COMMENT
The stuff of fairy tales
NUPUR BASU
"Chak De India" is a war cry that we all needed to hear at this juncture. And it matters little that it had to come from Bollywood.
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Just the sheer presence of women on these serials has triggered a strange kind of emancipation in women in India and across the borders.
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The making of Team India: The actors of "Chak De India".
Sitting in an old fashioned cinema theatre in Bangalore (the last existing relics of that kind in an ever changing city) and watching "Chak De India" with two of my girl friends and surrounded by a cacophony of cheering young women , was indeed a cinema experience this week.
Appealing theme
I couldn't help thinking to myself that my late grandmother, a Bengali matriarch in every sense of the word, would have thoroughly enjoyed it. I certainly know that my otherwise Potter-manic nieces aged 19, 12 and 8 rocked with it. Droves of school girls making a beeline for the cinemas across the country to watch "Chak De India" is both amusing and heartening.
Sports and the underdog have always been heady themes that have gone down well in films like "Lagaan" and "Iqbal", the Oscar winning "Chariots of Fire" and the greatest football film ever made — "Escape to Victory".
But clearly this one had a spin that appealed to the distaff side. An out-of-favour, under-confident women's hockey team's heady rise to World Number One under the watchful eyes of an angst ridden coach, obsessed with a passion for the game, and having to clear unfair prejudices levelled against him, certainly made for emotional celluloid.
"Chak De India" is a fairy tale. A fairy tale that needed to be told in India at this juncture through the powerful medium of popular cinema where seeds of "Indian woman — believe in thyself" is being sowed by none other than Bollywood's King Khan.
The film tries to peel the layers to uncover prejudices against women, prejudices against women sportspersons, and prejudices against minorities. Name it and the fault lines of contemporary India on it's 60th birthday are showcased in nuanced and not-so-nuanced ways.
As one left the theatre gripped by optimism of the film's catchy theme song, one couldn't help wondering: what if the ballistic "Chak De India" song could become a war cry for daughters of India? For a while in the dark theatre, the power unleashed by a fictional women's hockey team and their passionate coach became a heady symbol of what India's women should do or could do... take a deep breath and scream out loud as if there is no tomorrow: "Chak de: Bharat de kudi." (Go for it ... Daughters of India.)
Reality, not fiction
Ours is a country where unborn girls are being killed with impunity using the latest medical technology, resulting in one of the worst sex ratio distortions in the world, where women are becoming helpless victims of the AIDS graph because their partners will not allow them to have safe sex, where girl children have to give up the joys of school because they need to fetch water walking miles alongside their mothers, where a vicious cycle of malnourished mothers give birth to malnourished underweight babies (33 per cent of India's children are born underweight),where women cannot marry unless they have a neat little kitty for their prospective greedy grooms as dowry, and even if they manage to have something it is never enough, where women's inheritance rights are still shrouded in patriarchal purdah, where women's work in agriculture ,unorganised labour and organised work is either not accounted for or underplayed, where women are burnt with acid by husbands, lov ers or mere roadside rogues and who coolly walk away free with a bail …the list could take all of this article's wordage .
The film also reminds you that it is not just about how women are an unwanted commodity in India but how the system finds its victims in other segments as well. At the heart of the film lies the central character, hockey coach Kabir Khan's unfair trial as a minority. (Interestingly, Shah Rukh Khan is playing a Muslim character on screen for the first time.) A trial by fire many minorities in India experience for no fault of theirs and, increasingly so.
What of the exploitation of Dalits and the manifestations of hate on that score on different occasions? Very often, once again it is women who are at the heart of the violations, whether it be in Gujarat post-Godhra or Dalit women with recorded instances of being made to walk nude in villages in Karnataka by upper caste men in revenge mode or Dalit women and children beaten and killed in Tirunelvelli and Kodiyankulam inTamil Nadu by the very forces meant to protect them: policemen.
Setting the agenda
Cinema, media images and television have the power to set powerful trends, if not trigger revolutions. Recently, a U.S.-based agency highlighted that TV soaps in India had empowered women in the country.
The Delhi-based Centre for Advocacy and Research (CFAR), which has been involved with TV content analysis for over a decade now, has maintained that TV fiction is a very important source of influence in women's lives. In a report titled "Hear the people", CFAR observes: "The Basti women have responded to modernity on TV in a fairly positive manner because they perceive it as a tool for empowerment".
In a documentary film I directed titled, "Michael Jackson Comes to Manikganj", filming from Peshawar in North West Frontier Province to Kandy in Sri Lanka to assess the impact of satellite television on south Asia, I came across sari-clad, rural farm women in Bangladesh coyly telling me in Bengali: "Oi shob dekhe pant porte ichhe kore" (When we see these serials we also feel like wearing trousers).
Just the sheer presence of women on these ever popular serials — good, bad and ugly — has triggered a strange kind of emancipation in women in urban and rural India and across the border in the region. After all, Kabul did shut down, we were told, at prime time when "Saas bhi kabhi bahu thi" was being aired!
Need of the hour
TV images, celluloid dreams, whatever. What this country or region needs is a determined war cry like "Chak De". And so be it if it can be inspired by the region's biggest obsession: Bollywood .
Nupur Basu is an independent journalist and documentary filmmaker.
http://www.hindu.com/mag/2007/09/02/stories/2007090250080400 .htm