Originally posted by: ..Amri..
This is a lovely discussion, enjoyed reading all the replies:)
To me, a grey character is defined or delineated by the way the audience perceives him/her. It is as simple as that.
It doesn't depend on how monstrous the person has been, what he/she has done; what the underlying motive was, etc.
It purely depends on how the character has been delineated- so that regardless of how they might toe the lines of ethics and morality and even cross over to the dark side; they have the audience firmly by their side, rooting for them.
We might even be alarmed by some of their antics, we might even get apprehensive about where they are going, but we are on their side. Always.
For me Satrupa from Rishton Ka Chakravyuh is one such character- and like Ranveer she has also killed someone, but somewhere, the character has been so finely etched that we can't help but root for her. She is a part of a world where intrigue and deception are commonplace, she can be very cold and calculative, and needs to be so to survive. But the very next moment we see her grieving for her dead son, yearning to be closer to her rebellious teen daughter...and we are hooked. We can't help but root for her.
Maya or Ranveer on the other hand- somehow they appear completely black. Ranveer for example- the way he slapped Anchal for eg, and that monologue to his drugged wife saying how he can take advantage of her...after that, there is no way ANY female viewer will see him in a sympathetic light. At least, I hope not. Somehow, these writers are so lazy, they think that investing a character with a pitiful childhood redeems their evil deeds. But it doesn't work out that way.
Take Dexter Morgan for example- a heinous serial killer. He has killed many- but we still root for him because he is shown continuously introspecting, struggles with his sense of self, is conscious about his dark side that he calls "the dark passenger", makes relationships, and despite himself loves his sister Debra dearly. We see what went into making the person that he has become. And how one turn can drastically change him altogether, pushing him to either side of the line. Now THAT is exhilarating. Not this inept, broad-stroked and lazy writing that these people indulge in.
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