The Raikar Case web series review: A heady concoction of scandal, shock and suspicion in this teasing whodunit
The youngest member of an extremely wealthy and influential business family, coveting political ambitions, has allegedly committed suicide, but the police investigation reveals it to be a murder case, which opens a can of worms and exposes several skeletons in the closet of each family member, with no one being able to be ruled out as a suspect
Indian films have served up some great murder mysteries. However, a scant few like Director Vijay Anand's starring Shammi Kapoor and Asha Parekh, Director Raja Nawathe's Gumnaam, starring Manoj Kumar and Nanda, Director Rajiv Rai's Gupt, starring Bobby Deol and Kajol, and Director Yash Chopra's Ittefaq, starring Rajesh Khanna and Nanda again, really ensconed the virtues of a classic whodunit. For the uninitiated, a whodunit is a murder mystery where suspicion simultaneously hovers over several characters, with the Director taking us on a guessing game we enjoy, which automatically disqualifies other great suspense films like AndhaDhun or Jewle Thief.
However, we've never had a TV show or web series hinged on such a premise, with Director Basu Chatterjee's Byomkesh Bakshi that ran in the 90s (and is being rerun amidst lockdown) being the closest that comes to mind, though only a couple of episodes ever followed the whodunit pattern. In such a scenario, it's both refreshing to see the new web series, The Raikar Case (I was fortunate to watch it in its entirety before the official release), traverse this path, and stimulating to experience how well it pulls it off given how difficult it is to keep an audience engaged around a whodunit premise due to how easy it is for attention to waver as the creators attempt to confuse us without making us feel silly.
Scroll below to read my full The Raikar Case review...
What's it about
The youngest member of an extremely wealthy and influential business family, coveting political ambitions, has allegedly committed suicide, but the police investigation reveals it to be a murder case, which opens a can of worms and exposes several skeletons in the closet of each family member, with no one being able to be ruled out as a suspect.
What's hot
The writing (a collaborative screenplay by Karmanya Ahuja, Bijesh Jayarajan, Chinmay Mandlekar and Anitha Nair) is what makes The Raikar Case what it is — an absorbing, intriguing tapestry of layers, twists, turns, scandals, suspicions, and shocks galore. Aditya Sarpotdar also does a fine job as the director for most parts (no surprises there, considering he has helmed one of Marathi cinema's finest thrillers, Faster Fene), and though his grip on the narrative slips at times, the script is so good that you're willing to forgive his few discrepancies. Of course, a good script gets wasted if you don't have the right actors to perform them, and on that note, everyone from veterans like Atul Kulkarni and Ashwini Bhave to accomplished stage and screen actors like Neil Bhoopalam, Kunal Karan Kapoor and Lalit Prabhakar have aced their roles. The editing, too, is right on the money, keeping the proceedings crisp and snappy and luring you into the next episode till you end up binge-watching the entire show. It's also a welcome throwback to see each episodes end on a cliffhanger after ages.
What's Not
While all the cast members are busy doing a fine job, Parul Gulati proves to be a major thorn in their side with a severely subpar performance. It further doesn't help that she's cast in a central role, demanding finesse, depth and complexity. Also, when I had earlier mentioned about Sarpotdar's grip slipping in portions, it had to with how he tries to conveniently insert certain twists or contrive some plot points, which just about stands in the way of The Raiker Case from being a brilliant thriller. Manoj Soni's camerawork also leave a lot to be desired, with some shots of a picturesque location like Goa looking straight out of a beginner's guide to photoshop. Aditya-Nayantara's sound mixing is another sore point, with the dialogues not gelling smoothly with the background music in several places.
Some technical and creative hiccups notwithstanding, The Raikar Case is still a tense, unpredictable and highly effective murder mystery that'll leave you on the edge of your seat with excitement, make you keep guessing and force you to binge-watch it at a go. Don't forget to catch it when it premieres on the newly launched OTT platform, VOOT Select (the same streaming service that brought you the masterpiece, Asur, a couple of weeks ago), on 9th April.
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