Rashmika & Ayushmann's looks from 'Thama' out: Hidden details you might have missed

Ayushmann Khurrana and Rashmika Mandanna have dropped their first looks from Maddock Films’ upcoming entry in the horror-comedy universe, and the tone they set has already sparked curiosity. The film, titled Thama, promises to bring together darkness, myth, and romance in a world unlike anything attempted in Hindi cinema.

Ayushmann’s poster establishes him in a noir palette of deep blues and blacks, while Rashmika’s reveal positions her as a mysterious force with layers yet to be decoded. With Nawazuddin Siddiqui also featuring in a pivotal role, Thama seems poised to expand Maddock’s horror-comedy experiment into a more ambitious universe.

Ayushmann as Alok: The Last Hope of Humanity

In his first look, Ayushmann is seen in a brooding avatar, described in his caption as: “Presenting Ayushmann Khurrana as Alok - Insaaniyat ki aakhri umeed.” The tagline alone hints at a messianic character caught between human survival and supernatural forces.

The main image shows him in a restrained pose, but the poster contains two smaller frames below. One features Ayushmann locked in action alongside a car and possibly Rashmika’s Tadaka, while another portrays him in a more classic action stance. These snapshots suggest that Alok is not just symbolic hope but also a man of action navigating violent, high-stakes confrontations.

Rashmika as Tadaka: The First Ray of Light

If Ayushmann’s look sets the stage, Rashmika’s poster deepens the intrigue. Introducing herself with the caption: “Presenting Rashmika Mandanna as Tadaka - Roshni ki ek hi pehli kiran,” her image shows her in a forest, dressed in green with flowing hair and multiple nose rings.

What makes this reveal significant is the additional detail tucked into her poster. At the bottom corner, Nawazuddin Siddiqui appears in his look as Yakshaashan, described as the king of darkness. This positioning hints at Tadaka’s proximity to Yakshaashan’s domain, raising questions about her allegiances. Is she part of his fold or a rebel carving out her own path?

Presenting Ayushmann Khurrana as Alok - Insaaniyat ki aakhri umeed Presenting Rashmika Mandanna as Tadaka - Roshni ki ek hi pehli kiran

- Ayushmann & Rashmika's looks in 'Thama'

Nawazuddin’s Presence and the Expansion of Maddock’s Horror Universe

Nawazuddin Siddiqui’s role as Yakshaashan seems central. His appearance alongside Rashmika’s reveal suggests his influence directly shapes her arc. Yakshaashan as the king of darkness could serve as the counterforce to Ayushmann’s Alok, who represents humanity’s last hope. The clash of these polar forces- light, darkness, survival, and destruction- positions Thama as a battle with spiritual and emotional undertones.

Maddock Films’ earlier entries like Stree, Roohi, and Bhediya introduced horror-comedy with regional mythological flavors. With Thama, the palette appears darker, the scale wider, and the interplay of characters far more layered. The film also seems to pull in elements of folklore and gothic fantasy, moving beyond pure scares and humor into the terrain of supernatural drama with action at its core.

A Bloody Love Story for Diwali

The posters confirm a Diwali release, with the announcement: “The World of Thama drops tomorrow at 11:11 am. This Diwali, the universe gives us a bloody love story in cinemas worldwide - #Thama.”

The phrase “bloody love story” is telling. It positions the film not only as a supernatural battle but also as a romance drenched in conflict. Ayushmann’s Alok and Rashmika’s Tadaka may embody opposing worlds—hope and light versus allegiance to darkness-but their connection appears inevitable. The smaller visuals of Ayushmann with Rashmika further support this interpretation.

Reading Between the Frames

The posters are packed with subtle clues. Ayushmann’s multiple depictions within the same artwork hint at his double-edged role—stoic survivor and dynamic fighter. Rashmika’s forest backdrop and Yakshaashan’s presence point toward mythic allegories, with her character possibly standing at the threshold between subservience and independence.

What stands out is Maddock’s effort to make each poster a layered narrative in itself. Instead of simply showcasing glamour shots, they seed story elements: allegiances, conflicts, and underlying romance. This approach ensures that the reveal does not just market the film but also builds mythology around its world.

What to Expect from Thama

With Ayushmann Khurrana, Rashmika Mandanna, and Nawazuddin Siddiqui headlining, Thama seems designed as both a crowd-puller and a mythology builder. If the earlier films in the horror-comedy universe hinted at interconnected threads, this installment may cement the foundations of a larger supernatural saga.

The noir tones, mythic references, and promise of a love story drenched in bloodshed make Thama one of the more unconventional Diwali releases in recent memory. Whether Ayushmann’s Alok can live up to his billing as humanity’s “last hope” and whether Rashmika’s Tadaka chooses to remain tied to darkness or carve her own path- those are questions that will likely drive the narrative.

For now, the posters have succeeded in one thing: they have turned curiosity into anticipation.