:: GHKPM Spoilers Thread :: #7 - Page 100

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Moor278 thumbnail
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Posted: 4 years ago

I was about to make a separate post for this 😉.


Sai should stop seriously stop saying mujhse galti ho gai. Girl you were not wrong. It was your reaction. And Ayesha understands this. She said so in IV. Par Sai nahi samajh rahi.😔


But i want Pulkit ya DIG to put some sense into her. Koi to bolo ki tumhari galti nahi thi .. situation vaise thi

Coolmeg thumbnail
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Posted: 4 years ago

Originally posted by: scarlett22


I agree. They need time off from each other. That's why I am ok with him asking her to leave. She also uses her words indiscriminately. This is done on purpose, and for drama.

She did tell him she didn't care if he died! I was shocked when the writers wrote that dialogue for her. Clearly it was to come back to justify Virat's anger. Because Sai would never have said it. This was the one thing that was her weakness in their fights.

Both are toxic. But for us to feel anything, the loop needs to be closed with Sairat scenes & better dialogues. They don't do that, especially these days. The writers don't have the talent to bring them together without using a Devi or someone to force them. Their scenes are powerful enough but SV will no longer use Sairat. I think that is pretty much clear with the way they cut out the duo's scenes from the original.

@bold… they did show her praying that she didn’t mean it and that she cares for virat as someone who she holds dear. See Virat taking all her words at face value is him not trusting Sai still! If he wants to reflect only on her harsh words fine, but he also doubted her when he met at DIG office.

Somewhere both should come back on their own and not by other peoples interventions! Magar aisa hone nahi denge ye writers. DIG made Sai realize on Diwali, now we need another one. 🤦‍♀️

710617 thumbnail
Posted: 4 years ago

I agree totally.. they really need a separation period .. where they focus on their career and studies and reflect .. where they are hurting each other

Sai really needs to focus on her studies.. she might be an excellent student but if she’s forever in family drama when is she going to class to attend lectures ..



My ideal is let the family get the stick from virat on Wednesday

Thursday - Friday - shruti ka drama .. whatever that maybe with Chavan family .. Sai stays away and focuses with her college mate .. maybe she has a skirmish with Sonali and mohit in coffee shop which looks very likely ..

Saturday virat leaves the hospital .. meets the DIg where the police tells him how badly he handled this mess .. by keeping things a secret he endangered Sai’s life .. he has not done a favour to her .. she could have been killed .. and she has saved his life .. by getting those injections..

then he tells DIG he wants to move away .. then he takes a post in a different city .. as obviously there has been a new ACP recruited in Nagpur ..( virat has not give to work since his honey moon. Misery )

Then there’s a 2 year leap in the story from next week

We see virat working in some other city ..

Sai is in her final year in college .. there’s a medical camp organised .. and she goes with her college mates in virat’s district ..

before that she meets ninad , ashwini .. abd they meet nicely .. where they tell her to come and meet them .. she agrees but after she come back from camp ..

from next week they can start the holi track .. where they show Chavan family missing virat in holi .. as he has gone for 2 years now ..

scarlett22 thumbnail
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Posted: 4 years ago

Originally posted by: Coolmeg

@bold… they did show her praying that she didn’t mean it and that she cares for virat as someone who she holds dear. See Virat taking all her words at face value is him not trusting Sai still! If he wants to reflect only on her harsh words fine, but he also doubted her when he met at DIG office.

Somewhere both should come back on their own and not by other peoples interventions! Magar aisa hone nahi denge ye writers. DIG made Sai realize on Diwali, now we need another one. 🤦‍♀️


All this to be sorted out requires a huge, passionate confrontation of the Amey or Ladakh type which we are never going to get😒

nethraa_99 thumbnail
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Posted: 4 years ago

Originally posted by: scarlett22


I agree. They need time off from each other. That's why I am ok with him asking her to leave. She also uses her words indiscriminately. This is done on purpose, and for drama.

She did tell him she didn't care if he died! I was shocked when the writers wrote that dialogue for her. Clearly it was to come back to justify Virat's anger. Because Sai would never have said it. This was the one thing that was her weakness in their fights.

Both are toxic. But for us to feel anything, the loop needs to be closed with Sairat scenes & better dialogues. They don't do that, especially these days. The writers don't have the talent to bring them together without using a Devi or someone to force them. Their scenes are powerful enough but SV will no longer use Sairat. I think that is pretty much clear with the way they cut out the duo's scenes from the original.

I didn't feel anything wrong in the "I don't care if you die" dialogue from Sai ' it was said in anger and in an effort to push him away from her. The "master plan" dialogue during anniversary was more odd IMO - it made no sense - looked forced to create bitterness.

But writers don't have the stuff to write powerful scenes and dialogues to pull off a worthwhile ending to an unpopular track. The last time I remember a confrontation scene of real quality with powerful dialogues was the GC confrontation scene after ousting. Since then there has been a steady decline in quality of writing....to this point where it has become pathetic. It's almost as if they have forgotten to write.....or did the writers change?

Edited by nethraa_99 - 4 years ago
scarlett22 thumbnail
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Posted: 4 years ago

Originally posted by: nethraa_99

I didn't feel anything wrong in the "I don't care if you die" dialogue from Sai ' it was said in anger and in an effort to push him away from her. The "master plan" dialogue during anniversary was more odd IMO - it made no sense - looked forced to create bitterness.

But writers don't have the stuff to write powerful scenes and dialogues to pull off a worthwhile ending to an unpopular track. The last time I remember a confrontation scene of real quality with powerful dialogues was the GC confrontation scene after ousting. Since then there has been a steady decline in quality of writing....to this point where it has become pathetic. It's almost as if they have forgotten to write.....or did the writers change?



Even the scenes...the way they are written & executed are really bad. No variation in camera angles..it's like everyone is standing in a row & the camera just focuses on each ...like a home video, easy to predict...Pakhi, Kaku, Sonali, Karishma... Ashwini is last...others in between..i remember the Amey confrontation in the ZA...it was sooo good, each one's expression.


These kind of complex tracks require better dialogues definitely.


Remind me why I'm still watching🤣

710617 thumbnail
Posted: 4 years ago

Seriously there new show has better direction .. why is ghum so bad in quality..

nethraa_99 thumbnail
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Posted: 4 years ago

Originally posted by: scarlett22



Even the scenes...the way they are written & executed are really bad. No variation in camera angles..it's like everyone is standing in a row & the camera just focuses on each ...like a home video, easy to predict...Pakhi, Kaku, Sonali, Karishma... Ashwini is last...others in between..i remember the Amey confrontation in the ZA...it was sooo good, each one's expression.


These kind of complex tracks require better dialogues definitely.


Remind me why I'm still watching🤣

I watched the hostel confrontation scene in KD....I could feel the tension & passion. Here it was so so disappointing....it was like they had fixed a time period of 5 minutes and they randomly lifted dialogues from KD to fit the time slot....resulting in a messy, disjointed, lacklustre scene. The direction was another level . Crates zero impact.

It is clear that there is nothing to look forward to.... like the passionate SaiRat scenes we had before. Writing is completely dead.

Edited by nethraa_99 - 4 years ago
SunqianFan thumbnail
Posted: 4 years ago

Originally posted by: nethraa_99

I watched the hostel confrontation scene in KD....I could feel the tension & passion. Here it was so so disappointing....it was like they had fixed a time period of 5 minutes and they randomly lifted dialogues from KD to fit the time slot....resulting in a messy, disjointed, lacklustre scene. The direction was another level . Crates zero impact.

It is clear that there is nothing to look forward to.... like the passionate SaiRat scenes we had before. Writing is completely dead.

Rono was not perfect for emon in KD and rishi was not that much expressive like Neil but whenever he used to look at emon face it always conveyed that - i need you😊 . His looks used to be soft but virat he always gives disguisted looks to sai😵 . Neil was only good during amey confrontation scene that's what Jaffar sir as director brilliant 👏👏😳in his work wheras Ranjit is kalank in the name of directors🤣🤣🤬. I always felt bad whenever emon was harsh to rono because of actor.
nutmeg7 thumbnail
Posted: 4 years ago

I totally believe that they both need a cooling period. Think about priorities, talk it out and then mend fences together. I liked your idea

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