Review: 'Kalki 2898 AD' is a gutsy visionary spectacle & you are bound to get lost in this world

A vison was born one day, and we can see it's execution today. The hype may not be so loud, the buzz quite flickering, but the outcome is something we definitely didn't imagine. Here's what I felt after watching 'Kalki 2898 AD'. 

In the year 2898 AD, the city of Kasi, now a desert wasteland, stands as the last known city on Earth. Ruled by the god king Supreme Yaskin from his hovering inverted-pyramidal megastructure, the "Complex", Kasi is a dystopian society set against the backdrop of ancient Indian Hindu mythology. The story spans millennia, from the events of the Mahabharata in 3102 BC to 2898 AD, centering on the arrival of Kalki, the tenth and final avatar of Vishnu.

The film introduces us to Bhairava (Prabhas) and his AI droid sidekick BU-JZ-1 aka Bujji (Keerthy Suresh), bounty hunters trying to earn enough units to escape the grimy Kasi for a better life in the Complex. Bhairava appears self-centred but has a capacity for love, despite what Roxie (Disha Patani) believes. Supreme Yaskin (Kamal Haasan) rules with an iron fist, treating fertile women as mere gestational ovens for the mysterious Project K. SU-M80 (Deepika Padukone) is one such woman who might sacrifice her life for this project. Meanwhile, Ashwatthama (Amitabh Bachchan) awaits his Shivamani (a gem on his forehead) to protect Kalki. The rebels and refugees of Shambala, led by Mariam (Shobana), believe in a legend of Amma (mother), who will birth a child destined to right the world's wrongs.

Director Nag Ashwin deserves praise for his ambitious attempt to merge mythology with a futuristic dystopian world. His vision successfully blends the ancient with the modern, creating a visual spectacle that keeps the audience engaged. The film’s elaborate world-building and intricate storyline, spanning millennia, are commendable. However, while the film excels in many areas, it has its shortcomings.

One of the film's major strengths is its visual effects. Despite India's historical struggle with VFX, Kalki 2898 AD achieves a milestone with its impeccable CGI. However, the motion-captured younger version of Amitabh Bachchan as Ashwatthama in the Mahabharata sequences is noticeably flawed, and there are other things here and there that may go haywire.

The first half of the film struggles with pacing and clarity. Some sequences feel stretched and unnecessary, potentially testing the audience's patience. However, the second half of the film picks up significantly, tying together the plot and setting the stage for future installments.

Amitabh Bachchan is a standout as Ashwatthama, showcasing his legendary screen presence even at 81. His fight scenes, especially with Prabhas, are highlights of the film. Despite the evident use of stunt doubles for the high-flying action, Bachchan convincingly portrays the nearly indestructible character, reminding audiences why he remains a superstar.

Prabhas, as Bhairava, brings a playful yet intense energy to his role. His character development from a seemingly selfish bounty hunter to a hero capable of love and sacrifice is well-executed. His on-screen chemistry with Bujji adds a humorous touch to the film. Although his action sequences in the first half, where he is shown as the lazy guy trying to fight the complex men are underwhelming, Prabhas shines in the second half, particularly in his battles against Bachchan.

Deepika Padukone’s role as Sumati is pivotal, despite her character being predominantly demure and fearful. She effectively conveys the emotional weight of her role, linking the various story arcs together.

Kamal Haasan’s portrayal of Supreme Yaskin, though limited in screen time, leaves a lasting impression. His transformation into a skeletal figure for one scene demonstrates his dedication to pushing the boundaries of his craft.

The film is sprinkled with cameos, adding an element of surprise and excitement. From Mrunal, Thakur, Vijay Deverakond and Dulquer Salman, to name a few, you will be injected with high-spirited figures elevating the plot line. PS- One cameo is going to make you gaga, so wait for it.

The action sequences, particularly in the second half, are well-choreographed and visually impressive. The battle between Ashwatthama and Bhairava-Bujji is a testament to the film’s high-octane action. Despite some initial missteps, the film’s climactic scenes deliver the excitement and spectacle reminiscent of Hollywood blockbusters.

Kalki 2898 AD is an ambitious film that pushes the boundaries of Indian cinema. While it has its flaws, particularly in the first half, it more than makes up for them with its compelling second half, strong performances, and stunning visuals. Director Nag Ashwin has crafted a cinematic experience that l eaves audiences with questions and anticipation for the sequel, marking a significant step forward for Indian sci-fi cinema.