Fragrance of Yesteryears: Dev Anand
As September steps in with the promise of a new season, a new edition of Fragrance of Yesteryears also tags along. BollyCurry brings to you an actor, writer, director and producer born in this current month in the year 1923.
Published: Tuesday,Sep 16, 2014 23:37 PM GMT-06:00
As September steps in with the promise of a new season, a new edition of Fragrance of Yesteryears also tags along. BollyCurry brings to you an actor, writer, director and producer born in this current month in the year 1923. A person who was regarded as a Bollywood legend, a versatile actor whose mannerisms and expressions are still mimicked by youngsters even today, Dev Anand, one of the greatest actors in the history of Indian cinema.
After working as a clerk in Bombay for a while, Anand
entered Bollywood with the movie Hum Ek
Hain (1946), although his big break happened with Ziddi (1948) after getting
inspired by Ashok Kumar's performance on the big screen. From that moment on,
there was no looking back for this talented man. In his early career, he worked
in movies like Baazi, Taxi Driver, House No. 44, Nau
Do Gyarah, C.I.D., Paying Guest, Kala Pani and
many others. Kala Pani won him his first Filmfare Award for Best
Actor. During the filming of Taxi Driver, he fell in love with
his co-actor Kalpana and married her. Around the same decade, Anand started his
production career by forming Navketan Films with his brother, Chetan Anand.
The decade of 1960s was a turning point for Anand's career. While
Anand had delivered many hits as lead actor, his true acting skills emerged
with the film Guide in 1965 which won him his second Filmfare
Award for Best Actor. The same movie won him his first National Award for the
Best Hindi Feature Film as the movie was produced by Anand and directed by his
younger brother, Vijay Anand. Additionally, he was also awarded Filmfare Best
Film Award for Guide. In the same
decade, Anand collaborated again with his younger brother to make Jewel
Thief (1967) and Johny Mera Naam (1970); both
movies are still loved by every die-hard Anand fan.
The decade of 1970s started with Anand trying his hand at
direction with Prem Pujari (1970) which
was a flop but his second directorial venture Hare Rama Hare Krishna (1971)
was not only a hit but reached a cult status. While many leading actors of his
generation started taking up supporting roles like father of lead hero, Anand,
well in his 50s, continued to play the leading man and deliver commercial hits
such as Heera Panna and Banarasi Babu, both of which were
released in 1973. He also helped launch new faces in his films who later on
turned to be actresses of fine caliber. The likes of Zeenat Aman and Tina Ambani
fall in this category. 70s was also the time Anand stepped into politics by
protesting against Indira Gandhi and forming Nation Party of India which he
later disbanded.
In the 1980s, Anand continued to play lead hero in the flicks Hum
Naujawan (1986) and Lashkar (1989). But in the 90s his commercial
value decreased, except Awwal Number (1990). The rest of
his movies were box office failures. Anand's movies continued to fail commercially
even after 90s; his final movie was Chargesheet in 2011.
The industry lost Anand on 3rd December,
2011 to cardiac arrest at the age of eighty eight. He was cremated in London
where he died while visiting for a medical check up and his ashes were immersed
in Godavari River.
Did you know?
- Dev Anand was a fan of Charlie Chaplin and met him when Chaplin was in Switzerland.
- While shooting for the movie Taxi Driver (1954), Anand was mistaken by a foreigner for a real cab driver.
- Anand owned 800 jackets.
- Dev Anand had enacted only one death scene in his entire film career and that was in the movie Guide (1965).
Anand had a led a very
successful life and was loved for his affable nature and evergreen smile. Anand is survived by his wife Kalpana, son Suneil Anand and daughter Devina. Even
after his demise, Anand continues to rule our hearts and BollyCurry hopes that this
legend continues to shine on.
Writer: Kalpana K.C.
Editors: Mohini N., Ritchelle C. and Sonia R.
Graphics: Komal P.
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