Jai Kumar Nair feels Isha is not..[DT NOTE Pg 8] - Page 4

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Posted: 12 years ago
#31

Originally posted by: pigbelly4myfeet


While I respect your sentiments and your appreciation for Isha and Salman...I have to say that ALL of these acts have looked exactly the same to me. Versatility does not mean simply SAYING that you've done all these styles, you actually have to DO them well.

I still fail to see how whatever Isha and Salman did was a "paso doble". It wasn't. Neither was that trio performance a "bachata". That "puppet" dance just looked weird and creepy...it wasn't convincing enough...neither as a puppet nor as an arial performance. It seemed half baked and confused to me. I've never seen any bollywood in all of their acts. Where were the bollywood expressions? The Bollywood steps? I didn't see any. In fact I didn't see any of the authentic dance STEPS for any of the dance styles you've mentioned above.

To be fair, that afro and chau dance was the only one that had some authentic steps. But Isha's lack of expressions and inability to connect with the music made that dance a bore to watch for me as well.

ALL of Salman and Isha's acts have looked like some sort of contemporary/arial dancing even if it wasn't technically CALLED that. THAT right there is a TOTAL lack of versatility. The word "monotonous" again is totally the APT word here.

Again, no offense meant to your sentiments...if you enjoy watching Isha and Salman...great. But Jai is absolutely right here.


Agree with u 100%. U dsrve my congratulation 4 saying wht i wanted to say bt didnt hav the right words. Yes isha is flexible bt nt verstyle. She needs to work on his expression. Salman was an ok dancer in did bt i thnk needs to dvelp hs choreography.my apologies to theis fans.
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Posted: 12 years ago
#32

Originally posted by: salmangirl

a big tym sry from my side ...i misunderstood her statement ...she din said lyk that ...if u want i can copy her statement ..its on jhalak site...feeling bad that i misunderstood her ...
But i still dnt agree with jay ...hez just jealous ... n hez like this only from ages ...he wud have been on 7 th sky ...if he wud have got smeone like isha sharvani


It's okay... Cos we all know Shibani is a real warm person and not bitter... I somehow wanted her to be in the finale... But oh we'll... As for Jai, its ur POV... Jai has always been very outspoken and blunt same like Siddhesh and many construed it to being egotistical or jealous... I don't find him jealous... He just says what's in his mind while some share the same sentiments but donot speak... It depends how you look at the glass, half full or half empty...
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Posted: 12 years ago
#33
Jai Kumar can u please tell me what is the meaning of versatile according to you? ?

Isha always gets hud score then u, so its mean she is not versatile?? πŸ€” Sub pagal hen na jo itna appreciate karte hen Isha ko... accpt the truth u are eliminated now! ! go home and watch Pogo... JDJ is not ur type..
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Posted: 12 years ago
#34

Originally posted by: pigbelly4myfeet

While I respect your sentiments and your appreciation for Isha and Salman...I have to say that ALL of these acts have looked exactly the same to me. Versatility does not mean simply SAYING that you've done all these styles, you actually have to DO them well.

I still fail to see how whatever Isha and Salman did was a "paso doble". It wasn't. Neither was that trio performance a "bachata". That "puppet" dance just looked weird and creepy...it wasn't convincing enough...neither as a puppet nor as an arial performance. It seemed half baked and confused to me. I've never seen any bollywood in all of their acts. Where were the bollywood expressions? The Bollywood steps? I didn't see any. In fact I didn't see any of the authentic dance STEPS for any of the dance styles you've mentioned above.

To be fair, that afro and chau dance was the only one that had some authentic steps. But Isha's lack of expressions and inability to connect with the music made that dance a bore to watch for me as well.

ALL of Salman and Isha's acts have looked like some sort of contemporary/arial dancing even if it wasn't technically CALLED that. THAT right there is a TOTAL lack of versatility. The word "monotonous" again is totally the APT word here.

Again, no offense meant to your sentiments...if you enjoy watching Isha and Salman...great. But Jai is absolutely right here.


Versatile means "variable or changeable, as in feeling, purpose, or policy: versatile moods" (http://dictionary.reference.com/browse/versatile). The problem I have is people using this word 'versatile' which as I stated in my earlier post, Isha has been. Check all of Isha's performances, each has expressed something different - Zindagi Ka Safar - life and death; Bachata/Pole Dance - seduction etc; Aerial Hoop - love between a mortal and another world being - see the mood, expression of different emotions/topics etc

Perhaps what you and other people are trying to say is the "tempo" of Isha's performances that are the same, which I personally agree with. But versatility, no. Isha has been versatile on the show. Combined together, all her performances seem to be on the same tempo since day one ' even their Chau & Afro performance was on the same tempo (slightly higher) as their previous performances.

Pasodoble has many variations, they did the Spanish Paso Doble (while it wasn't an out-and-out paso but it did do an excellent job in expressing the angry/rage emotions Pasodoble represents). I have mentioned before I have some issues with Isha's Posture, her's is weak at times while the dance forms require squared and straight upper-body posture (the paso and the ballroom).


The Pasodoble act was a metaphoric act - each representing one being: a bull and a metador. They did that well.

Check these: http://www.youtube.com/watch?v=v1ENsBYsjZc
http://www.youtube.com/watch?v=R4D4Ihx4mzw

Notice some of the steps? Isha-Salman had the same (with variations). It was the posture that didn't deliver the pasodoble feel, I believe. I could be wrong. It's just my guess. But if you compare all the other acts that week, none of the performances were Perfect, if you're being as strict on Isha-Salman's act: Gurmeet's body was still sort of stiff, Shibani was sharp but not sharp enough, Gia was lacking the energy required for an out and out Samba, Bharti's energy dropped near the end of the Lavani act, Darsheel's posture was wrong, his energy wasn't what is required in a Samba performance.

I am not criticizing any of these contestants but rather pointing out that their performance might have seemed perfect to us, on a stricter judging scale they weren't up to the mark.

The choreographer, Jai, said Isha's performances were not versatile, I pointed out she was. Yes some might not have liked them but they were different dance forms. Contemporary is a dance form (it involves a lot of lifts and stretching) which incorporates elements of modern and ballet dance (so stretching and lifts comes as part of the package).

I personally believe if any of the other contestants had as flexible a body as Isha's other choreographers would have most definitely included different types of lifts in their performances too. So far, Isha-Salman's acts have required lifts. Yes, some might feel they do too many lifts but looking at each performance individually they haven't done 'too-many-to-bear' in any single performance. Combined, yes, they have done the most lifts so far in the season but they have been versatile.

Bollywood? The Dirty Picture act? It had bollywood in the Na Tumka Na Tumka and Oh La La song portions. To me it seemed like Bollywood dance. (I feel) the expressions of the character Isha was portraying were done very well in the performance, and each move, she enjoyed. But that's just my opinion.

I have been thinking about that Bachata act since it aired and I think it was a combination of Pole dancing and Bachata (and something else maybe) as it definitely had some elements of Bachata (hip movement on every 4th beat, for example) but not all (I could be wrong). I didn't like that act as much as I did their other acts (because of the coordination issues, as I said earlier) and it wasn't an out and out bachata performance.

However, talking about versatility, given the concept they had to perform on each week, they did as much versatile dances as they could: Zindagi Ka Safar (I highly doubt a hip-hop would have suited that song or even lyrical hip-hop wouldn't have done justice to that amazing song) so Bollywood Contemporary or Indian Contemporary was the right choice.

Mere haath mein suited their strings act. Darsheel did an aerial act (which wasn't complete aerial as it had most of the steps, on floor) and if you notice the music was slow. Yes it might have seemed like it was fast but it was the drum beat that gave it that allusion otherwise it was a slow song which suited the aerial act.

Only Isha's Tu He Re and Rithvik's week 11 Colours performance were true aerial acts.

Honestly, I haven't seen any aerial acts which involve fast music and hopping and popping (not the dance forms) while hanging mid-air.

You may have found the puppet dance creepy and that's your opinion but it wasn't puppet dance, it was freestyle meaning they could incorporate any dance steps they wanted to from as many different dance forms as they liked.

I don't know how many of you have noticed this but each contestant no matter what dance form they perform on bring on their own personality types on stage - be the performance a slow or a fast paced act - their personality is still reflected when they are on stage. And in Isha's case, she seems very calm and very slow (not lazy) type of person (that's what I gathered from her stage presence and her behaviour after their act is finished). In Gurmeet's case it's his 'hero-type' that is reflected in each of his performance - check Rumba and Martial arts. I won't mention Rashmi, Rithvik and Karan in this as they have only done about 4 performances so far. Darsheel brings in the 'child-like' factor in all of his performances. Bharti (no matter what she does, be it the Tere Mast Mast Do Nain) brings in the comedy/full-of-life personality to her acts. I could go on about each contestant but you get my drift...

Lastly, I respect your opinion and appreciate the fact that you pointed out some of the things you didn't like (which was everything?) about Isha-Salman's acts. However, my post wasn't about how good Isha-Salman are but about their versatility which Jai had mentioned. The problem I have with people is this "versatlity" statement that people make. They did different dance forms and that is versatility (but only in terms of dance forms).

Again, to emphasise my point about versatility, please check the list below of the dance forms:

Bollywood - do I need to exaplin? we all know and have seen bollywood dances - but the main focus is on intrepration of song lyrics and expressing them through body language, facial expressions, dance steps, body movement (slow or fast or medium), the adaa, the feel and so on

Pasodoble - Spanish origin and ballroom dance form

Contemporary - elements of modern and ballet dance

Bachata - Dominican Republic with Cuban hip-motion being the basics of it

Pole dance - a combination of gymnastics and other dance steps

Afro - African with emphasis on strong energy and forceful motions/steps (if that makes any sense)

Chauu - Indian tribal dance

I see versatility here. I don't understand how others don't... If Jai had said the tempo of Isha-Salman's acts then I would have agreed with him but both you and Jai are talking about Isha not being versatile - tempo and versatility are different things, you see.

I just want to say one thing here, I am NOT an expert in dancing so my views are just based on my knowledge of dance that I have read about and seen performances of (be it professional dancers, dance competitions (not these reality shows), or movies) so please don't quote me on anything.

Edited by Me_Anonymous - 12 years ago
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Posted: 12 years ago
#35

Originally posted by: Me_Anonymous

Versatile means "variable or changeable, as in feeling, purpose, or policy: versatile moods" (http://dictionary.reference.com/browse/versatile). The problem I have is people using this word 'versatile' which as I stated in my earlier post, Isha has been. Check all of Isha's performances, each has expressed something different - Zindagi Ka Safar - life and death; Bachata/Pole Dance - seduction etc; Aerial Hoop - love between a mortal and another world being - see the mood, expression of different emotions/topics etc

Perhaps what you and other people are trying to say is the "tempo" of Isha's performances that are the same, which I personally agree with. But versatility, no. Isha has been versatile on the show. Combined together, all her performances seem to be on the same tempo since day one ' even their Chau & Afro performance was on the same tempo (slightly higher) as their previous performances.

Pasodoble has many variations, they did the Spanish Paso Doble (while it wasn't an out-and-out paso but it did do an excellent job in expressing the angry/rage emotions Pasodoble represents). I have mentioned before I have some issues with Isha's Posture, her's is weak at times while the dance forms require squared and straight upper-body posture (the paso and the ballroom).


The Pasodoble act was a metaphoric act - each representing one being: a bull and a metador. They did that well.

Check these: http://www.youtube.com/watch?v=v1ENsBYsjZc
http://www.youtube.com/watch?v=R4D4Ihx4mzw

Notice some of the steps? Isha-Salman had the same (with variations). It was the posture that didn't deliver the pasodoble feel, I believe. I could be wrong. It's just my guess. But if you compare all the other acts that week, none of the performances were Perfect, if you're being as strict on Isha-Salman's act: Gurmeet's body was still sort of stiff, Shibani was sharp but not sharp enough, Gia was lacking the energy required for an out and out Samba, Bharti's energy dropped near the end of the Lavani act, Darsheel's posture was wrong, his energy wasn't what is required in a Samba performance.

I am not criticizing any of these contestants but rather pointing out that their performance might have seemed perfect to us, on a stricter judging scale they weren't up to the mark.

The choreographer, Jai, said Isha's performances were not versatile, I pointed out she was. Yes some might not have liked them but they were different dance forms. Contemporary is a dance form (it involves a lot of lifts and stretching) which incorporates elements of modern and ballet dance (so stretching and lifts comes as part of the package).

I personally believe if any of the other contestants had as flexible a body as Isha's other choreographers would have most definitely included different types of lifts in their performances too. So far, Isha-Salman's acts have required lifts. Yes, some might feel they do too many lifts but looking at each performance individually they haven't done 'too-many-to-bear' in any single performance. Combined, yes, they have done the most lifts so far in the season but they have been versatile.

Bollywood? The Dirty Picture act? It had bollywood in the Na Tumka Na Tumka and Oh La La song portions. To me it seemed like Bollywood dance. (I feel) the expressions of the character Isha was portraying were done very well in the performance, and each move, she enjoyed. But that's just my opinion.

I have been thinking about that Bachata act since it aired and I think it was a combination of Pole dancing and Bachata (and something else maybe) as it definitely had some elements of Bachata (hip movement on every 4th beat, for example) but not all (I could be wrong). I didn't like that act as much as I did their other acts (because of the coordination issues, as I said earlier) and it wasn't an out and out bachata performance.

However, talking about versatility, given the concept they had to perform on each week, they did as much versatile dances as they could: Zindagi Ka Safar (I highly doubt a hip-hop would have suited that song or even lyrical hip-hop wouldn't have done justice to that amazing song) so Bollywood Contemporary or Indian Contemporary was the right choice.

Mere haath mein suited their strings act. Darsheel did an aerial act (which wasn't complete aerial as it had most of the steps, on floor) and if you notice the music was slow. Yes it might have seemed like it was fast but it was the drum beat that gave it that allusion otherwise it was a slow song which suited the aerial act.

Only Isha's Tu He Re and Rithvik's week 11 Colours performance were true aerial acts.

Honestly, I haven't seen any aerial acts which involve fast music and hopping and popping (not the dance forms) while hanging mid-air.

You may have found the puppet dance creepy and that's your opinion but it wasn't puppet dance, it was freestyle meaning they could incorporate any dance steps they wanted to from as many different dance forms as they liked.

I don't know how many of you have noticed this but each contestant no matter what dance form they perform on bring on their own personality types on stage - be the performance a slow or a fast paced act - their personality is still reflected when they are on stage. And in Isha's case, she seems very calm and very slow (not lazy) type of person (that's what I gathered from her stage presence and her behaviour after their act is finished). In Gurmeet's case it's his 'hero-type' that is reflected in each of his performance - check Rumba and Martial arts. I won't mention Rashmi, Rithvik and Karan in this as they have only done about 4 performances so far. Darsheel brings in the 'child-like' factor in all of his performances. Bharti (no matter what she does, be it the Tere Mast Mast Do Nain) brings in the comedy/full-of-life personality to her acts. I could go on about each contestant but you get my drift...

Lastly, I respect your opinion and appreciate the fact that you pointed out some of the things you didn't like (which was everything?) about Isha-Salman's acts. However, my post wasn't about how good Isha-Salman are but about their versatility which Jai had mentioned. The problem I have with people is this "versatlity" statement that people make. They did different dance forms and that is versatility (but only in terms of dance forms).

Again, to emphasise my point about versatility, please check the list below of the dance forms:

Bollywood - do I need to exaplin? we all know and have seen bollywood dances - but the main focus is on intrepration of song lyrics and expressing them through body language, facial expressions, dance steps, body movement (slow or fast or medium), the adaa, the feel and so on

Pasodoble - Spanish origin and ballroom dance form

Contemporary - elements of modern and ballet dance

Bachata - Dominican Republic with Cuban hip-motion being the basics of it

Pole dance - a combination of gymnastics and other dance steps

Afro - African with emphasis on strong energy and forceful motions/steps (if that makes any sense)

Chauu - Indian tribal dance

I see versatility here. I don't understand how others don't... If Jai had said the tempo of Isha-Salman's acts then I would have agreed with him but both you and Jai are talking about Isha not being versatile - tempo and versatility are different things, you see.

I just want to say one thing here, I am NOT an expert in dancing so my views are just based on my knowledge of dance that I have read about and seen performances of (be it professional dancers, dance competitions (not these reality shows), or movies) so please don't quote me on anything.



Thank you for taking out quite some time for this brilliant explanation. I love your posts because of the incorporation of facts, your opinion and details about different dance forms without attacking any fan groups or contestants. At least your posts aren't monotonous with non stop blabbering.

And just a request to all, please don't impose your opinions on others. I am sure everyone would like to come up with their opinions about whether Jai's statement is right or wrong for them. Someone's opinion about something doesn't make it a FACT. So stop stating such random statements. I for one would like to evaluate such statements based on what "I" have seen, heard or watched for that matter, nobody has the right to tell "me" or even others what the FACT is, I am sure everyone has their own mind to decipher what is right or wrong from their perspective.
Edited by -Chandramukhi- - 12 years ago
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Posted: 12 years ago
#36
Agree with the article & Jay !! πŸ˜ƒ

Isha can b quiet monotomous excelling in only one type of dance. Dance is nt just aout throwing strainght legs in air like gymnastics, real dance starts with face expressions also flow of hands & body. Esp in jhalak versatality is imp where they need to excel in many forms of dance. But have to agree what she oes(gymnastics) she does it like a pro!!! πŸ˜›
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Posted: 12 years ago
#37

Originally posted by: pigbelly4myfeet


Versatile means "variable or changeable, as in feeling, purpose, or policy: versatile moods" (http://dictionary.reference.com/browse/versatile). The problem I have is people using this word 'versatile' which as I stated in my earlier post, Isha has been. Check all of Isha's performances, each has expressed something different - Zindagi Ka Safar - life and death; Bachata/Pole Dance - seduction etc; Aerial Hoop - love between a mortal and another world being - see the mood, expression of different emotions/topics etc

Perhaps what you and other people are trying to say is the "tempo" of Isha's performances that are the same, which I personally agree with. But versatility, no. Isha has been versatile on the show. Combined together, all her performances seem to be on the same tempo since day one ' even their Chau & Afro performance was on the same tempo (slightly higher) as their previous performances.

Pasodoble has many variations, they did the Spanish Paso Doble (while it wasn't an out-and-out paso but it did do an excellent job in expressing the angry/rage emotions Pasodoble represents). I have mentioned before I have some issues with Isha's Posture, her's is weak at times while the dance forms require squared and straight upper-body posture (the paso and the ballroom).


The Pasodoble act was a metaphoric act - each representing one being: a bull and a metador. They did that well.

Check these: http://www.youtube.com/watch?v=v1ENsBYsjZc
http://www.youtube.com/watch?v=R4D4Ihx4mzw

Notice some of the steps? Isha-Salman had the same (with variations). It was the posture that didn't deliver the pasodoble feel, I believe. I could be wrong. It's just my guess. But if you compare all the other acts that week, none of the performances were Perfect, if you're being as strict on Isha-Salman's act: Gurmeet's body was still sort of stiff, Shibani was sharp but not sharp enough, Gia was lacking the energy required for an out and out Samba, Bharti's energy dropped near the end of the Lavani act, Darsheel's posture was wrong, his energy wasn't what is required in a Samba performance.

I am not criticizing any of these contestants but rather pointing out that their performance might have seemed perfect to us, on a stricter judging scale they weren't up to the mark.

The choreographer, Jai, said Isha's performances were not versatile, I pointed out she was. Yes some might not have liked them but they were different dance forms. Contemporary is a dance form (it involves a lot of lifts and stretching) which incorporates elements of modern and ballet dance (so stretching and lifts comes as part of the package).

I personally believe if any of the other contestants had as flexible a body as Isha's other choreographers would have most definitely included different types of lifts in their performances too. So far, Isha-Salman's acts have required lifts. Yes, some might feel they do too many lifts but looking at each performance individually they haven't done 'too-many-to-bear' in any single performance. Combined, yes, they have done the most lifts so far in the season but they have been versatile.

Bollywood? The Dirty Picture act? It had bollywood in the Na Tumka Na Tumka and Oh La La song portions. To me it seemed like Bollywood dance. (I feel) the expressions of the character Isha was portraying were done very well in the performance, and each move, she enjoyed. But that's just my opinion.

I have been thinking about that Bachata act since it aired and I think it was a combination of Pole dancing and Bachata (and something else maybe) as it definitely had some elements of Bachata (hip movement on every 4th beat, for example) but not all (I could be wrong). I didn't like that act as much as I did their other acts (because of the coordination issues, as I said earlier) and it wasn't an out and out bachata performance.

However, talking about versatility, given the concept they had to perform on each week, they did as much versatile dances as they could: Zindagi Ka Safar (I highly doubt a hip-hop would have suited that song or even lyrical hip-hop wouldn't have done justice to that amazing song) so Bollywood Contemporary or Indian Contemporary was the right choice.

Mere haath mein suited their strings act. Darsheel did an aerial act (which wasn't complete aerial as it had most of the steps, on floor) and if you notice the music was slow. Yes it might have seemed like it was fast but it was the drum beat that gave it that allusion otherwise it was a slow song which suited the aerial act.

Only Isha's Tu He Re and Rithvik's week 11 Colours performance were true aerial acts.

Honestly, I haven't seen any aerial acts which involve fast music and hopping and popping (not the dance forms) while hanging mid-air.

You may have found the puppet dance creepy and that's your opinion but it wasn't puppet dance, it was freestyle meaning they could incorporate any dance steps they wanted to from as many different dance forms as they liked.

I don't know how many of you have noticed this but each contestant no matter what dance form they perform on bring on their own personality types on stage - be the performance a slow or a fast paced act - their personality is still reflected when they are on stage. And in Isha's case, she seems very calm and very slow (not lazy) type of person (that's what I gathered from her stage presence and her behaviour after their act is finished). In Gurmeet's case it's his 'hero-type' that is reflected in each of his performance - check Rumba and Martial arts. I won't mention Rashmi, Rithvik and Karan in this as they have only done about 4 performances so far. Darsheel brings in the 'child-like' factor in all of his performances. Bharti (no matter what she does, be it the Tere Mast Mast Do Nain) brings in the comedy/full-of-life personality to her acts. I could go on about each contestant but you get my drift...

Lastly, I respect your opinion and appreciate the fact that you pointed out some of the things you didn't like (which was everything?) about Isha-Salman's acts. However, my post wasn't about how good Isha-Salman are but about their versatility which Jai had mentioned. The problem I have with people is this "versatlity" statement that people make. They did different dance forms and that is versatility (but only in terms of dance forms)


Firstly, thanks for replying.

Let me address all your points one by one. And while I appreciate your effort to go and look up the definitions of every dance style etc., let me assure you this was really not needed to make your point. I have seen enough Western and Indian reality shows to know the basics of these dance forms by now. In fact, it only dilutes your point further, because I didn't see most of the qualities of these dance styles with Isha and Salman's performances.

I get your point about the tempo. And I know what versatile means. Heck, like you said, IF Isha HAD displayed all those moods CONVINCINGLY, I would've appreciated her versatility then and there. The key word here is CONVINCINGLY. It's not enough just to attempt to show "anger" or whatever in a TOTALLY superficial manner. You actually have to FEEL the emotion. You actually have to FEEL the song...and you have to use your BRAIN creatively to INTERPRET the emotion. NONE of these things Isha has managed to do which is why her expressions and dancing appears PLASTIC. Superficial.

That paso doble act you're talking about...Isha's expressions there were laughable. THAT'S an expression of anger??? Give me a break! That was like a FORCED plastic expression...it felt like Isha had to CONSCIOUSLY remember that "omg I'm supposed to look angry" so let me paste an angry expression on my face. She wasn't really FEELING it and it was clear as clear.

In fact, I wouldn't really blame Isha entirely here either. WHO would feel ANGER on a song like "haye rama"!??! It's a song of heat and passion between two people. It's Salman's mistake here that he completely FAILED to interpret the music properly. Which is not new for him...this guy NEVER gets his music. Music is inconsequential to him...he would pretty much do whatever HE wants, regardless of what the MUSIC is saying! If he wants to do a paso doble on blah blah song, he does not care whether the song FITS or not. And he doesn't have enough creativity to pull it off convincingly either.

And what dancer doesn't appreciate his/her music tell me? What a disrespect to the musician/artist who created the music. For music and dancing go completely hand in hand.

There was NO chemistry between Isha and Salman in that paso doble. And chemistry is SO very important for ANY ballroom style!! NO connection between the partners. Well, HECK, because the music was saying something COMPLETELY different from what these two were doing! *head desk a million times* The lyrics were saying something else, and these two were just doing WHATEVER the heck they felt like. Just because you attempt a particular dance style DOES NOT mean that you ignore your music!!!

Because, well, dancing FIRST and foremost is an expression to the music. The dance style is secondary. And THAT is what these two fail to do again and again! If these two can't stay true to the music, then I'm sorry...I can't see genuine dancing here. That's like the ESSENCE of dancing...of art. Being TRUE to an emotion. Which these two FAIL at! πŸ‘ŽπŸΌ

Secondly, no where did that act look like a paso doble to me. Maybe because the CONNECT was so off...the music was TOTALLY not in tandem with the dance...so the whole performance looked like one big W*F and randomness all over.

It just BOTHERS me how you can COMPLETELY disregard the music like that!??! Like how can ANY dancer do that??? πŸ˜•

I wouldn't even mind if Isha performed a million dancers incorrectly. IF she only performed genuinely...felt the music for ONCE. Of course everyone makes mistakes trying new stuff. But the ART in dancing is that honesty. And if you can't do so much as simply FEEL the music, then I'm sorry your dancing is POINTLESS. It holds no meaning.

And this applies to ALL of Isha's performances. She has NEVER gotten an emotion down. Out of all the so called "variations" you have listed above. And I blame Salman here too...because how the heck are you supposed to feel an emotion when the choreography itself is so confused, and so superficial!

I do know what paso doble is...and Isha not only didn't get the posture right...she made it look CHOPPY. ANY dance form has grace...it has flow...which Isha lacks. Plus I've already made my point about her expressions. You think they were "beautiful"...ok your opinion...I think they weren't convincing AT ALL! Paso doble has SO much grace and POISE. Isha didn't have that, I'm sorry to say. πŸ‘ŽπŸΌ

That puppet act...was that a joke? Seriously. WTH was that? Why oh WHYYY once again was the dancing TOTALLY off from the music!??! Secondly, WHY were these two wearing those SPECIFIC costumes? What was the "story" there? Why was Salman dressed like Robin Hood or something and why was Isha dressed like a princess?!? Did their dancing EVER convey that "storyline"? NOPE. Randomness ALL over the place. And we're supposed to buy that this is the greatest dancing ever!? It's not. That song "fanaa" is such a romantic and sweet song...an emotion Salman and Isha FAILED to capture!!!

Ugh...I'm sorry I don't mean to offend you in any way...but it REALLY bothers me as a dance lover to see SUCH superficial dancing. I have nothing against Isha and Salman personally. But to see THIS kind of superficial dancing considered as the GREATEST!??! PLEASE!! Are these the standards of our dance now?? That is just sad then. It's kind of unfair to Salman and Isha too that they aren't getting HONEST criticism. For there's no way these guys can even begin to improve themselves or even ATTEMPT to challenge themselves and think outside the box if they aren't criticized enough. It's just a WASTE honestly.

And watching Salman and Isha feels like a WASTE to me. Waste to the dancing world. Because I just honestly FAIL to see WHAT is so great about their performances? Besides Isha's flexibility I mean. There is no depth, no relation to the music, no fun and creative dance STEPS, lack of energy and grace, no connection between the dancers...seriously WHAT is there!??

No doubt that Isha is the most flexible contestant. Yes, you are right there. But then who has denied her flexibility?

Is flexibility the only requirement for a good dancer? That is athleticism. A gymnast is flexible too. A yogi is flexible too. That's an EXTERIOR quality. That's not creativity...that's not what makes an ARTIST! Isha has NO art in her dancing, very bluntly and honestly speaking. I have never seen her INTERPRET. Or listen to her music creatively.

THAT'S what bothers me. If Salman gave her interesting choreography, MAYBE Isha would start to feel GENUINE emotions in her dancing. If Salman HIMSELF listened to his music for ONCE, then that'd be something worth appreciating.

That is why Jai used the word "monotonous"...you say Isha is versatile...to me she looks the damn SAME no matter what she does. And that's because Salman's choreography also is FLAT. No layers or depth to it. Because if he listened to the different beats/moods of the song, he'd be able to choreograph something more layered. Isha of course brings NOTHING to enhance the choreography. She's just dull. I mean, at least bring SOME personality of your own. Give SOMETHING of yourself to the performance. THAT'D be honest dancing.

That dirty picture act was SO W*F-ish once again. Honestly I was CRINGING like anything watching Isha start her performance like that! How repulsive seriously. How cheap and tactless. Of course the movie itself was meant to be like that. But Isha was just WEIRD in her expressions. And bollywood firstly is ALL about the expressions and "adaa" like you yourself mentioned.

And what was with all the stripping in this act? BLAHHH!!! Totally off putting. This kind of LAME, desperate, SUPERFICIAL choreography bothers me to NO end, honestly! And please don't give me arguments about this was how it was in the movie etc. Salman had ZERO insight or innovation of his own. Why you would choose to show the "story" of this movie is beyond me too. There wasn't much depth in that movie either...and Salman showed even less of it.

Now if Salman had chosen that "ohh la la" song and done something humorous and creative with that song...bollywood style...that would've been fun. This was just LAME. And CHOPPY. Like he RANDOMLY put together bits from the movie.

What's the POINT of a "story" if that story doesn't FLOW? It's just RANDOM things pieced together??? If that story isn't honest, DEEP, or convincing at ALL? I'd rather watch just pure dancing instead. If you have a concept or story...fine...show it with some honesty and depth then. Make the story FLOW.

RANDOM bits like Isha RANDOMLY freaking out in the middle...and then random ending with Salman appearing as Emraan or whatever's character. Yes, all those things happened in the movie, but there is an ART...a tact, a WAY to show that through dance which Salman didn't have. SO SO choppy!

I do not even CARE WHAT THE HECK Isha and Salman's dances were CALLED or whether or not they were doing "arial" or blah blah blah. They do not dance creatively or genuinely. That's my main problem!!

And that bachata...why was there no hip movements? Because last time I checked that is the essence of Bachata which Isha...surprises of surprises...did not even attempt. It looked ONLY like "pole dancing" to me. Another one of those DESPERATE "sexy" type of attempts to attract the audience. Whereas Isha FAILED to bring across that "sensuous" emotion. Lameness! What a waste of a "trio" act.

The technicalities of Isha and Salman's performances don't even matter when these two can't get the BASIC essence of an emotion or a song properly! If they can't capture ONE emotion honestly...then it's all pointless anyways. Doesn't matter whether they attempted bachata or hip hop then. Because either way, it's not convincing.

And please don't get me started on the comparison of contestants like Isha with people like Darsheel and Rithwick. Two people who GENUINELY work hard. And actually try to attempt different dance styles. Plus, both Sneha and Jai are miles better than Salman in the creativity department.

Finally, addressing your last point there...no matter WHAT your "definition" of versatility is...Isha is NOT versatile from any angle. Mostly because she lacks that artistic creativity. Some people have the natural ability to FEEL the music and move along to it...in so doing, making every dance "style" or EMOTION they attempt, look convincing. Isha is not one of those dancers. She's just plain and simple not very eye pleasing to watch.

Phew...I'm done now. πŸ˜† Once again, I mean no offense...I just feel VERY strongly about this. Superficiality bothers me WAY too much. And I can't STAND this kind of superficial dancing...and it makes me feel sad that THIS is the kind of dancing that's being appreciated these days. When there are SO many more creative and talented artists out there.
Edited by pigbelly4myfeet - 12 years ago
pigbelly4myfeet thumbnail
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Posted: 12 years ago
#38
You know what I find interesting too?

How Jai has always been thought of as insecure and arrogant and all that...and who knows what his personality is like in reality, none of his know him. But his dancing/choreography has never displayed arrogance to me. It has always been creative and genuine. You can tell he genuinely LOVES dancing and loves experimenting with music/different dance styles. And he works so hard.

And Salman on the other hand, sure appears nice enough personality wise...but his choreography does display arrogance and that desperate attempt to SHOW that he's so great. That's what puts me off his style of choreography. He seems so under confident and confused too, regarding what he wants to do with dance. Therefore, his choreography lacks that confidence and CLARITY.

And I find it interesting too that Jai has ALWAYS been criticized. I think criticism is like ESSENTIAL for any dancer. Or artist. You DESERVE honest criticism for putting all that work into your art. So Jai has actually benefited from that criticism and trying to prove himself because he now has the confidence in his dance style and choreography.

Whereas Salman has never been criticized...and he actually NEEDS it. He choreographs in a rut, basically. In a monotonous way. There I'm using that word again. :P He needs to be inspired or challenged or something. He doesn't need people BLINDLY appreciating whatever he does. For that's doing him no good, clearly.

I don't mean to compare...but I just find this difference interesting since I have been following both of these people since DID. I just really wanted to make a point about how valuable criticism is.
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Posted: 12 years ago
#39
The point I have been trying to make since my first post in this topic is that Isha has performed on different types of dance forms - successfully or unsuccessfully is how each looks at their acts. That's one's own opinion.

Btw, you mentioned stripping off in the The Dirty Picture act, then that was showing the progress of the character, wasn't it? I haven't watched the movie but I have read the story. Isha's expressions when she is fully clothed and when the dance starts, I didn't like them (that's my opinion) but that's not to say that she did them bad. It was the character she was portraying.

You find Isha's dancing lacking, Salman's choregraphy superficial then that's your opinion. What I have been trying to say is about the 'versatile' part of the interview - not any other part.

Bachata/Pole Dance act: The hip-movement was subtle but it was there - when both Karanvir and Salman are on the floor (sort of lunge-like position) and Isha is standing between them, she does the hip movement. Then again, when all three are standing, they did the hip movement again.

After their performance, I researched Bachata dance (as I had heard of it before and perhaps seen it but couldn't recall where) and found it can be performed solo or in pairs. Isha-Salman's act had both solo and pair part in their act. Like I said earlier, it wasn't out and out Bachata but mixture of other dance forms too.

I think the reason everyone likes their acts so much is the whole package - not just the dancing. (I think) the use of stage lighting in The Dirty Picture act was an excellent touch from Salman - depicting each phase of that character's life using different lightings. From the choreography, I found it really well done. You and others might disagree and I respect that.

Feelings/dace/music is different from being 'versatile'. You think Isha's expressions are superficial, that's your opinion. Some think they are genuine, that's their opinion - NOT facts.

My problem is with the use of the word 'versatility'. The reason I mentioned the basics of each dance style was to further emphasise my point about the very definition of the word - which fits to Isha.

If someone says 'versatile', to me, I think of the person being able to do different things and that's what Isha has done.

You are talking about their performances and what you don't like about them - I am talking about the different dance forms. And I feel everyone on the show so far has been versatile - how successfully is a topic for another debate.

Like you feel very STRONGLY about "superficial expressions" and such, I feel very STRONGLY about the use of the word 'versatile' on this forum and in articles too.

btw, the 'no offense' part - none taken😊 and I don't intend to offend you or anyone else in any way either
Edited by Me_Anonymous - 12 years ago
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Posted: 12 years ago
#40
^^ LOL I see that this discussion is pointless. You're contradicting your own viewpoints now and failing to even respond to my points.

To you it doesn't even MATTER whether Isha performs any style successfully or not as long as she DOES it? Well, alright then. If that's versatility according to you, then great...you can stick to your own definition of versatility then. Oh look, Isha did a little hip movement at 1:05 minute of the performance, so now we can call it a bachata. Great. If that's your interpretation of performing a dance style, then I shall leave you alone with that.

Just the fact that you actually had to pin point certain areas of the performance where there was bollywood, bachata etc. proves Jai's point I think. The OVERALL performance still didn't feel like a "bollywood" or "bachata" whatever style. Bravo that you could find ONE bollywood step in there. Good for you, because I certainly couldn't.

And you're contradicting yourself now where you say that versatility doesn't mean portraying various moods to you even though that was your very own definition in your previous post. That's what I responded to anyways. I actually appreciated that definition and agreed wholeheartedly with it as well.

I don't even know what more I can say to you when you think that Isha actually portrayed those "characters" and "emotions" convincingly. If that's the standard of dancing and expression that appeals to you, then enjoy. Clearly, intelligence, creativity and art aren't appreciated with the audience anymore. That's just too bad. And clearly our definitions of good dancing are poles apart.

And thank you for simply ignoring my point about the music. I guess, music isn't of that much importance to you either when it comes to dancing. Well then it makes sense why you prefer Salman's choreography and Isha's dancing.

I'll just share one more thought that popped into my head just now. I like to see dancing which fits in with the music SO well, that whenever I listen to that particular music piece on my own, I simply cannot get those dance steps out of my head. Dance steps that correspond COMPLETELY to a music piece. That's genius to me. That's brilliant artistic expression in the form of dance to me.

How do you think dancing even started? As an expression through listening to music only no? That's how different dance "styles" were even created in the first place. Therefore, if a dancer cannot express themselves to the music...simply MOVE to the music, then everything else is pointless to me. I could care less what dance style or what "story" they are portraying.

Clearly we differ greatly in our opinions of "dance" in general, so I leave you to continue enjoying Isha's "versatility" and oh so awesome dancing. That's it from my end.

Peace.
Edited by pigbelly4myfeet - 12 years ago
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