Posting what I commented in another topic
See here are a few proofs actually. I had been researching on the same and studying the works of different historians
1) The epic mentions the names of the kings across the country and that serves no purpose purpose excluding increasing the number of Shlokas. Why on the earth for example would a fictional writer take efforts to write that Chhitrayudh was the king Tripura kingdom which is kingdom at the foothills of Himalayas near Bang Desh was a Kshatriya king?? The only work in the epic he does it to lose to Sahdev during Yudhishtir's Rajsuya, attend the Rajsuya Yagya's closing ceremony and later again lose to Karna during his Digvijay Yatra? What change did it make to the fictional story (if we take it) that Vyasas were writing? Tripura wasn't even a very important kingdom in ancient Indian history nor is a part of the 16 Janpads of Bharat. Why take care of mentioning this detail if it wasn't for documentation of a real event?
That isn't how fictional stories are written.
2) The fictional stories have unanimous antagonists and protagonists, No group calls Harry Potter for example a villain or Lord Voltemor a hero, but the historical figures become antagonists or protagonists basis the affliction of people. Indians for example have Abdali or Ghaznavi as villains but they are heroes in Afghanistan. Same is the case in Mahabharata, the aren't unanimous protagonist/antagonist, Duryodhan becomes a defeated protagonist in Oriya Mahabharata (and don't forget Orrisais the state of Jagganath Krishna) probably because he was a loving husband to a Kalinga princess. There have been temples dedicated to Duryodhan even in ancient India. Aside how did Duryodhan being the husband of Kalinga princess become an acceptable fact in various Mahabharata accounts (regional ones) that isnt mentioned in the original book
3) The states like Magadh, Pandayas etc. have unbroken line of kings names documented from the king mentioned (in the epic) to rule there in Mahabharata era to early common era (till around 2nd century AD) that is just not possible in case the events were fictional
4) Kings like Cholas have their mentioned in their records about the happening of a war, why would they do that?? Mahabharata is clear that Cholas didn't even participate. Karnataka and Delhi are too far and has some basic language differences to have this narration by a rumour
5) Contary to the element of fiction, none of the characters think (or the authors think for them), its just a narration of how things happened.
6) If it was a fiction what was the reason to extend it till Swargarohan Parva?? It could have ended with the war, Yudhishtir becoming the king or at the Max the Rajsuya Yagya, what exactly did the authors of the epic aim to achieve by writing about Mausal Parva, and the abduction of women by Abheers when Arjun was returning?
7) Underground Dwarika found
The writing style doesn't match fiction, the historical records suggest war, unbroken chain of rulers in at least two states (which weren't completely related to the epic,) and the people choosing heroes by their affliction and not religious statements are very much a proof that Mahabharata is real.
Most of the historians (western) believe in its historicity of Mahabharata and have a near consensus on it(slight unacceptance always remain) have read multiple papers and majority believe that Mahabharata happened, ,(no such claim for Ramayana)
Rest there is definitely additions, the book Vyasji composed was only 6000 shloks, that of Vaishampayan was 10,000 shlokas, the one we have is 1,00,000 shlokas. Not sure when, but somewhere I read that Raja Bhoja mentioned the epic having 18000 shlokas at his fathers time and increasing to 25000 at his time. Till the time it wasnt written, it kept increasing.
Definitely not everything is true, definitely not everything means what it says(it being a poem) definitely not the statements are exact replica, but this is what we have nearest to the Itihas
comment:
p_commentcount