpent. Bhairava then released the fire weapon and it hit him. Mani fell into a pond which them came to be known as Turangatirtha Horse Tirtha.

The serpents which are ornaments of Lord Shiva shone with their hoods like Kala, Death. Finally Mani lost all consciousness.

Martanda Bhairava, then placed his foot on Mani's head. "Where do you go after I have been  pleased with your  enmity. You have been seen by Me, you had darsana at the end  on the battlefield.

 Having seen God himself, Mani bowed to Siva and became a vessel of grace-krpa-patra. He praised Martanda Bhairava in a stotra calling him Bhutanatha and Rudra, the leader of seven crore ganas.

 Finally Martanda Bhairava was pleased by Mani's simple mindedness and perfect bhakti and granted a boon. Mani desired that the readers of his stotra should get the blessings of Goddess Lakshmi. "May my head be always be at your feet he prayed.
Edited by ltelidevara - 6 years ago
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Posted: 6 years ago
#15

Very many sculpted representations of Bhairava can be found in South India. They are mainly found in temples dedicated to iva but they also occur in the temples of Subrahmaya and of the Goddess, and of Viu as well. These are cult-images, made of stone or bronze, sculptures decorating the faades of temples or relief work adorning the pillars. Bhairava is generally represented as standing (some rare images show him sitting;  naked, very often accompanied by a dog, his vehicle (vhana). Most of the images depict him with four arms but he can also have six, eight or even ten arms, though rarely. In each of the three states of Tamil Nadu, Andhra Pradesh and Karnataka, a special iconographic type prevailed.

In Tamil Nadu, the images of Bhairava are legion and, for the most part, quite stereotypical. The most common type is a four-armed Bhairava, holding amaru and trident in his right hands, and nga and kapla in his left hands. He stands in a strictly frontal posture, alone or with the dog behind him. He is naked, bare footed, generally adorned with a garland of bells, a belt made of snake(s), with his hair standing up like flames.

In Andhra Pradesh, the most commonly encountered Bhairava has four arms; he holds amaru and sword in the right hands and trident and kapla in the left. He is generally standing, with his weight on one hip, and naked. He is represented as bare footed most of the time. Very rarely is he shown alone; he is accompanied by his dog (who jumps to his left when the god carries the severed head in addition to the kapla in his lower left hand), by ngas or by attendants. A garland of skulls, bells and snakes often adorns him. 

In Karnataka, Bhairava more often than not has four arms, with the trident and sword in the right hands, and amaru and kaplaplus a severed head in his left hands. He is standing with his weight on one hip, often on a beheaded corpse , but can also be represented as dancing  He is generally naked, bare footed or with sandals. Rarely is he shown alone; he is escorted by his dog that licks the blood falling from the severed head his master holds by the hair, and by the emaciated procession of bhtaspretas and other sinister creatures that make up his followers. He is adorned with bells and snakes; he wears a garland made of skulls or with ornamental pattern; a nga is generally coiled around his thighs.