Noorjehan was changed by Lata Mangeshkar. Geeta Dutt by Asha Bhsole, and Alka Yagnik by Shreya Ghoshal. Here is how. In the closing years of the Nineties and the opening years the 2000s, Alka Yagnik dominated the feminine-playback singing enviornment. After Lata Mangeshkar and Asha Bhosle, Alka was No.1. An incident throughout the recording of a duet with Udit Narayan for Sanjay Leela Bhansali’s Hum…Dil De Chuke Sanam modified Alka’s fortunes.
According to eyewitnesses she refused to document the tune until she was paid in advance. An eyewitness experiences, “Sanjay Bhansali’s production team was short on cash that day. They requested she defer the payment for a few days. To everyone’s shock Alka refused point-blank. ‘Paise nahin toh gana nahin,’ were her words. Of course the cash was arranged somehow. And she sang the duet ‘Chand Chupa Baadal Mein’ with Udit Narayan, and went away with her money. But that was the end of Alka in Bhansali’s cinema.”
Alka Yagnik was supposed to sing all of the songs of Hum….Dil Chuke Sanam. She ended up singing just one. The relaxation had been achieved by Kavita Karishnamurthy.
For his subsequent opus Devdas, Sanjay Bhansali was decided to discover a voice in the Lata Mangeshkar mould to exchange Yagnik. This is when Shreya Ghoshal met Sanjay Bhansali.
“Bhansali immediately sensed her talent, began grooming and modulating her voice, working on her Bengali diction, etc.,” says the supply.
The relaxation as they are saying is historical past.
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